The $500 million pact between UC Berkeley and one of the world’s largest oil companies went into effect Wednesday, though actual work had begun in June. -more-

Seventy-nine volunteers from across the East Bay underwent four hours of training on cleaning hazardous oil spills from the shoreline by the City of Berkeley and the East Bay Regional Park District at the Berkeley Marina Monday. -more-

Berkeley is home to the movement for the independence of disabled people and winner of the National Organization on Disability’s 2006 Accessible America competition, yet the disabled community expressed outrage at what people said was the mayor’s insensitivity at the Nov. 6 council meeting. -more-

“We have something to celebrate and something to mourn,” Joe Robinson told fellow members of the citizen panel advising the state on toxic cleanups in southern Richmond. -more-

A new report takes aim at the East Bay Regional Park District for not doing enough to ensure that low-income minority communities have access to open space. -more-

Today I conducted an act of civil disobedience (my first in quite some time). Using a common kitty litter scoop, I peeled globs of oil from a beach, and placed them in a bucket. I defied not only the Coast Guard, but our own city manager, Phil Kamlarz, who has declared the shore off-limits. -more-

If anyone wonders if there’s a role for classical music in the hard-edged 21st century, they should acquaint themselves with the Oakland East Bay Symphony, which had its season’s opening on Friday night at the Paramount in Oakland. We go to a good number of musical events, some of them really big hits with their audiences, but it’s only at the Paramount with Maestro Michael Morgan wielding the baton that bravura performances are rewarded with shouts of “right on” from the balcony. Sometimes (horrors) they come even after a particularly thrilling movement, in defiance or ignorance of the classical convention which counsels waiting until the whole piece is finished to cheer. It’s not just polite clapping, or even the vigorous foot-stomping on the wooden floor of Berkeley’s First Congregational Church which is used to applaud the Philharmonia Baroque Orchestra. When the enormous Paramount audiences like something, it’s expressed by full-throated roars, often ornamented with the kind of piercing whistles normally heard at rock concerts or baseball games. -more-