He’s a soft-spoken man with a relaxed manner, an open smile and a gentle handshake—the perfect temperament for a developer tackling a landmarked Berkeley building. -more-
The air around these pages has been crackling of late with thunderbolts hurled from the Olympian heights of Berkeley’s arts community. No sooner does artist A praise, for example, the primitive power of the examples of art at the Albany Bulb than artist B ripostes with suggestions that they are untidy and barely accessible. The “Here-There” metal cutouts installed on the Berkeley-Oakland border, to the tune of $50,000, are either witty examples of post-modernism or ludicrous mis-spending of public funds. The only public sculpture, (as far as anyone can remember) which was ratified by a ballot initiative is still, many years later, the target of derision in some circles. In light of all this excitement, it’s hard not to suppress a smile at one writer’s comment that “visual arts coverage in the Planet is infrequent and often inaccurate, a tradition one hopes will be corrected before Berkeley’s vibrant visual arts community dies of neglect or goes elsewhere.” -more-
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