Arts & Events

TUESDAY, MARCH 6 -more-

Celebrating both the richness of Jewish musical traditions and new innovations that spring from them, Berkeley’s 22nd annual Jewish Music Festival will explore the diversity and beauty of Jewish music from the world over for the next two weeks. With major artists from Argentina, Italy, Israel and the United States, “in some ways it’s the richest festival we’ve ever had, because it’s so eclectic,” says Festival Director Ellie Shapiro. “There’s everything from Italian Renaissance music to a poetry slam, cutting edge to Israeli pop.” -more-

A peripheral quality of action and inaction pervades the stage set of Berkeley Rep’s very interesting staging of Virginia Woolf’s To the Lighthouse. The sensory world juts out and curves through the playing space, projections of flights of birds, enormous raindrops, swirling seas seen from above move on the screens, music and recorded natural sounds pour through, the beacon flashes—and the cast of characters, drawn from Woolf’s memories of family summers on the Isle of Skye, meet at the intersections of social politeness and private thoughts and feelings. -more-

I’ve been birding in California long enough that new species are hard to come by. Every couple of years, something exotic may blow in from Siberia, but I’ve met just about all the natives and regular visitors. There are still surprises, though. Familiar birds—birds you think you know reasonably well—keep doing unexpected things. -more-

TUESDAY, MARCH 6 -more-

FRIDAY, MARCH 2 -more-

PFA HOSTS ANTONIONI RETROSPECTIVE -more-

Le Bateau Ivre—“The Drunken Boat”—that unique coffee house, restaurant and bar will celebrate its 35th anniversary Monday with a special musical program in the recently inaugurated (and very eclectic) Monday night art performance series: Dazzling Divas, operatic arias and duets by Verdi, Puccini, Mozart, Bizet, Charpentier and others, sung by Bay Area favorites Pamela Marie Connelly, Tara Generalovich, Kathleen Moss, Eliza O’Malley and MaryAnne Stanislaw, accompanied by Jonathan Alford, piano. Admission is free. -more-

Mark Jackson’s new play, American $uicide, now playing at the Thick House on San Francisco’s Potrero Hill, locks horns with the old saw that it’s lonely at the top. Instead, the message seems to be that when you’re scaling the heights, everybody else is yelling, “Jump!” -more-

Few crime stories have captured the public imagination like the Zodiac murders that terrorized the Bay Area in the late ’60s and early ’70s. The case has become part of local folklore, transforming the mysterious killer who targeted couples in remote lovers’ lanes and threatened to bomb school buses into the de facto bogeyman for a generation of Bay Area children who came of age in the following decade. -more-

In March 1933, the Long Beach Earthquake destroyed 70 schools, and another 120 suffered major structural damage. The Great Depression was at its height, leaving 25 percent of the nation’s work force unemployed. Things couldn’t have looked grimmer, but one creative mind was busily churning out solutions. -more-

I have a terrible confession to make. I feel really bad about it, but it’s probably not going to change any time soon. I don’t care if your roof leaks. O.K., I know that I’m supposed to make a big deal about this sort of thing but I’m not going to. There, I said it and I feel a whole lot better. -more-

FRIDAY, MARCH 2 -more-