Berkeley police will dish out service and smiles to customers at Skate's on the Bay restaurant at the Berkeley Marina today as part of the annual Tip-a-Cop fundraiser benefiting the Special Olympics of Northern California.  

Uniformed officers will be assisting the wait staff from 5 p.m. until 9 p.m., including by performing a spirited rendition of "Happy Birthday" for diners enjoying a birthday celebration.  

In exchange for their hospitality, police are hoping to receive generous "tips" to donate to the Special Olympians.  

Skate's on the Bay has hosted the fundraiser for the past five years. The cooperation has proved successful, with the team raising $4,500 at the 2009 event.  

Berkeley police have also been involved in Special Olympics fundraising in other ways, generating more than $7,000 for the participants through a Torch Run and a 38-story rappel of the San Francisco Hyatt earlier this year.  

Officer Jamie Perkins said the event is just as rewarding for police officials as it is for the athletes.  

"It brings us great joy to see the admiration and enthusiasm the Olympians show for us," she said. "The event is really special and a great opportunity for us to give back to the community."  

The Richmond Plunge—one of the East Bay’s historic indoor swimming facilities—was formally reopened Saturday, August 14, 2010 with speeches by dignitaries and community leaders and eager enthusiasm from a large crowd that had come both to celebrate and to swim. 

“This is a great day, a great event," Richmond City Manager Bill Lindsay told the crowd. 

“This is amazing," said Elinor Strauss, one of the volunteer leaders of the Richmond Plunge Trust that worked for several years to raise public and private funds for the complete renovation of the building. “I want to start off with having all of you congratulate yourselves,” she told the crowd. “You guys were terrific, and this is what you get for it.” 

The stately eighty-four year-old Plunge stands in Point Richmond, on a level plot of land at the base of a ridge, adjacent to automobile and train tunnels that lead out to Brickyard Landing and the Richmond shoreline. 

It had fallen into disrepair by the 1980s and needed major upgrades including a seismic retrofit. The building was shuttered in 2001, while both municipal leaders and community members worked to find funds to repair and reopen it. 

The Richmond Plunge Trust was formed as a focus for fundraising and restoration planning and ultimately attracted hundreds of donors and supporters. 

Money was painstakingly secured from private gifts, from government grants, and from special causes such as a $75,000 “Partners in Preservation” grant from American Express that was awarded after a public beauty contest, with Plunge supporters voting on-line. The renovation cost some $7.5 million. 

Well over 500 people (by my estimate) crowded the newly re-landscaped grounds in front of the building and the adjacent sidewalks to hear several speakers praise the renovation project before the building was reopened. 

It was an eclectic crowd, racially and ethnically diverse, and ranging in age from one senior who had been at the Plunge on its opening day in 1926 to little kids with swimsuits and towels, impatiently awaiting the completion of the speeches and the opportunity to get inside and swim. 

Strauss praised Lindsay’s involvement and support. “We got a city manager who really ‘got’ swimming. Not many of them do.” 

The Plunge Trust Board “was tenacious, scrappy, opinionated, and always faithful to the cause,” Strauss said. 

Lindsay also congratulated the Richmond City Council for support of the project. 

“Where there’s a significant civic project such as this, there’s a lot of political decision making and political courage that goes into it”, he said. “You really do have to have that political courage, political leadership. And Richmond does have that on its City Council.” 

“We’ve waited so long for this big day, and what a day it is!” Richmond Mayor Gayle McLaughlin said, calling the Plunge “this well loved, grand place.” “This is a magical place. So many dreams have come true at the Plunge.” 

She presented a proclamation to honor Ellie Strauss and her husband Bob Strauss, whom she called “the key people behind this project.” 

Other councilmembers spoke. One noted that her grandmother was at the Plunge on opening day in 1926, and she, in turn, was now present with her grandchild at the re-opening. 

“We’ll continue to make Richmond a model for the Bay Area and the world,” said Councilmember Nathaniel Bates. “Bless you, and let’s go for a swim!” 

“It’s a symbol of what Richmond is when everyone helps”, said Councilmember Ludmyrna Lopez. “We can, yes we can, that’s our new model in Richmond. If our heart and our time isn’t in it, we can’t make anything happen.” 

“This is an example of a perfect public/private partnership…I hope it is one that can be copied many times,” said Trust leader and former Richmond Mayor Rosemary Corbin. 

“This building has contributions in it from people far and wide…Never give up,” she concluded. 

“It’s a legacy project,” Berkeley-based project architect Todd Jersey told the crowd during the dedication. “The systems are designed to last 50 years.” 

“This is the healthiest and greenest pool in the country,” he added. The water is cleaned by ultraviolet light, rather than chlorine. A solar heating system warms the water, and photovoltaic panels on the roof produce electricity. “About 50% of our power generation is from solar technology.” 

“This is a fresh air pool”, he added, noting there are 200 operable windows, rather than a mechanical system, to dehumidify and circulate air. Efficient space heaters strategically positioned above the pool edges will warm the zones where people stand, rather than trying to raise the temperature of the entire interior. 

Jersey named and praised a long list of project workers, subcontractors, and suppliers—including Berkeley’s Sun Light and Power—who had participated in the renovation. Some made in-kind labor and materials donations to the project totaling half a million dollars. 

“The project does really sell itself,”Jersey said. “After people were introduced to it, it was just a natural.” 

Richmond Mayor Gayle McLaughlin re-emphasized the green theme. “This is a green tribute to our sustainable direction in Richmond,” she said, to applause from the crowd. “We’re becoming #1 in the Bay Area as a green city.” 

She also praised historic preservation. “It’s such a great, great tribune to Richmond and the people of Richmond. That’s what we’re here to celebrate today.” 

City Manager Lindsay also repeatedly returned to historic preservation as a positive theme in his remarks. He quoted one expert:“At its best, preservation engages the past in a conversation with the present over a mutual concern for the future.” 

“Preservationists are the only people in the world who are invariably confirmed in their wisdom after the fact,” he added, quoting John Kenneth Galbraith. 

Assemblymember Nancy Skinner also spoke, commending what she called “such an expression of incredible community, public sector, private sector partnership.” She said “when I was in college I learned how to flip a kayak in this Plunge and have missed it ever since.” 

A proclamation from State Senator Loni Hancock was read, noting the importance of the restoration project as “a commitment to bring together families and communities for generations to come.” 

The event began with bagpipes, and Eliza O’Malley led the crowd in singing “Oh when the swimmers go plunging in…” re-written by Plunge booster David Vincent to the tune of “Oh, when the Saints….” 

After the ceremony was finished, the crowd poured into the building. There was a viewing period when visitors could wander through all parts of the building, including the locker rooms with recycled glass shower stalls, and custom-made aquatic mosaics. 

Then the pool area was cleared for the beginning of the first official swim period, while those not swimming could watch from the balcony. 

June Albonico made the first dive into the pool. She taught swimming there for more than four decades. A painting of her, in blue one-piece swimsuit, was included in the mural at the end of the pool room. 

Others quickly plunged in, from toddlers with their parents in the shallow end to teenagers splashing about mid-way, and adult lap swimmers quartering the deep end. Within ½ of hour of the swim start there were nearly 100 people in the pool itself and a line out the door of those waiting to swim. 

The Plunge—officially the Richmond Municipal Natatorium—opened in 1926. For decades swimmers came from all over the east side of Alameda and Contra Costa Counties—and even across the Bay, from Marin—to use the grand indoor pool. 

Some swimming facilities in the Bay Area were bigger—particularly the privately-built, Victorian era, Sutro Baths in San Francisco—and other indoor municipal pools still survive, including the Hayward Plunge (opened in 1936), but the Richmond Plunge is a special survivor from an era when cities across the country invested heavily in public recreational facilities and programs, particularly for children. 

The Plunge stands at the edge of Point Richmond’s small business district, behind a columned neoclassical façade decorated with small, gilded, seahorses. 

The two-story north front of the building contains the main entrance and check in area, locker and shower rooms, with the spacious pool area beyond. The pool extends 160 feet and is 60 feet wide, replacing a different pool arrangement with separate children’s swimming areas. A popular water spouting “mushroom” that once stood in one of the children’s pools was relocated and installed outside the building as a fountain. 

White-painted metal trusses and a vaulted wooden roof topped by a light monitor span the enormous pool. The interior—aside from the water—reminded me of the large multipurpose piers at Fort Mason in San Francisco. 

A “U” shaped mezzanine gallery rings three sides of the pool and provides a spectator area. 

At the far, south, end the wall is covered with a huge mural by John Wehrle of the Richmond shoreline along the Bay, complete with lawns, ponds, and egrets. 

The Plunge is operated by the Richmond Recreation Department. It offers recreational swimming, lap swimming, and swimming and water fitness classes, as well as instruction in canoe and kayak handling. 

Non-Richmond residents can swim for $6 / adult, $4 / child. 

--For more information, see: 

Save the Richmond Plunge Trust website: http://www.richmondplunge.org/ 

Richmond Recreation aquatics program website: http://www.ci.richmond.ca.us/index.aspx?NID=421 

Todd Jersey Architecture: http://www.toddjerseyarchitecture.com/ 

John Wehrle, muralist: http://www.troutinhand.com/ 

And an article by Richard Brenneman about the struggle to renovate the Plunge in the March 28, 2006 Planet.

The University of California at Berkeley has been forced, by the California Department of Public Health, to abandon significant portions of its “Bring Your Genes to Cal” orientation program for incoming freshmen. The Department of Health informed UC Berkeley that major aspects of the orientation program – described as an “experiment” by the university – are unlawful. Today the university announced significant changes to the program to comply with the state’s demands – although questions remain concerning the program.  

At today’s press conference, the Berkeley Daily Planet was able to inquire into three issues: First, the university’s retreat raises new questions about the ethics of continuing the exercise at all: whether or not students are now dragged into an experiment to which they did not agree. Second, the scientific value of the project is newly in doubt. Third, possible conflicts of interest behind the project (and the forces that create them) are coming into sharper view. 

The Situation 

“Bring Your Genes to Cal” is a novel freshmen orientation exercise in which incoming freshmen are invited to volunteer for a limited form of genetic testing. Students who sign a consent form (and underage students whose parents sign) may submit saliva samples. Three genes from those samples will be tested. The genes tested pertain to one’s ability to metabolize alcohol, lactose, and folic acid.  

To date, approximately 700 incoming freshmen have returned samples and UC Berkeley researchers are predicting approximately 1000 submissions total. Students making submissions have been informed that, in exchange, they will have anonymous access to their individual results. Meanwhile, UC Berkeley will own the aggregated (anonymous) data of all participants. Consistently, throughout the project, representatives of UC Berkeley have indicated that individual test results may suggest that, for better health, students should adjust their diet.  

The California Department of Health called UC Berkeley on to the carpet. In their view, the test and accompanying dietary advice comprise a clinical trial – experimental medicine. Under California state law, human subjects may participate in such experimental testing only if the testing is recommended by a licensed physician to each individual patient, and if the lab work is conducted by a certified testing laboratory. In the case of “Bring your Genes to Cal”, neither is the case: no individualized physician recommendation is required and the lab work will be done in a UC Berkeley lab rather than a certified clinical lab. Consequently, as advertised, the “Bring Your Genes to Cal” program is arguably illegal.  

In a press conference today Professor Jasper Rine and Dean Mark Schlissel–the 

lead scientist of the project and the dean of his department–announced that while they disagree with the Department of Health’s interpretation, they will cede to it and make “significant changes” to the program, midstream.  

In particular, students who volunteer for testing will no longer be permitted access to their individual results. Their results will still be measured by the university and the university will still own the aggregate results–but students will not be permitted to see their individual results. This change, according to UC Berkeley, will satisfy the law.  

In addition, Schlissel and Rine announced that there would be additional seminars on the “ethical, social, and political implications” of this form of genetic testing.  

In a press conference today, the Berkeley Daily Planet posed some questions to Schlissel and Rine. Our main concerns were whether it is ethical to proceed with the program at all, whether there is any actual scientific value to the exercise, and whether (as some have charged) Rine’s role in the program presents a significant conflict of interest. 

On the Ethics of Continuing the Exercise at All: 

As of this writing approximately 700 students are known to have submitted samples for testing under the understanding that they would anonymously see their individual results, while UC Berkeley would own the aggregate data. Approximately 1000 students are expected to provide samples with that understanding in coming days.  

Today’s change to the program means that while UC Berkeley will still own the aggregate data, students will not see their individual results. The ethical question then arises: should the exercise be continued at all—or should the university simply destroy the samples and cancel the exercise.  

The Berkeley Daily Planet asked about this and Schlissel replied “Several of us discussed that at great length. We decided we would do what we told the students we would [insofar far as] testing the genes and presenting as much data as allowed. [If there are students upset at not receiving their individual results] we would refer them to the Department of Health. We would be happy to give them as much as we are permitted to.” 

On the Science: 

Schlissel and Rine have repeatedly described the orientation exercise as a scientific experiment. We asked what hypothesis the experiment was designed to test.  

Schlissel replied that the hypothesis being tested is whether or not programs such as “Bring Your Genes to Cal” are an effective way to engage students, particularly students not majoring in biology, in the complex issues that surround genetic testing. He added that the methodology would involve the taking of attitudinal surveys.  

In effect, what appears on the surface to be a biological experiment now turns out to be a sociological experiment designed primarily by biologists (in extensive consultation with colleagues of many disciplines). 

Questions of Conflicts of Interest: 

Schlissel and Rine have consistently described the program as testing genes of no medically actionable significance and, as Schlissel put it today, and as concerning “non-commercially important genes”.  

These claims are somewhat surprising. In 2008, Rine published research that studied one of the genes in question (concerning folic acid metabolism), examining the genetic variations that exist and their possible medical consequences. One of the questions posed by this research is whether or not dietary adjustments are medically appropriate in response to the results of such a genetic test.  

Rine is additionally a founder of Vitapath, a start-up firm that, initially, is “intended to help prevent Spina Bifida by identifying women who carry genetic risk factors that can be overcome with high dose folic acid”. One of the genes tested in “Bring Your Genes to Cal” falls into that category.  

During the press conference, Rine remarked “I’d like to give thanks to the press for their enthusiasm to cover this story. You couldn’t buy publicity like that.” Subsequently, Berkeley Daily Planet asked Rine to address the conflict of interest questions directly.  

He remarked: “Five years ago, my colleagues and I [formulated a promising genetic hypothesis] about Neural Tube Defects [such as Spina Bifida]. We applied for federal grants sufficient to test our hypothesis and were funded at 1/3 that level. It was not enough money to test our hypothesis. So, four of us established a company with venture funding to fully fund the research.”  

Rine suggested that such a funding pattern was the rule more than the exception, these days.  

Schizophrenia is a widespread illness that has been around a long time. There are those who believe it is a biologically based condition requiring medication, and there are others of the opinion that the brain can recover on its own. There is a sometimes-fiery debate between these groups. 

I think part of the anger of the anti-medication folk stems from the mistreatment that has traditionally ridden upon the back of the medicines. The anger isn’t just about medication, it is about being forced to take medication in the absence of trying something else, and it is about being put in restraints, being denied basic dignities, and being thought of and treated as an idiot in comparison to the all-knowing mental health professionals. 

The belief in medication hypothetically removes some of the stigma of mental illness, but this is not so in practice. If you have a biologically based brain disorder, as science believes, it implies that you could be every bit as psychologically fit and emotionally mature as the psychotherapists who are paid well to put us on the right track. But in practice, it is assumed that you are an adult with the psychological and intellectual development of a child. Some of the anger stems from that. 

And when someone who works for the system tries to get out of the rap directed at him or her by saying we’re imagining the problem due to our mental illness, it is an invalidation that is a big part of the abuse. Sometimes therapists avoid accountability by analyzing; “what’s your deep psychological issue that makes you think incorrectly that I did something wrong?” It takes valid anger and turns it into mushy helplessness; it’s psychological castration. (You might guess I’m angry about it.) 

The problem with being caught up too much in anger toward “the system” is that we deny ourselves essential help. I’m sorry, but it is a fool’s game to try to detox from anti-psychotic medication. While it’s arguable, according to some people, not me, that there are alternatives to medication for a psychotic person, it is clear that if you have been on medication for a period of years, essentially you can never get off of it. 

In all fairness, most mental health professionals are good people who want to help. 

My brain’s reaction to going off anti-psychotic medication, (and the last time I tried that was fifteen years ago), was very profound, like being swept up by a tornado, and not in a good way. I was witnessed wandering the streets of Martinez and Concord, and finally walked to a church in Pleasant Hill, where the people at first tried to help me, and finally, after phoning my relatives, realized that I needed to be taken to the hospital by the police; this is known as a 51-50. 

While medicated, I have retained my faculties, something that many mentally ill people haven’t done. One reason for this might be that I have applied myself; this includes my career in electronics, my sometimes written meditation, my efforts at various types of employment, my continual efforts toward professional writing, and trying hard at life in general. Another reason could be that I have relapsed only about four times; and these relapses have been years apart. Or, I could just be lucky. It is possible that the damage that medication does to the brain is by means of atrophy. The medication, by blocking serotonin and dopamine, makes everything in life harder, and this makes it tempting to allow oneself to become immobilized. 

It is a naïve and arrogant attitude to believe in the fundamental helplessness and inferiority of the mentally ill person, and projecting this belief on us starts to promote its reality. 

A family member said to me that I could handle any situation. That person is aware of some of the things in life I’ve dealt with, but might not realize how fearful I was in some of the situations, and how difficult it was to get through them. While in some cases I was thrown to the wolves and became a better person for it, I would have chosen a less extreme estimate of my capabilities, and a bit more comfort. Now that things have settled down, I am aware that the feeling of being secure can only be produced and maintained on the inside. Yet, actual security requires a lot of work, and is a fleeting commodity. 

I am glad that people aren’t, in some subtle way, calling me an idiot; they’re more liable to asking me for help with their computer. 

Poetry is Berkeley's newest addition to the generally prosaic realm of the Candidate Statement. Berkeley City Councilmember Kriss Worthington's 2010 re-election statement consists entirely of a poem. 

Worthington has long supported artists and funding for the arts, and wondered if using an art form might gain his City Council campaign support from people bored with politics as usual. He was recently inspired to use this novel approach to winning over voters by local musician and poet Avotcja. At her birthday party at La Pena, Worthington was impressed as poet after poet wove together personal tributes to Avotcja, intermingled with musical and political commentary on the major issues of the day. 

Although an admitted amateur in comparison, he felt motivated to give it amtry. 

The product of his efforts is now part of the official campaign record. Each four-line stanza covers two different topics. They range from the opening playful humor of: 

"The Sierra Club says vote for me, 

And who am I to disagree.” 

To a serious, complex couplet on the details of the City budget: 

“When concern for taxpayers was moribund, 

I made the motion for the Rainy Day Fund.” 

To a revelatory conclusion on the importance of keeping him on the City 

Council: 

“I reformed the Permit Process but it’s still not right, 

so you need to keep me there on Tuesday night.” 

Although the poem lacks a strict adherence to classic iambic pentameter, it 

does follow a classic format. The poem consists of six quatrains. 

(A quatrain is a stanza of four lines, usually rhyming.) The rhyming 

couplets maintain an AABB form throughout. 

With each rhymed couplet covering a new political topic, Worthington manages 

to squeeze 15 different subjects all into a mere 200 words. These include 

Environment, helping Seniors and Disabled, Peace, Labor, Consumer Rights, 

Diversity, Crime Prevention, Small Businesses, Eco-passes, Tenants, 

Northside, Southside, Permit Process reform, and his “Independent 

Progressive Voice." 

For many years poet June Jordan taught a popular class called “Poetry for 

the People", which has since been carried on by students. Worthington, who 

was her friend and admirer, was so impressed by her combination of poetry 

and politics, that he tried to get her to run for office. Now he offers 

his own personal blend of politics and poetry. He expressed hopes that 

the novelty of this stylistic approach might break through to appeal to 

voters who may otherwise not pay attention. Indeed, the poem already 

elicited very favorable responses on Facebook. 

Will Worthington give up his day job, to go into full-time poetry 

writing? Not likely, since that may be one of the very few jobs that pay 

even less than the City Council. Will the voters of Berkeley think this is 

a distraction from the seriousness of the campaign? Or will this approach 

in fact get more voters to stop and think about the issues? 

One poem is unlikely to make or break an election. And we do not know if it 

will affect even one vote. But we do know that once again, Berkeley -- and 

Berkeley's progressive leader Kriss Worthington -- is a trailblazer in a 

different way of doing things. 

Candidate Statement POEM, by Kriss Worthington 

The Sierra Club says you should vote for me, 

And who am I to disagree; 

To non-profit groups I found money to give, 

to help the seniors, poor, and disabled live; 

For Peace, for Labor, for Consumer Rights, 

I go to meetings most days and nights; 

I practice real diversity, the MOST Asians,  

Latinos, students and women were appointed by me; 

When concern for taxpayers was moribund, 

I made the motion for the Rainy Day Fund; 

To stop violent crime I wrote a plan, 

for ambassadors working with “ the Man”; 

Small businesses I helped with parking and lease, 

so you can come and shop here please; 

I voted no on the bad BRT, 

but lets get EcoPasses and Multimodal Connectivity; 

As a tenant myself I know how it feels, 

so I help lotsa tenants try for better deals. 

I work long hours at very low pay, 

to get Northside and Southside to have their say; 

I love our people and love what I do; 

An Independent Progressive Voice working for YOU 

I reformed the permit process but it’s still not right, 

so you need to keep me there on Tuesday night! 

Kriss Worthington for City Council 2010 

Endorse, Volunteer, Contribute at 

kriss@krissworthington.com 548-8796, www.krissworthington.com 

ARIZONIFICATION 

I will stake my reputation 

that a fair investigation 

will show that immigration 

is truly good for our nation. 

So I make this invitation 

that we stop discrimination, 

deportation and incarceration 

and just STOP Arizonification. 

We need activation and legislation 

for fairness and legalization 

With education on immigration 

we can be a caring nation 

and just STOP Arizonification. 

ODE TO BARBARA LEE, at A Brand New Day 

Barbara Lee speaks for WE 

in the LGBT community. 

She went to Mills College and to U.C. 

where she triumphed over poverty. 

She worked real hard in Dellums day 

and learned the skills she uses today. 

She moved to the State Assem-bl-y 

to fight for you and me and equality. 

Now in Congress, Barbara speaks for me 

in books and papers and on TV. 

She supports the bills that you want to see 

and opposes ones that hurt you and me. 

She supports an ENDA that includes the T 

and letting us serve in the mil-i-tary. 

George Bush giving in, was a sight to see 

when she won money to fight AIDS internationally. 

She's a founding member, you'll be glad to see 

of the Congress Caucus for LGBT equality. 

Now i never graduated with a PH.D 

in english language or poetry 

but I do know Barbara is the EPITOME 

of the American Dream, successfully, 

working for us ALL inclusively. 

She's an honorary member of our family. 

UNION NEGOTIATIONS NOW 

The economy's not great 

by the hand of fate 

on this sad date 

but it's time to NEGOTIATE. 

I do not exaggerate 

the time is late 

Let me simply state 

it's time to NEGOTIATE. 

We must educate 

we must pressure the state 

but we can not wait 

it's time to NEGOTIATE. 

“Carthago delenda est.” Carthage must be destroyed. Generations of students of Latin used to learn that phrase as the example of the passive periphrastic construction, used to indicated that an action is an obligation. It’s attributed to a Roman senator,Cato, who is supposed to have used it as a tag line in all of his speeches before the 3^rd Punic War, a century and a half B.C.E. (Before the Common Era.) 

In those days, as now, wars and enmities over what’s now called the Middle East went on seemingly forever. Carthage was what is now Tunisia, then as now a hot property situated near other hot properties. 

These days the same kind of relentless refrain is coming out of Israel: “Iran delenda est.” (Or is Iran a masculine noun?) Iran must be destroyed. 

And this dictum is starting to echo in the United States. Yesterday a friend forwarded the Weekly Update from a curious organization called Christians United for Israel. 

Main message: “CUFI holds hundreds of pro-Israel events every year. We pray that you will join us at one in your city.” 

“Scripture of the Week:” “Let God arise, let His enemies be scattered…”(Psalm 68:1). 

Why? Because “Russia made a bone-chilling announcement on Friday, informing the world that on August 21st they are going to load nuclear fuel rods into an Iranian reactor.” 

And even though Russia says that Iran will send the spent rods from this power plant back to Russia so they can’t be made into plutonium “the empty promises of Israel’s enemies echo throughout history as they bounce off the ruins of every nation that has ever lifted its hand against ‘the apple of God’s eye.” “. So don’t try anything. 

The letter lists “Immediate Action Items:” 

· “Pray for these two enemies of Israel, Iran and Russia. Pray God’s hand to be strong upon them, and that any wicked plan formed against Israel will fall upon those who devise it. “ 

· “Intercede on behalf of our nation and current administration. Pray that godly counselors are brought to our president and nation’s leaders and that the United States continues to stand with Israel. Pray wisdom, strength, and courage for the leaders of Israel.” 

Et Russia delenda est? Russia must be destroyed too? 

One may well ask, if God, CUFI and Israel are on the case, why did the United States have to get sucked into this conflict? 

Concerned Berkeleyans got some answers at the Hillside Club on Friday from a compelling book talk by Andrew Bacevich, a West Point graduate and retired Army colonel who has devoted the last few years to exposing the dogmatic ideas which he thinks drive American foreign policy and the Washington establishment which controls it. His motivation has become a compulsion since the 2007 death of his army officer son in a war in Iraq which he himself opposed. 

Bacevich’s latest book, Washington Rules, identifies a belief structure among those Americans both Democrat and Republican who control foreign policy which he describes as a credo and a trinity. He managed to capture the essence of the book in forty minutes enlivened by a good bit of self-deprecating humor. 

The credo, the central element in the system, was first articulated in Bacevich’s opinion by Henry R. Luce:
“Writing in Life magazine in early 1941, the influential publisher exhorted his fellow citizens to ‘accept wholeheartedly our duty to exert upon the world the full impact of our influence for such purposes as we see fit and by such means as we see fit.” Luce thereby captured what remains even today the credo’s essence.’ 

Ends and means, two parts joined in one neat package. 

Bacevich admitted with a smile during his talk that the form of his analysis was influenced by his Catholic upbringing and current faith. Early experience with doctrinaire beliefs trains you to recognize them when you see them. 

(Even before this admission, I marked him as the cultural product of the Church of Rome—his tight, structured argument reminds me of the smart boys from the Jesuit high school whom I debated in Los Angeles long ago, who excelled at organizing ideas into a persuasive package. They won all the debate tournaments that year, and one of them went on to be the Democratic leader of the state senate.) 

Here’s how Bacevich summarizes the three main Washington Rules he identifies: 

“Call them the sacred trinity: an abiding conviction that the minimum essentials of international peace and order require the United States to maintain a global military presence, to configure its forces for global power projection, and to counter existing or anticipated threats by relying on a policy of global interventionism.” 

In Bacevich’s view, that’s been the structure of U.S. policy ever since the end of World War II, and it’s had terrible consequences both for the rest of the world and for what should be domestic priorities. And following the Washington Rules is what’s gotten us recently into two disastrous wars in the Middle East that had little to do with the needs and aspirations of the American people. 

Now we’re stuck in a dead end in Afghanistan and threatened with being sucked on Israel’s behalf into something even worse in Iran, all because of a misbegotten ideology that says Americans are destined and even compelled to rule the world. Bacevich likes to describe himself as a “traditional conservative”, and does an almost convincing job of playing that role, but his admonitions went down well with an audience of whom at least half seemed to be KPFA listeners. 

We’re at a point when some self-defined conservatives and most self-styled progressives are aware that running the world might not be such a hot idea after all. But the bi-partisan or really non-partisan consensus which dominates official Washington hasn’t gotten the word. 

That point was well illustrated by a World Affairs Council talk by Defense Secretary Robert Gates broadcast on KQED radio on Monday night. Gates made it clear that in his view U.S. military spending should never go down, only up, and that the U.S. role in Afghanistan and Pakistan and neighboring areas would never end. 

His online bio says that he “is the only Secretary of Defense in history to be asked to remain in that office by a newly elected President. President Barack Obama is the eighth president Dr. Gates has served.” In other words, elections come and go, but players like Gates stay the same, following the Washington Rules, and electing Obama made no difference. 

Is there any way to change the game? Gates spoke scornfully of failed attempts to rein in the military establishment after each of the major international conflicts in which the U.S. was involved during the second half of the 20^th century. Each time, in his view, proponents of a big strong military force eventually won out, and not a moment too soon. 

As long as Americans are persuaded by the academic-military-industrial complex which has run our government since the end of World War II that it’s our job to police the world, that there’s always some country or culture out there that “must be destroyed,” wars will never end, and the genuine major threats (climate change, poverty, disease and more) which now confront the people of the world will never be addressed. Unfortunately, it looks like Barack Obama has been sucked into the dominant Washington culture. 

The subtitle of Andrew Bacevich’s latest book is “America’s Path to Permanent War.” He closes with a somber exhortation: “If change is to come, it must come from the people. Yet unless Americans finally awaken to the fact that they’ve been had, Washington will continue to have its way.” 

He ends this way: “To willfully ignore the danger is to become complicit in the destruction of what most Americans profess to hold dear. We, too, must choose.” 

Can we, will we? And how should we act on our choice? Read the book for more questions and some possible answers, but no guarantees.

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What Christians Know about Islam; Some Questions about the Fall School Bond Measure; Gay Marriage; Eyesore On Telegraph; Correcting My Mistake;Dorothy Bryant’s Letter on Mental Health 

What Christians Know about Islam 

Christians probably know about as little about Islam as can be know. When we really think about it we realise how ignorant we are of both their religion and the people. About all we've ever heard has been the very negative and uncomplimentary propaganda by so-called Christians and Christendom and the Western enemies of Islam 

What good have you ever heard from the West about the Muslims? Honestly now, how much good have you ever heard about the Arabs, even before they became famous for their oil? I think the horrible impression that most people have had of the Arabs stems from the Crusades. 

What little they remember is that the Muslims were some kind of fierce cruel warriors who the so-called "Christian Crusaders" had to fight to so-call "free" the Holy City, using just as much cruelty against the Arabs as the Arabs were accused of using against Christians. So it's about six of one and half-a-dozen of the other, only the cruelty of one was done in the name of Christ, sad to say, which is even worse, whereas the Arabs were really defending their homeland in the name of God. 

"Darkness cannot drive out darkness; only light can do that. Hate cannot drive out hate; only love can do that. Hate multiplies hate, violence multiplies violence, and toughness multiplies toughness in a descending spiral of destruction…."Martin Luther King, Jr., 

Ted Rudow III,MA 

*** 

Some Questions about the Fall School Bond Measure 

Unlike Measure C, which was an attempted accounting scheme to move money into the General Fund, the school board is asking for $210,000,000 to make improvements to the school facilities. As a resident and parent, it's obvious that some of the infrastructure is downtrodden and needs support. 

As a taxpayer who will have to fund these bonds over the next 10 years, I think we also need an honest dialogue( unlike Measure C) about the terms of the bond and the arrival at a 210 million dollar number without an adjoining construction bid or audited list of improvements. 

Most government bonds just throw a big number out there as a slush fund- and seem obligated to use the entire amount regardless of the original need. Questions for the School Board are: 

- 210 million dollar request is from what source?
- What's the punch list of improvements requested or needed- in horrific detail
- what are the terms of the bond and interest rate. Who is the underwriter and are they donating to the measure's campaign in the Fall.
-which facilities are in need of immediate repair and need the bond money up front as opposed to a tax which would be cheaper by almost 30-40% in the long run. Can the "bond" be smaller so the total payment is less?
-list of contractors and construction firms. Was this open bid? Were minority firms involved in the bid process? This is an opportunity to employ local firms- are any involved?
- Berkeley BUSD website has a bond proposal detailing in gory detail who and what is eligible for the assessment but not much on the accounting of the projects. It is also interesting to note that commercial business( what's left of it in Berkeley) is charged 33% more per square foot than residents. Last I checked, businesses were not the primary beneficiary. Why punish businesses when the City has a legendary problem attracting employers into the area? 

Berkeley as generous as it is, also should get VALUE for each dollar borrowed and paid back. A flat out "Hail Mary" bomb toss by the district means waste and lost opportunity elsewhere. Consider that an economical dispersement of 210 million could be used for more than school facilities but saving pools, Iceland, parks and other civic facilities. 

Residents and taxpayers need to understand that borrowing money has consequences, most of them beneficial to the moneylenders who were most probably bailed out by taxpayer money 2 years ago. Value for the tax dollar is usually heresy for Berkeley voters, but in today's economy I hope we can set the expectation that people actually care where and who gets all this money. 

Justin Lee 

*** 

Gay Marriage 

It is particularly amusing to hear some who choose to deny gays a "marriage"label, using the argument that a child needs a mother and a father. 

Sorry guys, gays have been creating families as successfully or as challenging 

as those of heterosexuals for some time now, and of course will continue to do so with or without the blessings of a "marriage" label. 

Gerta Farber 

*** 

Eyesore On Telegraph 

Among the several eyesores along Telegraph Avenue, none is more unsightly than the empty lot at the corner of Haste Street, former site of the old Berkeley Inn, which once housed 77 units of low cost apartments. This ugly lot, now encased in a formidable iron fence, adjoins a tattoo and piercing store with a bold mural along its wall. There are several signs, in and near the lot proclaiming "Drug free zone." This makes me wonder if this valuable piece of property is also a "Tax free zone" Who IS paying the taxes? 

To my original letter to the Planet a few years ago, voicing my concerns, Carol Denney very obligingly responded with a history of the Berkeley Inn, saying that it had been deliberately burned down, thanks to the "moderate" majority on the City Council, thus depriving low income citizens affordable housing. That's rather hard to believe, but whatever the circumstances that resulted in this God-forsaken lot standing within a few blocks of the University of California, I would hope that the present City Council or powers that be take whatever action is needed to do away with this hideous fenced-in lot, an affront to Telegraph Avenue and, for that matter, to Berkeley itself! 

Dorothy Snodgrass 

*** 

Correcting My Mistake 

I wish to apologize to Kriss Worthington for a mistake I make. A letter in the 8/12 online issue from David Joseph noted that Kriss Worthington had indeed spoken of the suspicious death of Nicholas Bailey at the Anna Head parking lot at the City Council. I mistakenly had said that he did not. I certainly did not make this mistake on purpose. Please accept my apology. 

George Beier 

Dorothy Bryant’s Letter on Mental Health 

It was a joy and a pleasure to read her incisive comments, good writing and level-headed attitude. I might as well say it always is. Thank you, Ms. Bryant, and thank you, Daily Planet, for your providing a forum for community input. 

Trish Thomas 

*** 

Dear Mr. President:

Your Press Secretary has recently been quoted as strongly criticizing those of us Democratic Party activists who feel that you have failed in some of the most important promises you made, stated or implied, during your campaign and that you are not steering our country in the right direction. He dismisses us as the “professional left” as if we were the ones making a living from politics. We worked very hard for your election as we do for all candidates who seem able and willing to work for progressive social change, and to make a better life for our citizens and for the world. Your rhetoric often suggests that you share this goal, but your actions frequently prove otherwise. We do not simply disagree with you on a single small issue. Unfortunately our unhappiness and disappointment has a broad scope. To name a few examples: 

You promised to work for meaningful health care reform – we got a woeful compromise. You committed to seek to reign in an out-of-control financial sector – we got third best. You seemed to be in favor of winding down unnecessary and increasingly inept and unwinnable foreign adventures – we got an escalation of an untenable and unending war. You promised to close Guantanamo and end don’t ask, don't tell – neither has seen much of your efforts. You campaigned against the Bush imperial presidency, and then you expanded it. We could go on.  

In our opinion you have failed, in whole or in part, to deliver on many of your commitments. Instead, you have continued and supported some of the Bush policies that many hoped and believed, based on your utterances, you would quickly terminate. At best, the many who supported you and believed that you were going to bring about great change are confused and disappointed; at worst, they find themselves less motivated to continue their support for you. The Republican policy of lock-step unthinking resistance to any meaningful change is, of course, in large measure to blame for our disappointment. But when we see you capitulate in advance of negotiations by submitting far less than the public needs and deserves (health care, financial regulation, public education, women's reproductive rights) or affirmatively go in the other direction (civil liberties, the war in Afghanistan, to name a few instances), we are deeply offended. Then, to add insult to injury, your Press Secretary, Mr. Gibbs, publicly castigates and belittles us as the "professional left", whatever that means, and suggests that we need to be “drug tested”. 

But we are not a "professional left." On the contrary, we are among those volunteers from around the country who campaigned, raised and contributed money, and voted for you. We were, and are, active in your Democratic Party; indeed, many of us were active in it long before you arrived on the scene.  

We take issue with the fact that apparently Mr. Gibbs has no qualms about insulting us and diminishing our hard work and years of faithful support. We resent being vilified and dismissed by your Press Secretary as if our opinions were not representative of a large number of your voters and supporters and as if we were as truly hostile to your program as the "just say no" Republicans. We don't, however, make the mistake of seeking to shoot the messenger. Gibbs (and even Emanuel) is not the real problem, Mr. President. We fear you are. We demand that you do a better job of exercising your powers as President; that you represent us better; that you cleave to your promises to us with more fidelity; and that you refrain from sending forth your minions to attack our right to disagree. Our country is in grave danger on many fronts and we respectfully reserve the right to continue to insist that you adhere to your promises to the American people, and your supporters without being told that we are your real problem.  

Indeed Mr. President, you have enemies that wish to see you fail but we would hope that your administration has the clarity of vision to recognize that we are not the enemy.  

Respectfully, 

The Officers of the Progressive Caucus of the California Democratic Party: 

Karen Bernal, Chair 

Mal Burnstein, Northern California Vice-Chair 

Dotty LeMieux, Secretary 

Ralph Miller, Treasurer 

Jeffrey Killeen, Parliamentarian 

Mayme Hubert, Officer-at-Large 

Dr. Bill Honigman, Officer-at-Large 

J Brian Washman, Officer-at Large 

A particularly onerous obstacle to any lowering levels of atmospheric pollution CO2, CO, methane, nitrous oxide, CFCs, aerosols and black soot into the air leading to any reduction of effects on climate intensity, avoidance of sea level rise, ecological flora and fauna protection and saving habitat for humans is the use of the term “jobs.” 

Jobs (not Steve but work) is used as a disguise for continued corporate pollution and profitable waste to prevent environmental protection or acknowledgement that social change must occur to make any dent in the ineluctable one or two degree Celsius increase from climate forces that will cause all sorts of damage. We now see droughts and fires in Russia, the Gulf pollution, Pakistan floods, and intensity of hurricanes arriving along with sea level rise, glacial melt and that wonderful variable factor “feedback response” in which different aspects unite to increase the intensity of all the above. Climate change is a current topic of journalistic fumbling while the greenwashers will prevail in the US. 

However. the subject is not made of one issue, or simplistic fixes. The intrinsic contradictions within the system persist and remain obstacles to any effective response. It wants to destroy its own resources. It would be helpful to cite the duplicity being used to continue marching to the tune of Obama-hope and green-entrepreneurs. 

When General Motors wanted to obtain bailout funds from Obama’s economic advisors, Geither and Summers, they said “Jobs! GM is here to protect jobs.” While Union members prayed for GM, the corporation was loaned $50 billion to revive GM’s machinery to produce cars that pollute in the making and the running and in the replacing. In 2008-9 when the auto industry only made 12 million private autos, fewer people died in crashes and destruction and pollution was reduced. When they ramped up to 15 million cars, providing more jobs, more people died, more pollution was created. Recently E. Whitacre Chief of GM, a major producer of military vehicles, said, “We want the government out, period.” He aims to return the $50 billion since the Treasury owns 61% of GM. ( NY Times. Aug 6,10: B1) Will GM hire more workers and produce more cars to produce more pollution resulting in more dead, injured drivers and pedestrians? And where do the older cars go, into what dump site? 

Had the Obama funds been devoted to public transportation buses, trains, jitneys, tricycles, skateboards, roller skates, walking sticks, hiking boots it would have saved thousands of lives, provided different jobs and produced less pollution and incidentally lowered the carbon footprint of the auto industry. The bailout of GM doesn’t mean that the autoworkers will obtain improved wages, health benefits or better working conditions. A United Auto Worker member who used to make $34 an hour now gets only $24 an hour while recent hired get less. Auto factories in the South are often non-union and the pay is closer to $15 an hour. 

In the BP case, Gulf state governors Democrats and Republicans all agree to keep drilling – drilling leads to oil spills before during and after, leaks, or blowouts, gushers, polluting burn offs, dribbles, dumps, and waste discarded into the waters. BP is “beyond oil” but still into pollution, all to keep jobs! BP and other oil corporations demand to lift the ban on deep-water drilling along with thousands of workers who make good money, followed by all the equipment providers, retailers and communities that fish part time and oil rig half time. 

The odd element here, called false consciousness, is when the shrimpers assist in the opening of deep water drilling which in turn inevitably poisons the fish habitat, and the water column. Perhaps the hydrocarbon and dispersant diet the shrimp ingest will increase their color for sale. However, reading closer, a number of resort supply houses are importing fish from outside the Gulf. 

Wetlands soaked in oil are not in the adverts BP places in the NY Times and the WS Journal, rather pictures of crews cleaning up oil blobs on beaches. How misfocused are those full page adverts when the significant ecological food producing areas are the wetlands, the delta, the coral reefs, the water column – all less visible but more important even to tourismo. “Phytoplankton ala BP Gusher oil” must be on someone’s Fish Menu. 

Meanwhile Obama announced it was “all right to fish” in the Gulf. In all sections? Fishing organizations want an outside examination of the hydrocarbons and dispersants in the water column. Where did the 

un-accounted 2.5 billion barrels of oil go? 

The Gulf, like many bodies of water around the US, has been a dumping ground for military waste, ship ballast and runoff from agribusiness toxic pesticides, as the Mississippi delta has been. The Gulf waters heaves up and the pollution up-she-rises (old folk song) yet the workers join with BP leading the racket to damn and deny ecological matters. “Forget next year, we want jobs now.” 

And so 10,000 voters tell their governors who tell their Senators to tell Obama, lift the drill-moratorium on deep water sites, ignoring and denying that the pollution kills not only the fish-bird-fish-food web, but the first recipients are workers who breath in toxic air pollutants, or die in blow outs, as the great energy/profit search endangers a whole ecological system. The workers in or out of unions demand to be exploited (paid well), while industry (in this case Halliburton, Transocean, plus BP) exploits all within touch, or breath. 

One factor more (and the greatest obstacle to any US reduction of CO2, methane and nitrous oxide (ozone depleters) leading to increased warming) is the US military with its Pentagon budget of $700 billion a year (ever rising) and connections to every state in the Union. Each state receives a cut for production of weapons,therefore Senators vote for the stimulating military package, despite the pollution created in manufacturing and the use of vehicles, helicopters, airplanes with ecological damage visited upon other countries, populations, even the US soldiers who use Depleted Uranium, or breathe in the wonders of “Open Burn-Pit” fires in Iraq and Afghanistan. (NYT Aug. 7, 10: A10) 

I have been doing research on the ecological damage the US military is responsible for, so I could use data to backup my statement that the “US military is the worst ecological disaster devised by the US Empire.” I had to work that sentence over a few times. 

“The worst ecological disaster is the military and its wars.” Or, 

“The Military is the worst ecological disaster of the Empire.” Or, 

“Capitalist Militarism is the worst example of ecological damage.” 

I haven’t found a satisfactory sentence to include just enough without making it sound apocalyptic. But I did find a good story whose last line was key. “Old Weapons Off Hawaii Should Stay Put, Army says. Honolulu. (NYT Aug l, 10: 19). Chemical weapons dumped in deep water five miles south of Pearl Harbor after World War II should remain at the site because moving them could pose more of a threat to people and the environment, the Army says.” [Nine paragraphs later] “The military used the ocean as a dumping ground for munitions from 1919 to 1970.” [1919?] 

I found this on August 6^th__ Hiroshima day.

Westwood, a 17-campus system based in Denver, allegedly deceived prospective students by employing admissions representatives whom it puts forth as academic counselors but who are actually hired for their sales skills. At for-profit colleges, nearly two-thirds of borrowers couldn't pay back their student loans. At the University of Phoenix alone, that amounts to $2.8-billion in federal student loan debt that isn't being paid down 

Go to the current UCSD Extension Catalogue instructor profiles: Note that UCSD no longer has stand-alone master's degree programs. Eighty-four percent of UCSD Extension faculty are females with master's degrees, while none of the 47 UCSD Extension so-called Department of English instructors listed has a degree in literature. And only one has a humanities degree of any kind. 

Kaplan Test Prep & Admissions will open its office in Price Center soon. UCSD Extension advertises that Ms. Tara Mcnealy will teach course No. EDUC-3031 Sep. 13-Oct. 22 ($675, 6 academic units): "Participants will examine the fundamental concepts of setting up a college counseling office, while exploring the personal dimensions of working with families." UCSD Extension competes with University of Phoenix whose local billboards remind us that it has more than two score campuses located throughout California.  

UCSD competes with MIT. The drop in the acceptance rate at MIT this year to 10 percent coincides with a 17 percent increase in the total number of applicants, which rose to 15,661 this year. Of the 1,597 students admitted, 48 percent were female. Junior professors at American universities like UCSD and MIT who no longer are assured tenure because of the end of the stimulus program can always transfer to KAUST in Saudia Arabia, an institution which boasts a $10 billion endowment: even graduate students are assured $10,000 yearly. 

China sent 98,510 students -- mostly undergraduates -- to U.S. colleges and universities last year, a 21 percent increase 

Both Tsinghua and Peking universites have now surpassed UC Berkeley in the number of PhD graduates in Engineering. KAUST has already made a deal with Woods Hole Oceanographic Institution, where my older brother worked for a number of years, to jointly undertake research 

Roughly 43 percent of engineering students and 35 percent of business students currently attending Stanford University are from abroad. Will successful foreigners have either tax incentives in their countries-of-origin or cultural dispositions to make gifts to Stanford like those from the founders of HP, Yahoo, and Google? Note the recent announcement that the headquarters of Applied Materials Company is being moved to China. HP, Intel, IBM, Microsoft and many other high-tech companies have developed larger and larger facilities in India, China, South Korea and other Asian countries, assigning more and more of their engineering, biology and computer science to those facilities, whereas attractive jobs in our country are limited to arbitrage, real estate brokerage, Comic-Con, and social networking.  

Today’s theme: The latest on Prop. 8 and pointers to sources to help you keep up on the legal proceedings. 

The Latest in Prop. 8 Legal Proceedings 

On Monday (16 Aug 2010) the 9th Circuit Court of Appeals extended the stay on Judge Walker’s decision to overturn Prop. 8. Same sex marriages will not resume in California Wednesday evening.  

As you must have heard, Proposition 8 decrees that California shall not recognize same-sex marriages.  

It was overturned in federal district court as being violation of the 14th and 5th amendments to the U.S. Constitution. Judge Walker, who decided the case, ordered that Proposition 8 be overturned and that same sex marriages resume in California. In anticipation of appeals against his decision, he also ordered a temporary stay of his decision—delaying, by a few days, the resumption of same-sex marriages. The delay was designed to allow defenders of Proposition 8 a chance to make their case for an extended stay during their appeal. The extended stay was granted by the 9th Circuit Court of Appeals. 

The court offered no explanation for extending the stay but did order that the appeal to Judge Walker’s decision will be conducted on an expedited basis. Final briefs from the attorneys are due by 1 November 2010 and the hearing will be held during the week of 6 December 2010. The court’s customary rules in which either side may ask for extensions of this schedule have been suspended, indicating that the 9th Circuit views it as important to hear and decide the appeal quickly. 

In addition to ensuring that the appeal is concluded quickly, the 9th Circuit took up an issue raised by Judge Walker: Do the people appealing Judge Walker’s decision have the legal right to do so? The state has declined to defend Proposition 8 or appeal Judge Walker’s decision. The appeal was made by the citizens who also defended Proposition 8 before Judge Walker. The 9th circuit observed that the appellants are not themselves obviously harmed by Judge Walker’s decision. Citing a Supreme Court decision from 1997, the 9th Circuit suggested that the appeal must be dismissed because the appellants have no legal standing to bring it. The appellants have been ordered to prove that they have standing to bring the appeal. 

Most legal experts who have publicly expressed an opinion seem to view this turn of events as favorable for the opponents of Proposition 8. The expedited schedule and the order that the appellants prove they have the right to appeal suggest what direction the 9th Circuit might be leaning toward. 

Easy to Make Fun Of 

The Prop. 8 defenders presented several arguments for a stay of Judge Walker’s decision. Some of their arguments are easy to poke fun at—arguments that are ludicrous on their surface. To wit, this example: 

Do you agree or disagree with the following Proposition? If same sex marriages are permitted, more heterosexual encounters will result in children born out of wedlock and raised by a single parent because heterosexuals will more often conceive children accidentally, outside of wedlock. In other words, if Alexander can marry Christopher, won’t that make it more likely that Beatrice gets knocked up (out of wedlock) by Daniel, with the resulting child raised by a single parent? 

Wipe that smirk off your face. Yes, they really said that. They wrote that argument down (in fancier language) and showed it to a judge, expecting it to be taken seriously. Yes, really. That’s how I felt, too. Can you believe it? To me, such a Proposition seems absurd on its face. If someone asked me such a question, I’d assume they were joking. I’d laugh. I could probably make up an argument in favor of it if I were required to for a college class in forensics – but I would not expect any rational individual to believe the best argument I could muster. The Proposition is like a bad joke. I would try to get a passing grade in that forensics class by making my argument very funny – yet keeping a completely straight face while improvising elaborations of the silly argument. 

Among their many arguments, the Prop. 8 defenders have asked to continue the stay on the grounds that it is perfectly plausible that same sex marriages will increase the number of out-of-wedlock and single-parent situations among those who engage in heterosexual behavior. Go figure. 

Nevertheless, the fight is very far from over: 

Hard to Dismiss 

Let us not, please, underestimate the defenders of Proposition 8. They are not stupid. Well, they are not stupid at legal strategies and tactics, at least. 

The issue of the lifting or extension of the stay against Prop. 8’s overturn is, to Proposition 8 defenders, but a battle—not the war. The war they are waging is not decided by that battle no matter what the outcome. The war they are waging is to establish a federally binding legal precedent that Proposition 8 is constitutional. Their war is decided only by the final actions of the 9th District Court of Appeals and, then, by the Supreme Court of the United States. With such a victory in the war, they can repeat Prop. 8 in other states. Without such a victory federal courts may yet decide that no state may deny the right to same sex marriage. 

In other words, Prop. 8 defenders could have lost the fight about the stay – and same-sex marriages resumed for now – yet still have won the war if Prop. 8 were ultimately upheld. 

In that context, we should hardly expect them to put their best arguments forward against lifting the stay. They have yet to make their strongest case. Their political agenda is best served not by winning with Judge Walker and not by extending the stay. The Prop. 8 defenders win their war by getting the Supreme Court of the United States to concede (or, better, explicitly declare) that Proposition 8 is constitutional. The faster they get the Supreme Court to do that – the stronger their victory in the war. 

If the defenders of Proposition 8 presented Judge Walker a weak and losing case, full of traps for the judge, we can understand them to intend to accelerate their loss at that level, maximize the chances for Judicial error, and bring the appeal stage on faster – that would suggest that the defenders of Proposition 8 are very strategically crafty lawyers indeed. 

Can’t you imagine – as at least I can – conservative or swing justices of the Supreme Court asking: “Well, aren’t homosexual men as free as any man to marry a woman? And similarly a homosexual woman to marry a man?” And can’t you imagine a justice questioning Walker’s finding that marriage has nothing to do with reproductive capacity or intent by asking “So, then, a brother and sister of the same biological parents may marry? How about two brothers?” 

This fight is far from other and, in spite of the enthusiasm the accelerated schedule at the 9th Circuit has generated – the war will be won or lost at the Supreme Court. 

Fact Sources about Prop. 8 

Check out the “Prop. 8 Trial Tracker” [Prop.8trialtracker]. This site not only provides timely coverage, but often links to nicely presented copies of the legal documents themselves. A reporter could not ask for a handier resource. Nor could many “ordinary citizens” (as if reporters were otherwise). 

Answers? What answers? That’s my answer: there are way too few answers! Until next week, please be in touch: lord@emf.net 

The US is stuck in an economic quagmire featuring near ten percent unemployment. As politicians argue about the solution – massive tax cuts or increases in Federal spending – what’s missing is a succinct analysis of the problem. Why has America lost 8 million jobs? 

The roots of the jobs crisis stretch back to the Ronald Reagan presidency when conservative economic ideology began to dominate American political discourse. At the forefront of this philosophy were three malignant notions: helping the rich get richer will inevitably help everyone else, “a rising tide lifts all boats;” markets are inherently self correcting and therefore there’s no need for government regulation; and the US does not need an economic strategy because that’s a natural consequence of the free market. 

What followed was a thirty-year period where America’s working families were abandoned in favor of the rich. Inequality rose as middle class income and wealth declined. As corporate power increased, unions were systematically undermined. As CEO salaries soared, fewer families earned living wages. 

ideology produced a warped and brittle US economy, where more than two-thirds of our GDP was housing related: building, buying, and furnishing new homes or borrowing against existing homes in order to maintain a decent standard of living. When the credit bubble burst, the debt-based consumption model failed, taking down first the housing sector and then the entire economy, resulting in catastrophic job losses. 

In order to be sustainable, the US economy has to generate 125,000 jobs each month. (To bring unemployment down to acceptable levels – below 7 percent – the US economy needs to generate 300,000 jobs each month for the next three years.) For this to happen, there have to be three positive conditions. 

First, consumers have to be willing to spend money. Regardless of the conservative ideology, the US economy depends upon steady consumption by working Americans. The Reagan Republican theory incorrectly assumes that rich folks buying yachts and vacation homes catalyzes the consumer economy. Nonetheless, wealthy Americans have as much income as they have ever had but their purchases of Ferraris or diamonds has not been sufficient to boost the economy. Average Americans aren’t consuming because they either don’t have the money or are saving it because they are fearful. 

Second, businesses have to be willing to hire. At the moment, many businesses – outside of construction and commercial real estate – have the funds available to hire but they either aren’t hiring or are filling what should be full-time permanent positions with part-time temporary workers. 

Third, the new jobs have to be decent jobs paying a living wage. Unfortunately, the Associated Press reported that of the 630,000 jobs created in 2010, 81 percent are low-paying service-sector positions. That’s the sad backdrop to terrible unemployment data. 

Since the Reagan presidency the number of decent jobs has steadily eroded. When a worker retires from a GM assembly line, and a job that pays good wages, he isn’t replaced by his son or daughter; they go to work at McDonalds. There was an under-acknowledged “structural adjustment” that meant the US consumer economy could not function unless average Americans went deeply in debt: borrowed up to the limit on their credit cards or used up their home equity. 

It’s necessary to understand what went wrong with the US economy because fundamental changes are required to deal with the jobs crisis. So far the political rhetoric has been underwhelming. Republicans blame unemployment on the policies of the Obama Administration and argue the solution is to cut taxes, particularly for the wealthy. Democrats blame unemployment on the policies of the Bush Administration and argue the solution is to increase Federal spending. The New York Times correctly condemned both approaches noting that Republican policies produced the current economic decline and the “cut taxes to solve all problems” clearly does not work. The Times also described the Democratic approach as timid, failing to attack the systemic nature of the problem. 

America has economic cancer and radical surgery is required. First, there has to be a massive redistribution of income by increasing taxes on both the wealthy and financial institutions (particularly those that were at the heart of 2008’s economic meltdown). 

Second, there has to be a second stimulus package that not only supports America’s teachers and public safety workers but also strengthens the US infrastructure, in general. It’s not logical to propose that American businesses provide better jobs without also ensuring that our schools produce workers who can meet employers’ needs. 

Third, the Federal government has to be involved in economic policy. The last thirty years has demonstrated that it’s insane to assume the free market will do this. What we’ve learned is that the market follows the path of least resistance and dictates economic policy solely based on greed. Creating wealth for a handful of CEOs isn’t consistent with the national interest. What are needed now are economic policies that produce decent jobs for average Americans. 

The Federal government has to intervene and create the jobs that the greedy, shortsighted private sector hasn’t provided. 

Bob Burnett is a Berkeley writer. He can be reached at bobburnett@comcast.net 

Old-timer is a noun used informally to refer to (a) an elderly person, and (b) a person with considerable tenure or experience in a given place or activity. Recently I met with two senior citizens who have retired from positions of leadership and responsibility at City and County levels. Suzanne Ryan, former Director of the North Berkeley Senior Center (NBSC), retired early at age 60 in 2007. Louis Labat, Program Financial Specialist of the Alameda County Area Agency on Aging (AAA), retired at age 62 in 2003.  

We talked about their lives since retiring from the pressure and problems and satisfaction associated with enhancing the lives of Berkeley and Alameda County senior citizens. I was interested in those three major considerations in many seniors’ lives -- health, housing, and transportation -- as well as what they have been doing with all that free time! 

Labat and Ryan have several things in common. Neither smokes, lives in Berkeley, nor is either a Gray Panther. Both use the Internet and email, have an HMO and advance care directives, majored in social welfare, volunteer extensively, and are registered voters.  

Following its opening in 1979, the North Berkeley Senior Center (NBSC) became well known as innovative and active. Attendance and the number of volunteers increased dramatically. The Nugget, Portable Meals, Japanese Seniors Program, and minibus service were supplemented with special programs, intergenerational activities, the Nutrition Program, assistance and advisory groups, fundraising, the Center’s own up-to-date Resource Guide, and a relationship with the Berkeley Adult School that brought free classes taught by credentialed instructors on site were a few of many accomplishments. 

Suzanne Ryan began her job as NBSC director from the much smaller confines of space in a church hallway! “I got to work with the architect who designed the new Center… For this building, we had to keep in mind accessibility ... especially hand rails for the disabled.” When interviewed in 2007, she said “There’s never been one day that’s been boring at the center. “But I am sixty, and I need to do something else... I will be going to a senior center, but it will probably be the one in Albany...” 

After 32 years working with and for Berkeley senior citizens, she is doing the unrelated things to which she has looked forward: volunteering in behalf of and working with young people, reading, sewing, and more traveling with spouse Matt. They recently returned from Bulgaria, Romania and Salzburg. Next will be a visit to her 91-year old mother in Wisconsin. Locally, they travel by bus and BART. 

Most people are unaware that for years she has coped with Otosclerosis , a hardening of the stapes (or stirrup) in the middle ear causing conductive hearing loss. She has two digital hearing aids consisting of behind-the-ear attachments to the inner ear. She is a participant in an experimental research program at the National Institute on Deafness and Other Communication Disorders (NIDCD). Her contribution to finding a cure involves regular audiograms and carrying an ID much like the designator on one’s driver’s license authorizing donation of body parts under the Anatomical Gift Act. 

A native of Louisville, Kentucky, Ryan moved to Pasadena after earning her B.A. from the University of Wisconsin, majoring in psychology, criminology and social welfare. She is a great walker, but while in the Redwoods recently was bitten by a tick. Complications led to an antibiotic Rx. She has not had a “pneumonia shot.” Ryan has opted to start Medicare at age 65. She does not have a DNR (“Do not resuscitate.”) 

She is currently reading Nadine Gordimer’s novel A sport of nature, and recently, The Appointment, Herda Muller’s novel about Romanian women, which is, she says, “mostly about what everyday life was like in Communist Romania and about a woman and her appointments with the secret police.” She’s a member of neither the Gray Panthers nor AARP. She raves about an art course she attended-- part of the University of California, Berkeley’s summer program for senior citizen auditors. 

Ryan used to get up at 6 A.M. -– now it’s 7 A.M. “I’m a morning person.” She is involved in volunteer works reflecting her interest in behalf of and working with young people. English-in-Action (EIA), Lit Pal, and at the Oxford Elementary School -- after school math, 3rd and 5th grade reading. EIA is part of a nationwide program in which volunteers give their time to tutor University of California students and visiting scholars in English on a one-to-one basis. And she sews costumes for California Shakespeare Theater (Cal Shakes) although modestly describing her contribution as “… mostly repair, help alter, or sort costumes.”  

The Area Agency on Aging (AAA) is the local arm of the national aging network. Federal, state, local governments and private agencies work together to advance the social and economic health and well-being of elders (60 and over) in Alameda County. Implementation of the Older Americans Act and enforcement of elder abuse statutes are examples of AAA’s scope. The AAA hosts a bi-monthly Information and Assistance Roundtable meeting and provides free Information by telephone (800-510-2020 or 510-577-3530). An Advisory Commission on Aging (ACA), consisting of appointed representatives concerned about the needs and interests of elders in Alameda County, works with AAA staff to develop, plan and administer programs designed to assist elders and their caregivers. 

Louis Labat worked in behalf of both providers (Roundtable) and seniors (Information and Assistance). We first met when I was appointed to the ACA, one of his numerous responsibilities. Recipients of grants awarded to such local agencies as Legal Assistance for Seniors (LAS) and senior centers required his annual visit, and he would invite volunteers from the ACA membership to accompany him. I went along on visits to the Albany Senior Center and to LAS. And when we Save Section 8 pioneers under Helen Lima’s leadership picketed an Oakland apartment house that was hassling tenants, he showed up.  

Labat was born and grew up in New Orleans. In 1964, following discharge from the U.S. Air Force, he began working for Alameda County. After graduation from the University of San Francisco, he became a social worker in the AFDC program. To pursue his dream of working with elders, he earned his M.S.W. in 1972 from the University of California, Berkeley, specializing in gerontology. From 1972-76 he established a gerontology program at the University of Nevada, Las Vegas. With the Senior Coordinating Council of Palo Alto, he helped develop the downtown Palo Alto senior center, and in 1980, returned to the AAA.  

Labat is an AARP member. He has a daughter and three great grand children in Ohio. In the years since retirement, he has visited Maui and moved to Emeryville, where he is active in the senior center and commission on aging. (Check out the Emeryville Senior Center’s monthly newsletter – The Link.) He does not frequent a public library (Emeryville does not yet have a public library,) instead buys books and receives them as gifts. He’s currently reading Frederick Douglass’ (1818-1895) “My bondage and my freedom.” He enjoys TV mysteries, PBS, CNN, Masterpiece Theater. 

Several prescription medications support hypertension and cholesterol problems. He is coping with an ongoing health problem that several middle-aged and senior citizens have recently reported; it resembles pneumonia cum viral infection. He has had the pneumonia immunization. 

When he retired, Louis Labat commented “The … years with the AAA have enabled me to associate with some of the most fascinating folks in my professional career. I enjoyed helping plan the 1980 local and state White House Conference on Aging and attending the 1981 White House Conference on Aging as an official observer. It has been an exciting 31 years!” Lasbat attended the very first Senior Rally in Sacramento – in 1971 – and continued working on the Senior Rally each May. 

xxxx 

Two weeks left to win more voters to support SB 810 and to influence Sacramento legislators and an Assembly vote for the California Universal Health Care Act. SB 810 must be sent to the Governor by August 31.  

Attention, candidates… Running for election in the November election? You are invited to email to Senior Power (pen136@dslextreme.com) a statement of your “platform” concerns regarding senior citizens. If you are running for re-election, please describe the highlights of your record on issues important to seniors. 

The bat should not have come as a surprise, given that the old house in Sonoma County had been uninhabited for a couple of decades. Some bats like to hang out in old houses. Still, we were startled when it bolted from its roost on the upper landing and flew a couple of circuits of the ceiling. It was a good-sized specimen of bathood, larger in the body than a mouse, with overall grayish fur, paler on the belly, and enormous ears. Eventually it took cover, but we found it tucked behind a beam with just its head and ears showing. We decided not to startle it again with the camera flash. 

The owners of the property said this was their first bat report, and we were later told that the creature left on its own. I’m fairly sure, based on relative ear size, that what we saw was a Townsend’s big-eared bat, common and widespread in California, although we had never met one. The other large-eared bats have distinctively patterned fur or unusual facial features. This one, bar the ears, had a standard bat face without any of the nose leaves, lappets, or other baroque accessories to which bats are prone. 

It was alone, although the species sometimes roosts in groups. There’s an abandoned house somewhere in Point Reyes National Seashore which is being preserved as a bat sanctuary, and I remember hearing that Townsend’s big-ears were among its residents. Not totally dependent on human-provided housing, they still roost in tree cavities as well. 

sPeople sometimes ask me if bats will actually use commercially available bat houses. I don’t have any data on this, but I suspect it’s a crapshoot. Social bats will probably prefer to roost where there’s room for lots of other bats. Some species, like the Mexican free-tailed bats, are attracted to Spanish tile roofs. The former business college across the street from the central library in Berkeley used to harbor a colony of free-tails; if you watched just at dusk you could see them emerging from the tiles and flying away.  

The classic bat house story is one I heard from a seaplane pilot in the Florida Keys in 1980. Decades before, after the railroad had been strung down the Keys but before a hurricane took it out, an Ohioan named Richter Perky bought some land on Sugarloaf Key and opened a hotel. It was a prime location except for the mosquitoes, which were abundant and voracious. The hotel didn’t get a lot of repeat business. 

Perky probably would have resorted to DDT had it been available then. Given his limited options, it occurred to him to try what would later be called integrated pest management. He had read that bats ate mosquitoes. Southern Florida has its own native bat species, like the handsome red-furred Seminole bat, but Perky wasn’t aware of that. Instead, he commissioned somebody to go to one of the western caves—maybe Carlsbad, maybe someplace in Texas—to capture a quantity of bats and ship them to Sugarloaf Key. 

Anticipating their arrival, Perky built a multi-compartmented structure, something like a dovecote crossed with a ziggurat, near his hotel to house them. When the great day came, he unpacked them—I seem to recall that they had been sedated for easier handling—and placed each one in its individual cubicle. Then he waited for darkness, when they would emerge and do their stuff. 

They emerged, all right. Calling on the homing instincts that serve bats so well in migration, they flew straight back to Texas (or New Mexico.) The hotel went under; Perky returned to Ohio. The bat tower is still standing, or at least was still standing in 1980. The locals call it “Perky’s Folly.” 

ACTORS THEATRE OF SAN FRANCISCO  

"Cat on a Hot Tin Roof," through Sept. 4, 8 p.m. Wed. - Sat. A wealthy Southern family deals with a shocking revelation. $26-$38.  

855 Bush St., San Francisco. (415) 345-1287, (866) 468-3399, www.actorstheatresf.org or www.ticketweb.com.< 

BEACH BLANKET BABYLON This long-running musical follows Snow White as she sings and dances her way around the world in search of her prince. Along the way she encounters many of the personalities in today's headlines, including Nancy Pelosi, Condoleezza Rice, Arnold Schwarzenegger, Harry Potter, Tiger Woods, Oprah Winfrey, Britney Spears, Dianne Feinstein, Barbara Boxer, Hillary Clinton, George and Laura Bush, Michael Jackson, Martha Stewart, Tom Cruise, Angelina, characters from Brokeback Mountain and Paris Hilton. Persons under 21 are not admitted to evening performances, but are welcome to Sunday matinees. 

"Steve Silver's Beach Blanket Babylon," 8 p.m. Wed. - Thurs.; 6:30 and 9:30 p.m. Fri. - Sat.; 2 p.m. and 5 p.m. Sun.  

$25-$78. Club Fugazi, 678 Beach Blanket Babylon Blvd. (formerly Green Street), San Francisco. (415) 421-4222, www.beachblanketbabylon.com.< 

CHANCELLOR HOTEL UNION SQUARE  

"Eccentrics of San Francisco's Barbary Coast," 8 p.m. Fri. -Sat. Audiences gather for a 90-minute show abounding with local anecdotes and lore presented by captivating and consummate conjurers and taletellers. $30.  

433 Powell St., San Francisco. (877) 784-6835, www.chancellorhotel.com.< 

CLIMATE THEATRE  

"The Clown Cabaret at the Climate," 7 and 9 p.m. First Monday of the month. Hailed as San Francisco's hottest ticket in clowning, this show blends rising stars with seasoned professionals on the Climate Theater's intimate stage. $10-$15.  

285 Ninth St., Second Floor, San Francisco. www.climatetheater.com.< 

COUNTERPULSE  

"Skin Tight," through Aug. 28, 8 p.m. Thurs. - Sat. Rapid Descent Physical Performance Company presents their debut production of a New Zealand play, featuring three performers, two actor/dancers, and a trumpeter. $20-$35.  

1310 Mission St., San Francisco. (415) 626-2060, www.counterpulse.org.< 

CURRAN THEATRE  

"Dreamgirls," Aug. 24 through Sept. 26, 8 p.m. Tue.- Sat.; 2 p.m. Wed., Sat.- Sun. The Broadway musical sensation comes to San Francisco, based on the book by Tom Eyen, with music and lyrics by Henry Krieger. $30-$99.  

445 Geary St., San Francisco. (415) 512-7770, www.shnsf.com or www.bestofbroadway-sf.com.< 

GOLDEN GATE THEATRE  

"Beauty and the Beast," through Aug. 29, Time and days vary; 2 p.m. matinees, 7:30 p.m. evening performances; check website or call for details. Disney's "Beauty and the Beast" comes to life on stage, based on the book by Linda Woolverton, with music and lyrics by Alan Menken, Howard Ashman and Tim Rice. $30-$99.  

1 Taylor St., San Francisco. (415) 512-7770, www.shnsf.com.< 

KIMO'S BAR  

"Fauxgirls," 10 p.m. Every third Saturday. Drag cabaret revue features San Francisco's finest female impersonators. Free. (415) 695-1239, www.fauxgirls.com. 

1351 Polk St., San Francisco. (415) 885-4535, www.denkitiger. com/.< 

MAKE-OUT ROOM  

"The Chatroulette Show," July 22 and Aug. 27, 8 p.m. The Illuminated Theater presents an interactive online event. $10-$15. www.chatrouletteshow.com. 

$6 unless otherwise noted. Shows start at 8:30 p.m. unless otherwise noted. 3225 22nd St., San Francisco. (415) 647-2888, www.makeoutroom.com.< 

THE MARSH  

"The Mock Cafe," 10 p.m. Saturdays. Stand-up comedy performances. $7.  

"The Monday Night Marsh," 8 p.m. Mondays. An ongoing series of works-in-progress. $7.  

EXTENDED -- "The Real Americans," by Dan Hoyle, through Sept. 25, 8 p.m. Thurs. and Fri.; 5 p.m. Sat.; 3 p.m. Sun. Hoyle connects liberal city life with small-town America. $20-$50.  

1062 Valencia St., San Francisco. (415) 826-5750, www.themarsh.org.< 

OFF-MARKET THEATER  

"City Solo," through Aug. 22, 7 p.m. Sundays. Aug. 15 show features "Soft Tissue: Secret Agent Bucket,'' by Coke Nakamoto, "Earthquake'' by Jawad Ali, "Love, Humiliation, and Karaoke,'' by Enzo Lombard, and "Lady Parts,'' by Martha Rynberg.  

Aug. 22 show features "The Girl From California,'' by Michael McCarrin, "Earthquake,'' by Jawad Ali, "Theme Park,'' by David Jacobson, and "Fortunate Daughter,'' by Thao P. Nguyen. $15-$20.  

965 Mission St., San Francisco. < 

OUR LITTLE THEATER  

"What Mama Said About Down There," through Aug. 28, 8 p.m. Thurs. - Sat. An "educational show'' for ages 18 and up. $15.  

287 Ellis St., San Francisco. (415) 928-4060.< 

PHOENIX THEATRE  

"This World is Good," by J.C. Lee, through Aug. 28, 8 p.m. Thurs. - Sat. Sleepwalkers Theatre presents part one of their three-part apocalypse series. $18-$24.  

414 Mason St., Sixth Floor, San Francisco. (800) 838-3006, www.offbroadwaywest.org.< 

SAN FRANCISCO COMEDY COLLEGE CLUBHOUSE (800) 838-3006, www.clubhousecomedy.com.  

"Naked Comedy," A comedy showcase featuring some of the best comedians in San Francisco. BYOB for 21 and over. Saturdays, 9 p.m. $10. 

"Hump Day Comedy," Host Rich Stimbra and a variety of stand-up comics will get you over the Wednesday work hump. BYOB for 21 and over. Wednesday, 8 p.m. $5. 

414 Mason St., Suite 705, San Francisco. (415) 921-2051, www.sfcomedycollege.com.< 

SHELTON THEATER  

"Shopping! The Musical," by Morris Bobrow, A quick-paced musical about those obsessed with buying things. Friday-Saturday, 8 p.m. $27-$29. www.shoppingthemusical.com. 

Big City Improv, 10 p.m. Fridays. $20. (510) 595-5597, www.bigcityimprov.com. 

533 Sutter St., San Francisco. (415) 433-1227, www.sheltontheater.com or www.sheltontheater.com.< 

VICTORIA THEATRE  

OPENING -- "Sex Tapes for Seniors," by Mario Cossa, through Aug. 22, August and September: 8 p.m. Fri.; 7 p.m. Sat. A group of retirees produces educational sex videos for seniors despite protests from their families and the community.  

2961 16th St., San Francisco. www.victoriatheatre.org.<

GOLDEN GATE PARK  

Golden Gate Park Band, Aug. 22, 1 p.m. The concert will be a celebration of St. Stephen's Day, with Hungarian music, dance, singing, costumes and more. Free. www.goldengateparkband.org. 

Golden Gate Park Band, Aug. 29, 1 p.m. The concert will celebrate Ukrainian-American Day, with Ukrainian music, singers, dancers, and costumes. Free.  

Fulton at 36th Avenue, Lincoln at 41st Avenue, San Francisco. < 

LEGION OF HONOR MUSEUM DOCENT TOUR PROGRAMS -- Tours of the permanent collections and special exhibitions are offered Tuesday through Sunday. Non-English language tours (Italian, French, Spanish and Russian) are available on different Saturdays of the month at 11:30 a.m. Free with regular museum admission. (415) 750-3638.  

ONGOING CHILDREN'S PROGRAM --  

"Doing and Viewing Art," For ages 7 to 12. Docent-led tours of current exhibitions are followed by studio workshops taught by professional artists/teachers. Students learn about art by seeing and making it. Saturday, 10:30 a.m. to noon; call to confirm class. Free with museum admission. (415) 750-3658. 

ORGAN CONCERTS -- 4 p.m. A weekly concert of organ music on the Legion's restored 1924 Skinner organ. Saturday and Sunday in the Rodin Gallery. Free with museum admission. (415) 750-3624. 

$6-$10; free for children ages 12 and under; free for all visitors on Tuesdays. Tuesday-Sunday, 9:30 a.m.-5 p.m. Lincoln Park, 34th Avenue and Clement Street, San Francisco. (415) 750-3600, (415) 750-3636, www.legionofhonor.org.< 

OLD FIRST CHURCH  

sfSound, Aug. 20, 8 p.m. World premiere of "Oceanothers'' by Erik Ulman, and works by Ferneyhough, Wolff, Schlomowitz and Spahlinger.  

1751 Sacramento Street, San Francisco. (415) 474-1608.< 

SAN FRANCISCO CONSERVATORY OF MUSIC  

"Musical Textual: Where Music and Text Combine" Aug. 21 and Aug. 22, 7:30 p.m. Concert featuring the Betons, The Hot Air Chamber Ensemble and the Hot Air Vocal Ensemble. $10-$15.  

$15 to $20 unless otherwise noted. Hellman Hall, 50 Oak St., San Francisco. (415) 864-7326, www.sfcm.edu.<

A440 GALLERY --  

"Experience Painting," through Aug. 30. Works by Peter Onstad.  

49 Geary St., San Francisco. www.AA40gallery.com.< 

ANDREA SCHWARTZ GALLERY  

"What?" through Aug. 27. Works by Daniel Anhorn, Seamus Conley, Eric Michael Corrigan and others.  

Free. Monday-Friday, 9 a.m.-5 p.m.; Saturday, 1-5 p.m. 525 2nd St., San Francisco. (415) 495-2090, www.asgallery.com.< 

ARTHAUS  

"The Back Yard," through Sept. 30. Works by Chris Schiavo.  

Free. Tuesday through Friday, 11 a.m. to 6 p.m. 411 Brannan St., San Francisco. (415) 977-0223, www.arthaus-sf.com.< 

ARTZONE 461 --  

Keith Gaspari, Heidi McDowell, Brian Tepper, through Aug. 22. New works by the artists.  

461 Valencia Street, San Francisco. (415) 441-8680, www.artzone461.com.< 

BRAUNSTEIN-QUAY GALLERY  

OPENING -- "Introductions: Where They Are Now," through Aug. 28.  

Free. Tuesday-Saturday, 11 a.m.-5:30 p.m. 430 Clementina St., San Francisco. (415) 278-9850, www.bquayartgallery.com.< 

BRIAN GROSS FINE ART  

"Airborne," through Sept. 10. Works by Ed Moses.  

"Gesture," through Aug. 27. Group exhibition explores various uses of gesture in abstract painting.  

Free. Tuesday through Friday, 10:30 a.m. to 5:30 p.m.; Saturday, 11 a.m. to 5 p.m. 49 Geary St., San Francisco. (415) 788-1050, www.briangrossfineart.com.< 

CHINESE CULTURE CENTER GALLERY  

"Stella Zhang," through Sept. 5. Five large scale installation pieces in the artist's first major Bay Area solo exhibition.  

Free. Tuesday-Friday, 10 a.m.-4 p.m. Hilton Hotel, Third Floor, 750 Kearny St., San Francisco. (415) 986-1822.< 

CITY ART GALLERY  

OPENING -- "San Francisco," through Aug. 28. 25 artists interpret the city in their own ways.  

Free. Wednesday through Sunday, noon to 9 p.m. 828 Valencia St., San Francisco. (415) 970-9900, www.cityartgallery.org.< 

DOLBY CHADWICK GALLERY  

"Renaissance," through Aug. 28. Works by Bill Armstrong.  

"The Long Year, New Paintings," through Aug. 28. Works by Gary Edward Blum.  

Free. Tuesday-Friday, 10 a.m.-6 p.m.; Saturday, 11 a.m.-5 p.m. 210 Post St., Suite 205, San Francisco. (415) 956-3560, www.dolbychadwickgallery.com.< 

GEORGE KREVSKY GALLERY  

"Summer Reading," through Oct. 2. Works by Lawrence Ferlinghetti, Helen Berggruen, Ken Kalman, Rockewell Kent, Clifford Odets, Man Ray, Raymond Saunders, Ben Shahn and others.  

Free. Tuesday through Saturday, 11 a.m. to 5:30 p.m. 77 Geary St., San Francisco. (415) 397-9748, www.georgekrevkygallery.com.< 

GREGORY LIND GALLERY  

"Cooler Heads Prevail," through Aug. 21. Works by Thomas Campbell, Jim Gaylord, Chris Gentile, Jake Longstreth and others.  

49 Geary Street, Fifth Floor, San Francisco. www.gregorylindgallery.com.< 

HAINES GALLERY  

"Wildfires," through Aug. 21. Works by Youngsuk Suh.  

49 Geary St., Suite 540, San Francisco. www.hainesgallery.com.< 

JENKINS JOHNSON GALLERY  

"Summertime," through Sept. 3. Works by Nicolas Africano, Ben Aronson, Katherine Chang Liu and many others.  

Free. Tuesday-Friday, 10 a.m.-8 p.m.; Saturday, 10 a.m.-5 p.m. 464 Sutter St., San Francisco. (415) 677-0770, www.jenkinsjohnsongallery.com.< 

LOST ART SALON  

OPENING -- "Adine Stix: A Retrospective," through Oct. 31. An extensive survey of paintings from the 1960s.  

245 S. Van Ness Ave., San Francisco. (415) 861-1530, www.lostartsalon.com.< 

MARX & ZAVATTERO --  

"Tilt," through Aug. 21. Works by Timothy Nolan.  

Tuesday-Friday, 10:30 a.m.-5:30 p.m.; Saturday, 11 a.m.-5 p.m. 77 Geary Street at Grant Avenue, 2nd Floor, San Francisco. (415) 627-9111, www.marxzav.com/index.php.< 

MICAELA GALLERY  

"Cold and Hot 2010," through Aug. 28. Works by Peter Bremers, Kathleen Elliot, Michael Janis, Michelle Knox, Weston Lambert and others.  

Free. Tuesday-Saturday, 11 a.m.-7 p.m.; Sunday, noon-5 p.m. 333 Hayes St., San Francisco. (415) 551-8118, www.micaela.com.< 

MODERNISM  

"Asymmetrical Chromachords," through Aug. 28. Works by James Hayward.  

"Paradise Lost," through Aug. 28. Works by Michael Dweck.  

"Photographs," through Aug. 28. Works by Michael Dweck.  

Free. Tuesday-Saturday, 10 a.m.-5:30 p.m. 685 Market St., San Francisco. (415) 541-0461, www.modernisminc.com.< 

PAUL THIEBAUD GALLERY  

"Cigar Box Paintings," through Aug. 21. Works by Ed Musante.  

"Recent Paintings," through Aug. 21. Works by Eileen David.  

Free. Tuesday through Saturday, 10 a.m. to 6 p.m. 718 Columbus Ave., San Francisco. (415) 434-3055, www.paulthiebaudgallery.com.< 

ROBERT KOCH GALLERY  

"Photographs," through Aug. 21. Works by Miroslav Tichy.  

Free. Tuesday-Saturday, 10:30 a.m.-5:30 p.m. 49 Geary St., Fifth Floor, San Francisco. (415) 421-0122, www.kochgallery.com.< 

SANDRA LEE GALLERY  

OPENING -- "Recent Works," through Aug. 28. Works by Jeffrey Palladini.  

251 Post St., Suite 310, San Francisco. (415) 291-8000, www.sandraleegallery.com.< 

TRIANGLE GALLERY  

"49th Anniversary Show -- The Past," through Sept. 11. Works by gallery artists.  

47 Kearny St., San Francisco. (415) 392-1686, www.triangle-sf.com.<

"BAY AREA HEART GALLERY," -- Exhibit consists of photographs of children, youth and families, accompanied by their compelling stories. The joint exhibit opens in the Alameda County Administration Building, 1221 Oak Street, Oakland and at the Eden Area Multi-Service Center, 24100 Amador Way, Hayward. 

8:30 a.m.-5 p.m. Mon. - Fri.< 

BEDFORD GALLERY  

"Unbound: A National Exhibition of Book Art," through Sept. 19. Works by Ed Ruscha, Andy Warhol, Sas Colby, Lisa Kokin, Francesca Patine, Maria Porges, Nancy Selvin, Richard Shaw and others.  

$3 general; $2 youth ages 12 through 17; free children ages 12 and under; free Tuesdays. Tuesday, Wednesday, and Sunday, noon-5 p.m.; Thursday-Saturday, noon-5 p.m. and 6-8 p.m. Dean Lesher Regional Center for the Arts, 1601 Civic Drive, Walnut Creek. (925) 295-1417, www.bedfordgallery.org.< 

COMPOUND GALLERY  

"Habitual Homesteaders," through Sept. 19. Works by Gina Tuzzi and Tyler Bewley. Opening reception: August 14, 6-9 p.m.  

1167 65th St., Oakland. (510) 817-4042.< 

CRAFT AND CULTURAL ARTS GALLERY  

"Celebration of Life," through Aug. 27. Works by Michael Grbich.  

Free. Monday-Friday, 10 a.m.-5 p.m. State of California Office Building, 1515 Clay St., Oakland. (510) 622-8190, www.oaklandculturalarts.org.< 

FLOAT  

"Jabberwocky," through Sept. 18. Works by Cheryl Finfrock and Liz Mamorsky. Opening reception, August 14, 6-9 p.m.  

Free. Tuesday-Saturday, 10 a.m.-10 p.m.; by appointment. 1091 Calcot Place, Unit 116, Oakland. (510) 535-1702, www.thefloatcenter.com.< 

HALL OF PIONEERS GALLERY  

"Oakland Chinatown Pioneers," Twelve showcases, each focusing on historic leaders and personalities of the community.  

Free. Monday-Friday, 10 a.m.-3 p.m. Chinese Garden Building, 275 Seventh St., Oakland. (510) 530-4590.< 

HEARST ART GALLERY AT SAINT MARY'S COLLEGE OF CALIFORNIA  

"Superbly Independent," through Sept. 19. Works by Annie Harmon, Mary DeNeale Morgan and Marion Kavanagh Wachtel.  

$3. Wednesday-Sunday, 11 a.m.-4:30 p.m. 1928 Saint Mary's Road, Moraga. (925) 631-4379, www.gallery.stmarys-ca.edu.< 

MERCURY 20 GALLERY --  

OPENING -- "Cycles of the City," through Aug. 28. Works by Jill McLennan.  

25 Grand Ave., Oakland. (510) 701-4620, www.mercurytwenty.com.< 

OLIVE HYDE ART GALLERY  

"Domicile," through Aug. 21. Works by Carol Lawton, Sally Sellers, Mary White.  

Free. Thursday-Sunday, noon-5 p.m. 123 Washington Blvd., Fremont. (510) 791-4357, www.olivehydeartguild.org/.< 

ROWAN MORRISON GALLERY  

OPENING -- "Everything is Everything: New Work by Michael Louis Young," through Aug. 28. Works by Michael Louis Young.  

330 40th St., Oakland. (510) 384-5344, www.rowanmorrison.com.< 

SUN GALLERY  

"High Art," through Sept. 25. Works by local high school students and high school homeschoolers.  

OPENING -- "Not So Still Life," through Aug. 28. Works by Richard Bolingbroke.  

1015 E. St., Hayward. (510) 581-4050, www.sungallery.org.< 

TRAYWICK CONTEMPORARY  

"2-D/3-D," through Sept. 18. Works by Mari Andrews, Jessica Martin, David McDonald, Aurora Robson and Lucrecia Troncoso.  

895 Colusa Ave., Berkeley. (510) 527-1214.<

HERBST THEATRE  

"2010 Bay Area Rhythm Exchange," Aug. 20 and Aug. 21, 8 p.m. Fri. - Sat. A celebration of the uniquely American art form of tap dancing. $17-$25. (415) 392-4400, www.cityboxoffice.com. 

401 Van Ness Ave., San Francisco. (415) 392-4400, www.cityboxoffice.com.< 

ODC DANCE COMMONS PERFORMANCE ART COMPLEX  

"Triple Bill of World Premieres," Aug. 21, 8 p.m. New works from Tania Santiago, Jesselito Bie and Pearl Ubungen. $15.  

351 Shotwell St. (between 17th and 18th streets), San Francisco. (415) 863-6606, www.odctheater.org.< 

PENA PACHAMAMA  

"Flamenco Thursdays" with Carola Zertuche, 8:30 p.m. Thursdays Music and dance with performers of traditional flamenco. $10.  

Georges Lammam Ensemble, 8:30 p.m. Sundays Event features music and dancing from the Middle East. $10.  

For ages 21 and older. 1630 Powell St., San Francisco. (415) 646-0018, www.penapachamama.com.<

ASHBY STAGE  

"The Norman Conquests," by Alan Ayckbourn, through Sept. 5. Shotgun Players present the hit comic trilogy of plays, "Table Manners,'' "Living Together,'' and "Round and Round the Garden.'' Times and days vary, check website for complete details. $20-$50. www.shotgunplayers.org. 

1901 Ashby Ave., Berkeley. < 

CASA PERALTA Once the home of descendants of the 19th-century Spanish soldier and Alameda County landowner Don Luis Maria Peralta, the 1821 adobe was remodeled in 1926 as a grand Spanish villa, using some of the original bricks. The casa features a beautiful Moorish exterior design and hand painted tiles imported from Spain, some of which tell the story of Don Quixote. The interior is furnished in 1920s decor. The house will be decorated for the holidays during the month of December. Call ahead to confirm hours. 

"Earth vs. Altair, Queen of Outer Space! Episode II, the Deadly Ray," by Daniel Dickinson, through Aug. 22, Saturday, 8 p.m.; Sunday, 2 p.m. San Leandro Players Theatre Company presents the saga of Pilot Craig Domer. $10-$15. www.sanleandroplayers.org. 

Free but donations accepted. Friday-Sunday, 11 a.m.-3 p.m. 384 Estudillo Ave., San Leandro. (510) 577-3474, (510) 577-3491, www.ci.sanleandro. ca.us/sllibrarycasaperalta.html.< 

JULIA MORGAN CENTER FOR THE ARTS  

"Disney's Aladdin," through Sept. 5, Saturday, 2 and 6:30 p.m.; Sunday, Noon and 5 p.m. Berkeley Playhouse presents the tale of Disney's beloved "Aladdin.'' $15-$33. www.berkeleyplayhouse.org. 

2640 College Ave., Berkeley. (510) 845-8542, www.juliamorgan.org.< 

LIVE OAK THEATRE  

"Blithe Spirit," by Noel Coward, through Aug. 21, 8 p.m. A medium and his two wives vie for his attention. $12-$15.  

1301 Shattuck Ave., Berkeley. (510) 841-5580.< 

PERFORMING ARTS THEATER, EL CERRITO HIGH SCHOOL  

"Bye Bye Birdie," Aug. 13 through Aug. 15, Aug. 13-15 at 7:30 p.m.; Aug. 15 at 2 p.m. and 7:30 p.m. Stage Door Conservatory presents "Bye Bye Birdie.'' $15-$50.  

540 Ashbury Ave., El Cerrito. <

BOOKS INC., BERKELEY  

Jane Porter, Aug. 27, 7 p.m. The author discusses "She's Gone Country.''  

1760 4th Street, Berkeley. (510) 525-7777, www.booksinc.net.< 

MOE'S BOOKS  

Neal Pollack, Aug. 20, 7:30 p.m. The author discusses his memoir "Stretch: The Unlikely Making of a Yoga Dude.''  

10 a.m.-11 p.m. daily. 2476 Telegraph Ave., Berkeley. (510) 849-2087, www.moesbooks.com.< 

MRS. DALLOWAY'S  

Suzanne Collins, Aug. 24, 7 p.m. The author discusses "Mockingjay.''  

Arden Bucklin-Sporer, Rachel Kathleen Pringle, Aug. 29, 4 p.m. The authors discuss "How To Grow A School Garden: A Complete Guide for Parents and Teachers.''  

2904 College Avenue, Berkeley. (510) 704-8222.< 

UNIVERSITY PRESS BOOKS  

Teresa Gowan, Aug. 25, 6-7:30 p.m. The author discusses "Hobos, Hustlers and Backsliders: Homeless In San Francisco.''  

2430 Bancroft Way, Berkeley. (510) 548-0585, www.universitypressbooks.com.<

ASIAN ART MUSEUM OF SAN FRANCISCO The Asian Art Museum-Chon-Moon Lee Center for Asian Art and Culture recently unveiled its new building in San Francisco's Civic Center. The building, the former San Francisco Public Library, has been completely retrofitted and rebuilt to house San Francisco's significant collection of Asian treasures. The museum offers complimentary audio tours of the museum's collection galleries.  

ONGOING EXHIBIT --  

"In a New Light," There are some 2,500 works displayed in the museum's new galleries. They cover all the major cultures of Asia and include Indian stone sculptures, intricately carved Chinese jades, Korean paintings, Tibetan thanksgas, Cambodian Buddhas, Islamic manuscripts and Japanese basketry and kimonos.  

ONGOING FAMILY PROGRAMS --  

Storytelling, Sundays and the first Saturday of every month, 1 p.m. This event is for children of all ages to enjoy a re-telling of Asian myths and folktales in the galleries. Meet at the Information Desk on the Ground Floor. Free with general admission.  

"Target Tuesday Family Program," first Tuesday of every month. Free with general admission.  

"Family Art Encounter," first Saturday of every month, 1 p.m. to 4 p.m. Drop in to make art related to the museum's collection. Children must be accompanied by an adult. In the Education Studios. Free with admission.  

DOCENT-LED ART TOURS -- The museum's docents offer two types of tours: a general introduction to the museum's collection and a highlight tour of specific areas of the collection. Free with museum admission.  

ARCHITECTURAL GUIDES -- Tuesday through Sunday at noon and 2:30 p.m., Thursday at 6:30 p.m. Learn about the former Main Library's transformation into the Asian Art Museum on this 40-minute tour. Free with museum admission.  

RESOURCE CENTER -- Tuesday through Sunday, 12:30 p.m. to 4:30 p.m. Watch a video, or learn more about Asian art with slide packets, activity kits and books. Free with museum admission. 

SPECIAL EVENTS -- Free with general admission unless otherwise noted.  

"Shanghai," through Sept. 5. Exhibition features more than 130 artworks including oil paintings, Shanghai Deco furniture, revolutionary posters, works of fashion and more.  

"Japan's Early Ambassadors to San Francisco, 1860-1927," through Nov. 21. Timed to coincide with the 150th anniversary of the arrival of the ship Kanrin Maru and the first Japanese embassy to the United States, this thematic exhibit focuses on some of the first Japanese diplomats and cultural emissaries in San Francisco, and how they responded to the experience of being in America.  

$7-$12; free children under age 12; $5 Thursday after 5 p.m.; free to all first Sunday of each month. Tuesday, Wednesday, and Friday through Sunday, 10 a.m.-5 p.m.; Thursday, 10 a.m.-9 p.m. 200 Larkin St., San Francisco. (415) 581-3500, www.asianart.org.< 

BEAT MUSEUM Formerly located on the California coast in Monterey, the Beat Museum now sits in historic North Beach. The Museum uses letters, magazines, pictures, first editions and more to explore the lives of leading beat figures such as Jack Kerouac, Lawrence Ferlinghetti, Allen Ginsberg, Neal Cassady and many others. A gift shop and bookstore are open to the public free of charge. 

SPECIAL EVENTS --  

"North Beach Walking Tour,", A 90-minute walking tour of North Beach with Beat Museum curator Jerry Cimimo. See the bars, coffeehouses, homes, and other Beat-related highlights of North Beach. Call for info. $15. 

SPECIAL EXHIBITS --  

$4-$5. Monday-Sunday, 10 a.m.-7 p.m. CLOSED MONDAY. 540 Broadway, San Francisco. (800) KER-OUAC, www.kerouac.com.< 

CABLE CAR MUSEUM The museum is located in the historic Cable Car Barn and Powerhouse. Visitors can see the actual cable winding machinery, grips, track, cable and brakes, as well as three historic cable cars, photo displays and mechanical artifacts. The best way to get to this museum is by cable car; street parking is practically non-existent. 

SPECIAL EVENTS --  

Free. April 1-Sept. 30: daily, 10 a.m.-6 p.m. Oct. 1-March 31, 10 a.m.-5 p.m. 1201 Mason St., San Francisco. (415) 474-1887, www.cablecarmuseum.org.< 

CALIFORNIA ACADEMY OF SCIENCES  

"Nightlife," 6 p.m. Thursdays. Every Thursday night, the Academy transforms into a lively venue filled with provocative science, music, mingling and cocktails, as visitors get a chance to explore the museum.  

"Where the Land Meets the Sea," Exhibition features sculpture by Maya Lin.  

BENJAMIN DEAN LECTURE SERIES --  

"Extreme Mammals," through Sept. 12. Exhibition features a far-reaching survey of members of the mammal family.  

$14.95-$24.95. Daily, 9:30 a.m.-5 p.m. Golden Gate Park, San Francisco. (415) 379-8000, www.calacademy.org.< 

CALIFORNIA HISTORICAL SOCIETY  

MUSEUM -- The museum's permanent collection is made up of the Fine Arts Collection, consisting of 5,000 works of art that represent the history of California from pre-Gold Rush days to the early decade of the 20th century; and The Photography Collection, containing nearly a halfmillion images in an array of photographic formats documenting the history of California in both the 19th and 20th centuries. The Library and Research Collection contain material relating to the history of California and the West from early exploration time to the present including texts, maps, and manuscripts.  

"Landscape and Vision: Early California Painters from the Collections of the California Historical Society," open-ended. An exhibit of oil paintings including a large number of early landscapes of California, from the museum's collection.  

"Think California," through Feb. 5. Exhibition features artworks, artifacts and ephemera exploring California's colorful history.  

$1-$3; free children under age 5. Wednesday-Saturday, noon-4:30 p.m. 678 Mission St., San Francisco. (415) 357-1848 X229, www.californiahistoricalsociety.org.< 

CARTOON ART MUSEUM  

ONGOING EXHIBIT --  

"An Exploration of Cartoon Art," This exhibit explores the history of cartoon art including works from the most renowned and creative cartoonists of the last century. The exhibit traces the evolution of cartooning through its many forms including animation, comic strips, comic books, editorial cartoons and underground cartoons.  

CARTOONING CLASSES FOR KIDS -- Saturday, 1 p.m. to 3 p.m. For children ages 6 to 14. Call for schedule. Free with admission. 

"60 Years of Beetle Bailey," through Sept. 19. Exhibition showcases the comics of Mort Walker.  

$2-$6; free children ages 5 and under; the first Tuesday of the month is paywhat-you-wish day. Tuesday-Sunday, 11 a.m.-5 p.m. 655 Mission St., San Francisco. (415) 227-8666, www.cartoonart.org.< 

CHINESE HISTORICAL SOCIETY OF AMERICA The CHSA Museum and Learning Center features a permanent exhibition, "The Chinese of America: Toward a More Perfect Union'' in its Main Gallery, and works by Chinese-American visual artists in its Rotating Galleries.  

ONGOING EXHIBIT --  

"Leaders of the Band," An exhibition of the history and development of the Cathay Club Marching Band, the first Chinese American band formed in 1911. 

SPECIAL EXHIBITS --  

$1-$3; free children ages 5 and under; free for all visitors first Thursday of every month. Tuesday-Friday, noon-5 p.m.; Saturday-Sunday, noon-4 p.m. 965 Clay St., San Francisco. (415) 391-1188, www.chsa.org.< 

CONTEMPORARY JEWISH MUSEUM The museum, formerly known as the Jewish Museum San Francisco, has a new addition designed by Daniel Libeskind and is dedicated to exploring the richness and diversity of Jewish thought and culture.  

GALLERY TOURS -- Sunday and Wednesday, 12:30 p.m. Free. 

"Jews on Vinyl," through Aug. 22. Exhibition showcases the history of Jewish recorded music from the 1940s to the 1980s.  

"As It Is Written: Project 304,805," through Oct. 3. Exhibition centers around a soferet (a professionally trained female scribe) who writes out the entire text of the Torah, at the Museum, over the course of a full year. She will be one of the few known women to complete an entire Torah scroll, an accomplishment traditionally exclusive to men.  

"Reinventing Ritual: Contemporary Art and Design for Jewish Life," through Oct. 3. The first major international exhibition to examine the reinvention of Jewish ritual in art and design.  

"Maira Kalman: Various Illuminations (of a Crazy World)," through Oct. 26. The first major museum survey of the award-winning illustrator, author and designer.  

$4-$5; free for children under age 12; free third Monday of every month. Sunday -Thursday, noon-6 p.m. DEC. 25, NOON TO 4 P.M.; CLOSED JAN. 1. 736 Mission St., San Francisco. (415) 655-7800, www.thecjm.org.< 

DE YOUNG MUSEUM The art museum has now reopened in a new facility designed by Swiss architecture firm Herzog and de Meuron and Fong and Chan Architects in San Francisco. It features significant collections of American art from the 17th through the 20th centuries; modern and contemporary art; art from Central and South America, the Pacific and Africa; and an important and diverse collection of textiles. 

ARTIST STUDIO PROGRAM -- 1-5 p.m. Wed.- Sun. A monthly interactive program during which the public can meet and work with a featured artist. Demonstrations take place in the Kimball Education Gallery, which does not require paid admission. (415) 750-7634. 

CHILDREN'S ACTIVITIES --  

"Children's Workshops: Doing and Viewing Art and Big Kids-Little Kids," Saturdays, 10:30 a.m.-noon and 1:30-3 p.m. Family tour and art activity for ages 4-12. 

LECTURES AND SYMPOSIA --  

LECTURES BY DOCENTS -- These lectures are free and are held in the Koret Auditorium unless otherwise noted.  

SPECIAL EVENTS --  

"Poetry Series," 7-8:30 p.m. $8-$12. (415) 750-7634. 

"Friday Nights at the de Young: Cultural Encounters," 5-8:45 p.m. The de Young stays open until 8:45 p.m. each Friday night and hosts special events including live music, dance, film, lectures and artist demonstrations.  

Aug. 22: "Cultural Encounters presents Hot Brazilian Nights.''  

Event features music by Forro for All and art-making for the entire family.  

Aug. 29: "Cultural Encounters.''  

Event features live music by the Scott Amendola Trio. Free with admission. 

"Photo/Synthesis," through Oct. 3. Exhibition highlights the dynamic trend in the field of contemporary photography, collages, assemblages, and other multi-part or composite photo-based projects.  

"Birth of Impressionism: Masterpieces from the Musee d'Orsay," through Sept. 6. Exhibition puts forth nearly 100 works by the famous masters who called France their home during the mid-19th century and from whose midst arose one of the most original and recognizable of all artistic styles, Impressionism.  

"Pat Steir: After Hokusai, after Hiroshige," through Jan. 30. Exhibition shows the continued influence of the Japanese print on Western artists into the late twentieth century.  

OPENING -- "To Dye For: A World Saturated in Color," through Jan. 9. Exhibition features over 50 textiles and costumes from the Fine Arts Museums' comprehensive collection of textiles from Africa, Asia and the Americas.  

$6-$10; free for children ages 12 and under; free for all visitors the first Tuesday of every month. Tuesday-Thursday and Saturday-Sunday, 9:30 a.m.-5:15 p.m.; Friday, 9:30 a.m.-8:45 p.m. Golden Gate Park, 50 Hagiwara Tea Garden Drive, San Francisco. (415) 863-3330, www.deyoungmuseum.org.< 

EXPLORATORIUM A hands-on museum of science, art and human perception.  

ONGOING EXHIBITS --  

"Tactile Dome," ongoing installation. The dome is composed of many chambers, which are pitch black inside and full of different tactile sensations. The only way to find one's way through is by using the sense of touch. Reservations required. $12 includes museum admission.  

"Distorted Room," Watch your friends inside the room grow to twice their size by walking left to right or shrink to half their size by walking in the opposite direction. A series of geometric tricks and optical illusions in the room makes the brain think that people shrink and grow before one's eyes.  

"Play Lab," An area for children ages 4 and under, designed to help them develop their motor skills and exercise their imaginations and social skills.  

"Listen: Making Sense of Sound," This "ears-on'' exhibit helps visitors focus on subtle and profound aspects of hearing, experiment with new ways of listen deeply and carefully, and think about how others hear the world. 

"Geometry Playground," through Sept. 6. Explore giant 3d shapes, curved mirrors and more.  

"Geometric Threads," through Aug. 22. Experience geometry as found in traditional handicrafts and contemporar design as artisans demonstrate the mathematics in crafts across the globe.  

$9-$14; free children ages 4 and under. Tuesday-Sunday, 10 a.m.-5 p.m.; Dec. 24, 10 a.m.-3 p.m.; CLOSED DEC. 25. 3601 Lyon St., San Francisco. (415) EXP-LORE, (415) 563-7337, (415) 561-0360, www.exploratorium.edu.< 

GLBT HISTORICAL SOCIETY AND MUSEUM The museum is a project of the GLBT (Gay, Lesbian, Bisexual, Transgender) Historical Society. 

EVENTS --  

EXHIBITS --  

$2-$4. Tuesday-Saturday, 1-5 p.m. 657 Mission St., Suite 300, San Francisco. (415) 777-5455, www.glbthistory.org.< 

INTERNATIONAL MUSEUM OF WOMEN  

EVENTS --  

101 Howard Street, Suite 480, San Francisco. (415) 543-4669, www.imow.org/home/index.< 

LEGION OF HONOR MUSEUM DOCENT TOUR PROGRAMS -- Tours of the permanent collections and special exhibitions are offered Tuesday through Sunday. Non-English language tours (Italian, French, Spanish and Russian) are available on different Saturdays of the month at 11:30 a.m. Free with regular museum admission. (415) 750-3638.  

ONGOING CHILDREN'S PROGRAM --  

"Doing and Viewing Art," For ages 7 to 12. Docent-led tours of current exhibitions are followed by studio workshops taught by professional artists/teachers. Students learn about art by seeing and making it. Saturday, 10:30 a.m. to noon; call to confirm class. Free with museum admission. (415) 750-3658. 

ORGAN CONCERTS -- 4 p.m. A weekly concert of organ music on the Legion's restored 1924 Skinner organ. Saturday and Sunday in the Rodin Gallery. Free with museum admission. (415) 750-3624. 

SPECIAL EVENTS -- In the Gould Theater unless otherwise noted. $4 after museum admission unless otherwise noted. (415) 682-2481. 

"Sunday Jazz Brunch," 11 a.m.-3 p.m. $21-$53. 

"Very Postmortem: Mummies and Medicine," Oct. 31. Exhibition explores the modern scientific examination of mummies providing new insights into the conditions under which the Egyptians lived, bringing us closer to understanding who they were.  

"Impressionist Paris: City of Light," through Sept. 26. Exhibition explores various aspects of life in and around the city in which artists came of age. Visitors to the exhibition are transported to Impressionist Paris as represented in over 150 prints, drawings, photographs, paintings, and illustrated books from the Fine Arts Museums of San Francisco and several distinguished private collections.  

$6-$10; free for children ages 12 and under; free for all visitors on Tuesdays. Tuesday-Sunday, 9:30 a.m.-5 p.m. Lincoln Park, 34th Avenue and Clement Street, San Francisco. (415) 750-3600, (415) 750-3636, www.legionofhonor.org.< 

MARKET STREET RAILWAY MUSEUM The museum will permanently display a variety of artifacts telling the story of San Francisco's transportation history, including dash signs, fare boxes, a famed Wiley "birdcage'' traffic signal and more. 

Free. Wednesday-Sunday, 10 a.m.-6 p.m. 77 Steuart St., San Francisco. (415) 956-0472, www.streetcar.org.< 

MUSEO ITALOAMERICANO The museum, dedicated to the exhibition of art works by Italian and Italian-American artists, has a small permanent collection of paintings, sculptures, photographs and works on paper by such renowned artists as Beniamino Buffano, Sandro Chia, Giorgio de Chirico and Arnaldo Pomodoro.  

DOCENT TOURS -- Wednesdays, 1 p.m. to 3 p.m. Free. 

$2-$3; free children under age 12; free to all first Wednesday of the month. Wednesday-Sunday, noon -4 p.m.; first Wednesday of the month, noon-7 p.m. Fort Mason Center, Building C, Buchanan Street and Marina Boulevard, San Francisco. (415) 673-2200, www.museoitaloamericano.org.< 

MUSEUM OF ANCIENT CIVILIZATIONS AT SAN FRANCISCO STATE UNIVERSITY  

EXHIBITS --  

Free. Monday through Friday, 11 a.m. to 4 p.m. Humanities Building, Room 510, SFSU, Font Boulevard and Tapia Drive, San Francisco. (415) 405-0599, www.sfsu.edu/~museumst/.< 

MUSEUM OF CRAFT AND FOLK ART The museum, now open at a new downtown location, features craft and folk art from various cultures, both past and present, and includes styles ranging from utilitarian objects to contemporary art. 

"Clare Rojas: We They, We They," through Aug. 22. Where neo-folk meets contemporary art, artists operate as "authors'' of the collective voice. The new exhibition showcases the first solo exhibition of the Bay Area artist who identifies and inserts herself in the folk art continuum. MOCFA is proud to present new work that has yet to be seen by the public.  

$4-$5; free for youths under age 18. Tuesday-Friday, 11 a.m.-6 p.m.; Saturday-Sunday, 11 a.m.-5 p.m. 51 Yerba Buena Lane, Mission Street between Third and Fourth streets, San Francisco. (415) 227-4888, www.mocfa.org.< 

MUSEUM OF PERFORMANCE AND DESIGN  

EXHIBITS --  

Free. Wednesday-Saturday, noon-5 p.m. Veterans Building, 401 Van Ness Avenue at McAllister, 4th Floor, San Francisco. (415) 255-4800, www.mpdsf.org.< 

MUSEUM OF THE AFRICAN DIASPORA A new museum exploring and celebrating the influence of the African Diaspora on global art and culture through interactive, permanent and changing exhibits and special programs. The museum occupies the first three floors of the new St. Regis Hotel at Third and Mission streets.  

PERMANENT EXHIBITS --  

"Celebrations: Rituals and Ceremonies," "Music of the Diaspora,'' "Culinary Traditions,'' 'Adornment,'' "Slavery Passages,'' and "The Freedom Theater.'' 

SPECIAL EVENTS --  

"Urban Kidz Film Series," Noon-3 p.m. An offshoot of the San Francisco Black Film Festival, featuring a striking assemblage of short and feature films designed to spark the imaginations of the 5-to-12-year-old set. $10 adults; children free. (415) 771-9271. 

SPECIAL EXHIBITS --  

$5-$8; free children age 12 and under. Monday, Wednesday, Friday and Saturday, 10 a.m.-6 p.m.; Thursday, 10 a.m.-9 p.m.; Sunday, noon-5 p.m.; CLOSED MARCH 13 THROUGH MARCH 21. 685 Mission St., San Francisco. (415) 358-7200, www.moadsf.org.< 

NATIONAL MARITIME MUSEUM LIBRARY (THE J. PORTER SHAW MARITIME LIBRARY) Closed on federal holidays. The library, part of the San Francisco Maritime National Historic Park, focuses on sail and steam ships on the West Coast and the Pacific Basin from 1520 to the present. The museum library holdings include a premiere collection of maritime history: books, magazines, oral histories, ships' plans and the San Francisco Maritime National Historical Park's 250,000 photographs. 

Free. By appointment only, Monday-Friday, 1-4 p.m., and the third Saturday of each month 10 a.m.-5 p.m. Fort Mason Center, Building E, Third Floor, Buchanan Street and Marina Boulevard, San Francisco. (415) 560-7080, (415) 560-7030, www.nps.gov/safr.< 

PACIFIC HERITAGE MUSEUM The museum presents rotating exhibits highlighting historical, artistic, cultural and economic achievements from both sides of the Pacific Rim. The museum features a permanent display documenting the history and significance of the Branch Mint and Subtreasury buildings. 

Free. Tuesday-Saturday, 10 a.m.-4 p.m. 608 Commercial St., San Francisco. (415) 399-1124.< 

RANDALL MUSEUM  

ONGOING EXHIBITS --  

"Earthquake Exhibit," Learn about plate tectonics. Make a small quake by jumping on the floor to make a "floor quake'' that registers on the seismometer in the lobby. See the basement seismometer that registers quakes around the world. Walk through a full-size earthquake refugee shack that was used to house San Franciscans after the 1906 earthquake that destroyed so many homes.  

"Creativity and Discovery Hand in Hand," A photography exhibit that gives visitors a look into the wide variety of programs the Museum offers in the way of classes, workshops, school field trips, and special interest clubs.  

"Toddler Treehouse," Toddlers may comfortably climb the carpeted "treehouse'' and make a myriad of discoveries, from the roots to the limbs.  

"Live Animal Exhibit," Visit with more than 100 creatures including small mammals, amphibians, reptiles, raptors and small birds, insects, spiders and tide pool creatures.  

ONGOING EVENTS --  

"Saturdays Are Special at the Museum," Saturdays, 10 a.m. to 4 p.m. A series of drop-in ceramics and art and science workshops. All ages are welcome, though an adult must accompany children under age 8. $3 per child, $5 per parent-child combination.  

"Bufano Sculpture Tours," first and third Saturdays of the month, 10:15 a.m. A tour of the giant animal sculptures of Beniamino Bufano. The sculptures were carved out of stone in the 1930s and include a giant cat and a mother bear nursing her cubs.  

"Animal Room," Visit some of the animals that live at the museum, including reptiles, raptors, tide pool creatures and small mammals.  

"Meet the Animals" Saturdays, 11:15 a.m. to noon. See the Randall's animals close-up and in person.  

"Animal Feeding," Saturdays, noon. Watch the animals take their meals.  

"Golden Gate Model Railroad Exhibit," Saturdays, 11 a.m. to 4 p.m. 

DROP-IN ART AND SCIENCE WORKSHOPS -- 1-4 p.m. $3-$5.  

SPECIAL EVENTS --  

"Film Series for Teenagers," Fridays, 7 p.m. 

"Drop-in Family Ceramics Workshop," Saturday, 1:15-2:15 p.m. 

"Animal Feeding," Saturday, noon. 

"Meet the Animals," 11:15 a.m.-noon. 

"Golden Gate Model Railroad Exhibit," Saturday, 11 a.m.-4 p.m. 

"Drop-in Family Ceramics Workshop," Saturday, 10:15-11:15 a.m. $5. 

"Third Friday Birders," 8 a.m. The hike through Corona Heights Park allows participants to enjoy the early morning views and learn more about the feathered inhabitants of the area. Children aged 10 and older if accompanied by adult. 

"Meet the Animals," Saturdays, 11:15 a.m. Learn about the animals that live at the Randall Museum. 

Free. All ages welcome; an adult must accompany children under age 8. Tuesday-Saturday, 10 a.m.-5 p.m.; CLOSED ON CHRISTMAS. 199 Museum Way, San Francisco. (415) 554-9600, www.randallmuseum.org.< 

SAN FRANCISCO CABLE CAR MUSEUM The museum is located in the historic Cable Car Barn and Powerhouse. Visitors can see the actual cable winding machinery, grips, track, cable and brakes, as well as three historic cable cars, photo displays and mechanical artifacts. The best way to get to this museum is by cable car; street parking is practically non-existent. 

Free. October 1-March 31: Daily, 10 a.m.-5 p.m.; April 1-September 3-: 10 a.m.-6 p.m.; Closed on New Year's Day, Easter Sunday, Thanksgiving and Christmas. 1201 Mason St., San Francisco. (415) 474-1887, www.cablecarmuseum.com.< 

SAN FRANCISCO MARITIME NATIONAL HISTORICAL PARK One of only a few "floating'' national parks, the San Francisco Maritime National Historical Park includes four national landmark ships, a maritime museum, a maritime library and a World-War-II submarine named the USS Pampanito.  

HYDE STREET PIER -- Demonstrations, ship tours, programs, music and special events offered throughout the day. Check ticket booth for schedule. At the foot of Hyde Street, Hyde and Jefferson streets.  

Entering the Pier is free but there is a fee to board the ships.  

HISTORIC SHIPS AT THE HYDE STREET PIER -- The historic ships at the Pier are the 1886 square-rigger "Balclutha,'' the 1890 steam ferryboat "Eureka,'' the 1895 schooner "C.A. Thayer'' (not available at this time due to restoration), the 1891 scow schooner "Alma,'' the 1907 steam tug "Hercules,'' and the 1914 "Eppleton Hall,'' a paddlewheel tug.  

"Balclutha." This historic ship, a three-mast square-rigger, has undergone extensive repairs and preservation work. She now contains more original materials and fittings than any other historic merchant square-rigger in the United States. The Balclutha is a designated National Historic Landmark. At Hyde Street Pier.  

"Eureka." Explore this 1890 ferryboat with a 40-foot walking-beam engine. The boat once carried passengers and autos across the San Francisco Bay. At Hyde Street Pier. Daily, call for times of boat tour.  

"C.A. Thayer." A three-mast schooner used in the lumber and cod fishing trades. At Hyde Street Pier.  

"Alma." Between 1850 and the early 1900s, the best highways around the San Francisco Bay area were the waterways and the delivery trucks and tractortrailer rigs of the time were the flat-bottomed scow schooners. Able to navigate the Sacramento/San Joaquin Delta region's shallow creeks, sloughs and channels, the scows' sturdy hulls could rest safely and securely on the bottom providing a flat, stable platform for loading and unloading. Made of inexpensive Douglas fir, scow's designs were so simple they could be built by eye or without plans.  

"Hercules." Tugs in the early part of the 20th century towed barges, sailing ships and log rafts between Pacific ports. Because prevailing north/west winds generally made travel up the coast by sail both difficult and circuitous, tugs often towed large sailing vessels to points north of San Francisco. In 1916 Hercules towed the C.A. Thayer to Port Townsend, Wash., taking six days to make the trip. At the end of the sail era, the Hercules was acquired by the Western Pacific Railroad Company and shuttled railroad car barges back and forth across San Francisco Bay until 1962.  

"Eppleton Hall." Built in England, the steam side-wheeler plied the Wear and Tyne rivers of Northeast England. Designed to tow ocean-going colliers (coal-carrying sail vessels) the tugs saved transit time getting the sail vessels upriver to load. The side-wheelers were also used to tow newly built ships out to sea. From 1969 to 1979, the Eppleton Hall served as a private yacht. She was modified for an epic steam via the Panama Canal to San Francisco, passing through the Golden Gate in March of 1970.  

HISTORIC SHIP AT FISHERMAN'S WHARF --  

"USS Pampanito." This World-War-II-era submarine is berthed at Fisherman's Wharf. The submarine celebrated her 50th anniversary in November of 1993 and is perhaps best known for her participation in a "wolf pack'' attack on a convoy of enemy ships during World War II. The entrance fee includes a taped audio tour that describes what life on this submarine was like. At Pier 45, near foot of Taylor Street. Monday through Thursday, Sunday and holidays, 9 a.m. to 6 p.m.; Friday and Saturday, 9 a.m. to 8 p.m. $9 general; $5 seniors, $4 active duty military, $4 youth ages 6 to 12; free children under age 6. (415) 775-1943.  

ONGOING EVENTS --  

"Historic Ship Volunteer Work Party," Saturday, 9 a.m. Become part of an effort to preserve four of the park's nautical treasures. Work on a different ship each Saturday. Bring work clothes, work shoes and lunch. Call for meeting place. (415) 332-8409.  

Unless noted otherwise, events take place on the Hyde Street Pier, located at the foot of Hyde Street on Jefferson Street. 

EXHIBITS -- Current Exhibits at the Visitor Center:  

"What's Your Pleasure? Recreational Boats of California's Past," openended. This exhibit includes 1940s Sacramento Hydroplanes, a Russian River launch from the 19th century, classic wooden motor launches and motor boats, and other smaller crafts.  

"Hydroplanes and Racing Boats," open-ended. A small exhibit showcasing 1930s racing engines and hydroplane boats.  

"Frisco Bound," an exhibition about immigration to San Francisco, clipper ships, and the Gold Rush era.  

"Hyde Street Ship Models," an exhibit of models of the historic ships at the Hyde Street Pier.  

"Discovery Room," a preview of the Maritime Library where visitors can look up documents and photographs.  

(415) 447-5000. 

SPECIAL EVENTS --  

"Adventures at Sea: Life Aboard a 19th century Sailing Ship," Daily, 2:15 p.m.-3 p.m. Take a guided tour of the sailing ship Balclutha and learn about the hardships and awards of the sailors show fought for survival during the treacherous Cape Horn passage. Vessel admission. 

VISITOR CENTER -- 9:30 a.m.-5 p.m. Daily  

Entering the Pier is free but there is a fee to board the ships. The fee allows access to all ships and is good for seven days. $5; free children under age 16. May 28-Sept. 30: daily, 9:30 a.m.-7 p.m.; Oct. 1-May 27: Daily, 9:30 a.m.-5 p.m. Foot of Hyde Street, San Francisco. (415) 561-7100, www.nps.gov.< 

SAN FRANCISCO MUSEUM OF CRAFT AND DESIGN A museum celebrating and promoting the art of contemporary craft and design. The museum showcases diverse exhibitions from regional, national and international artists, working in mediums such as wood, clay, fiber, metal and glass. 

EVENTS --  

"FourSite: 4 Artists, 4 Materials, 4 Sites," through Sept. 18. Artists Tanya Aguiniga, Paul Hayes, Tom Hill and Christine Lee transform the museum space with four distinct, large-scale installations of fiber, paper, metal and wood.  

$2-$4; free youths under age 18. Tuesday-Saturday, 10 a.m.-5 p.m. 550 Sutter St., San Francisco. (415) 773-0303, www.sfmcd.org.< 

SAN FRANCISCO MUSEUM OF MODERN ART  

ONGOING EXHIBITS --  

"Matisse and Beyond: The Painting and Sculpture Collection," This newly reconceived exhibition of SFMOMA's modern art collection features paintings, sculptures and works on paper from the first 60 years of the 20th century. Featured artists include: Joseph Cornell, Ellsworth Kelly, Yves Klein, Salvador Dali, Frida Kahlo, Piet Mondrian, Pablo Picasso, Diego Rivera, Andy Warhol and Paul Klee.  

"Between Art and Life: The Contemporary Painting and Sculpture Collection," This new presentation of the SFMOMA collection features works from the past five decades by Louise Bourgeois, Robert Gober, Eva Hesse, Anish Kapoor, Sherrie Levine, Brice Marden, Gordon Matta-Clark, Barry McGee, Bruce Nauman, Robert Rauschenberg and Kara Walker.  

"The Art of Design: Selections from the Permanent Collection of Architecture and Design," The exhibit will feature 100 selections from their architecture, graphic design and industrial design collections on a rotating basis. It features classic works plus new designs by up-andcoming artists.  

"Picturing Modernity: Photographs from the Permanent Collection," Photography is possibly the quintessential modern art medium because its 160-year history corresponds almost exactly with Modernism's duration as a cultural movement. This exhibit looks at the photograph's unique pictorial ability and its ever-growing pervasiveness in modern culture, putting the medium in dialogue with paintings and other kinds of art.  

KORET VISITOR EDUCATION CENTER -- This facility includes multimedia display technology, "Pick Up and Go'' guides for adults and children, art videos, and a community art gallery created by participants in school, teen and family programs. Thursday, 6 p.m. to 8:30 p.m.; Friday and Saturday, 11 a.m. to 5:30 p.m. 

SPECIAL EVENTS --  

"Tony Labat's I Want You," The latest installment in the newly launched program series "Live Art at SFMOMA.'' The artist invites denizens of the Bay Area to make their own demands of the public which riffs on the iconic "I Want You'' army recruitment campaigns of World Wars I and II, he asks you what you would do if you had only one minute to seize the voice of authority, to be the finger-pointing Uncle Sam. 

"Calder to Warhol," through Sept. 19. Exhibition showcases the quality of the Fisher Collection, much of which has never been seen by the public.  

Jesse Hazelip, through Nov. 13. Artists Gallery showcases the work of the Oakland-based artist.  

$7-$12.50; half price on Thursdays after 6 p.m.; free for all visitors on the first Tuesday of every month. Monday, Tuesday and Friday through Sunday, 10 a.m.-5:45 p.m.; Thursday, 10 a.m.-8:45 p.m. 151 Third St., San Francisco. (415) 357-4000, www.sfmoma.org.< 

SAN FRANCISCO PERFORMING ARTS LIBRARY AND MUSEUM  

ONGOING EXHIBITS --  

"Dance in California: 150 Years of Innovation," This permanent exhibit traces the history and artistic range of modern dance in California, with photographs and documents highlighting the achievements of Lola Montez, Isadora Duncan, Ruth St. Denis, Martha Graham, the Christensen brothers, the Peters Wright School, the company of Lester Horton, Anna Halprin and Lucas Hoving.  

"Maestro! Photographic Portraits by Tom Zimberoff," This permanent exhibit is a comprehensive study of a generation of national and international conductors. In Gallery 5.  

"San Francisco 1900: On Stage," In Gallery 4.  

"San Francisco in Song," In Gallery 3. 

Free. Tuesday-Friday, 11 a.m.-5 p.m.; Saturday, 1-5 p.m. San Francisco War Memorial Veteran's Building, 401 Van Ness Ave., Fourth Floor, San Francisco. (415) 255-4800, www.sfpalm.org.< 

SEYMOUR PIONEER MUSEUM The museum, owned by The Society of California Pioneers, houses a permanent research library, art gallery and history museum. Exhibits include a photography collection documenting California history. 

$1-$3. Wednesday-Friday and the first Saturday of the month, 10 a.m.-4 p.m. Society of California Pioneers, 300 Fourth St., San Francisco. (415) 957-1859, www.californiapioneers.org.< 

TREGANZA ANTHROPOLOGY MUSEUM AT SAN FRANCISCO STATE UNIVERSITY The museum, founded in 1968, houses collections of archaeological and ethnographic specimens from Africa, Oceania, Asia, and North America as well as small collections from Central and South America. There are also collections of photographs, tapes and phonograph records from Africa and Europe. In addition, there is an archive of field notes and other materials associated with the collections. The museum also houses the Hohenthal Gallery that is used for traveling exhibits as well as exhibits mounted by students and faculty. 

Free. Museum office: Monday-Friday, 8 a.m.-noon and 1 p.m.-4 p.m.; Hohenthal Gallery, SCI 388: Monday through Friday, 10 a.m.-4 p.m. Science Building, SFSU, 1600 Holloway Ave., San Francisco. (415) 338-2467, www.sfsu.edu/~treganza/.< 

ZEUM Zeum is a technology and arts museum for children and families featuring exhibits and workshops that cover a variety of fascinating subjects. 

EVENTS --  

$6-$8. 11 a.m.-5 p.m., Wednesday-Sunday. 221 Fourth St., San Francisco. (415) 820-3220, www.zeum.org.<

AFRICAN AMERICAN MUSEUM AND LIBRARY AT OAKLAND The Oakland Public Library's museum is designed to discover, preserve, interpret and share the cultural and historical experiences of African Americans in California and the West. In addition, a three-panel mural is on permanent display. 

Free. Tuesday-Saturday, noon-5:30 p.m. 659 14th St., Oakland. (510) 637-0200, www.oaklandlibrary.org.< 

ALAMEDA MUSEUM The museum offers permanent displays of Alameda history, the only rotating gallery showcasing local Alameda artists and student artwork, as well as souvenirs, books and videos about the rich history of the Island City. 

Free. Wednesday-Friday and Sunday, 1-4 p.m.; Saturday, 11 a.m.-4 p.m. 2324 Alameda Ave., Alameda. (510) 521-1233, www.alamedamuseum.org.< 

BADE MUSEUM AT THE PACIFIC SCHOOL OF RELIGION The museum's collections include the Tell en-Nasbeh Collection, consisting of artifacts excavated from Tell en-Nasbeh in Palestine in 1926 and 1935 by William Badh, and the Howell Bible Collection, featuring approximately 300 rare books (primarily Bibles) dating from the 15th through the 18th centuries. 

"Tell en-Nasbeh," This exhibit is the "heart and soul" of the Bade Museum. It displays a wealth of finds from the excavations at Tell en-Nasbeh, Palestine whose objects span from the Early Bronze Age (3100-2200 BC) through the Iron Age (1200-586 BC) and into the Roman and Hellenistic periods. Highlights of the exhibit include "Tools of the Trade" featuring real archaeological tools used by Badh and his team, an oil lamp typology, a Second Temple period (586 BC-70 AD) limestone ossuary, and a selection of painted Greek pottery.  

"William Frederic Bade: Theologian, Naturalist, and Archaeologist," This exhibit highlights one of PSR's premier educators and innovative scholars. The collection of material on display was chosen with the hopes of representing the truly dynamic and multifaceted character of William F. Badh. He was a family man, a dedicated teacher, a loving friend, and an innovative and passionate archaeologist.  

Free. Tuesday-Thursday, 10:30 a.m.-3 p.m. Holbrook Hall, Pacific School of Religion, 1798 Scenic Ave., Berkeley. (510) 848-0528, www.bade.psr.edu/bade.< 

BERKELEY ART MUSEUM AND PACIFIC FILM ARCHIVE  

"Thom Faulders: BAMscape," through Nov. 30. This commissioned work, a hybrid of sculpture, furniture, and stage, is the new centerpiece of Gallery B, BAM's expansive central atrium. It is part of a new vision of the gallery as a space for interaction, performance, and improvised experiences.  

"Perpetual and furious refrain / MATRIX 232," through Sept. 12. Exhibition features works by Brent Green.  

"Marisa Olson: Double Bind," through Aug. 31. With a pair of provocative YouTube videos, Olson unravels the promise and pitfalls of online participatory culture.  

"Himalayan Pilgrimage," through Dec. 19. Exhibition features sculpture and painting dating from the ninth to the eighteenth centuries and drawn from a private collection on long-term loan to the Berkeley Art Museum and Pacific Film Archive.  

"Hauntology," through Dec. 5. Drawn primarily from the museum's recent acquisitions of contemporary art, this exhibition explores a wide range of art through the lens of the concept of "hauntology,'' a term coined by the French philosopher Jacques Derrida in 1993 to refer to the study of social, psychological, and cultural conditions in the post-Communist period.  

2626 Bancroft Way, Berkeley. < 

BLACKHAWK MUSEUM  

AUTOMOTIVE MUSEUM -- The museum's permanent exhibition of internationally renowned automobiles dated from 1897 to the 1980s. The cars are displayed as works of art with room to walk completely around each car to admire the workmanship. On long-term loan from the Smithsonian Institution is a Long Steam Tricycle; an 1893-94 Duryea, the first Duryea built by the Duryea brothers; and a 1948 Tucker, number 39 of the 51 Tuckers built, which is a Model 48 "Torpedo'' four-door sedan.  

ONGOING EXHIBITS --  

"International Automotive Treasures," An ever-changing exhibit featuring over 90 automobiles.  

"A Journey on Common Ground," An exhibit of moving photographs, video and art objects from around the world exploring the causes of disability and the efforts of the Wheelchair Foundation to provide a wheelchair for every person in need who cannot afford one.  

ONGOING EVENT --  

Free Public Tours, Saturday and Sunday, 2 p.m. Docent-led guided tours of the museum's exhibitions. 

$5-$8; free for children ages 6 and under. Wednesday-Sunday, 10 a.m.-5 p.m. 3700 Blackhawk Plaza Circle, Danville. (925) 736-2280, (925) 736-2277, www.blackhawkmuseum.org.< 

CALIFORNIA HISTORICAL SOCIETY  

HISTORY WALKABOUTS -- A series of walking tours that explore the history, lore and architecture of California with veteran tour guide Gary Holloway. Walks are given on specific weekends. There is a different meeting place for each weekend and walks take place rain or shine so dress for the weather. Reservations and prepayment required. Meeting place will be given with confirmation of tour reservation. Call for details.  

678 Mission St., San Francisco. (415) 357-1848, www.californiahistoricalsociety.org.< 

CHABOT SPACE AND SCIENCE CENTER State-of-the-art facility unifying science education activities around astronomy. Enjoy interactive exhibits, hands-on activities, indoor stargazing, outdoor telescope viewing and films. 

"Beyond Blastoff: Surviving in Space," An interactive exhibit that allows you to immerse yourself into the life of an astronaut to experience the mixture of exhilaration, adventure and confinement that is living and working in space.  

"Chabot Observatories: A View to the Stars," Explore the history of the Chabot observatories and how its historic telescopes are used today. Daytime visitors can virtually operate a telescope, experiment with mirrors and lenses to understand how telescopes create images of distant objects and travel through more than a century of Chabot's history via multimedia kiosks, historical images and artifact displays.  

EVENTS --  

"Live Daytime Planetarium Show," Saturdays, 2:30 p.m. Ride through real-time constellations, stars and planets with Chabot's full-dome digital projection system. 

"Galaxy Explorers Hands-On Fun," Saturday, noon-4 p.m. The Galaxy Explorers lead a variety of fun, hands-on activities, such as examining real spacesuits, creating galaxy flipbooks, learning about telescopes, minerals and skulls and making your own comet. Free with general admission. 

"Daytime Telescope Viewing," Saturday and Sunday, 11 a.m.-5 p.m. View the sun, the moon and the planets through the telescopes during the day. Free with general admission. 

Center Admission: $14.95; $10.95 children 3-12; free children under 3; $3 discount for seniors and students. Telescope viewing only: free. Wednesday-Thursday, 10 a.m.-5 p.m.; Friday-Saturday, 10 a.m.-10 p.m.; Sunday, 11 a.m.-5 p.m.; Also open on Tuesdays 10 a.m.-5 p.m. after June 29. 10000 Skyline Blvd., Oakland. (510) 336-7300, www.chabotspace.org.< 

HABITOT CHILDREN'S MUSEUM A museum especially for children ages 7 and under. Highlights include "WaterWorks,'' an area with some unusual water toys, an Infant Tree for babies, a garden especially for toddlers, a child-scale grocery store and cafe, and a costume shop and stage for junior thespians. The museum also features a toy lending library.  

ONGOING EXHIBITS --  

"Waterworks." A water play gallery with rivers, a pumping station and a water table, designed to teach about water.  

"Little Town Grocery and Cafe." Designed to create the ambience of shopping in a grocery store and eating in a restaurant.  

"Infant-Toddler Garden." A picket fence gated indoor area, which includes a carrot patch with wooden carrots to be harvested, a pretend pond and a butterfly mobile to introduce youngsters to the concept of food, gardening and agriculture.  

"Dramatic Arts Stage." Settings, backdrops and costumes coincide with seasonal events and holidays. Children can exercise their dramatic flair here.  

"Wiggle Wall." The floor-to-ceiling "underground'' tunnels give children a worm's eye view of the world. The tunnels are laced with net covered openings and giant optic lenses. 

"Architects at Play," This hands-on, construction-based miniexhibit provides children with the opportunity to create free-form structures, from skyscrapers to bridges, using KEVA planks.  

SPECIAL EVENTS -- Free with museum admission unless otherwise noted.  

"Family Alien Day," Aug. 28, 9:30 a.m.-4:30 p.m. Children are encouraged to arrive dressed in costumes from another planet for an out of this world event. Families can use glow in the dark face paint, create alien antennas, and build recycled planet sculptures among many other activities. 

SPECIAL EXHIBITS --  

$6-$7. Wednesday and Thursday, 9:30 a.m.-1 p.m.; Friday and Saturday, 9:30 a.m.-4:30 p.m.; Closed Sunday-Tuesday. 2065 Kittredge St., Berkeley. (510) 647-1111, www.habitot.org.< 

HALL OF HEALTH A community health-education museum and science center promoting wellness and individual responsibility for health. There are hands-on exhibits that teach about the workings of the human body, the value of a healthy diet and exercise, and the destructive effects of smoking and drug abuse. "Kids on the Block'' puppet shows, which use puppets from diverse cultures to teach about and promote acceptance of conditions such as cerebral palsy, Down Syndrome, leukemia, blindness, arthritis and spina bifida, are available by request for community events and groups visiting the Hall on Saturdays.  

ONGOING EXHIBITS --  

"This Is Your Heart!" An interactive exhibit on heart health.  

"Good Nutrition," This exhibit includes models for making balanced meals and an Exercycle for calculating how calories are burned.  

"Draw Your Own Insides," Human-shaped chalkboards and models with removable organs allow visitors to explore the inside of their bodies.  

"Your Cellular Self and Cancer Prevention," An exhibit on understanding how cells become cancerous and how to detect and prevent cancer. 

Suggested $3 donation; free for children under age 3. Tuesday-Saturday, 10 a.m.-4 p.m. 2230 Shattuck Ave., Berkeley. (510) 549-1564, www.hallofhealth.org.< 

HAYWARD AREA HISTORICAL SOCIETY MUSEUM The museum is located in a former post office and displays memorabilia of early Hayward and southern Alameda County. Some of the features include a restored 1923 Seagrave fire engine and a hand pumper from the Hayward Fire Department, founded in 1865; a Hayward Police Department exhibit; information on city founder William Hayward; and pictures of the old Hayward Hotel. The museum also alternates three exhibits per year, including a Christmas Toys exhibit and a 1950s lifestyle exhibit. 

EVENTS --  

50 cents-$1. Tuesday-Saturday, 11 a.m.-4 p.m. 22701 Main St., Hayward. (510) 581-0223, www.haywardareahistory.org.< 

JUDAH L. MAGNES MUSEUM The museum's permanent collection includes objects of Jewish importance including ceremonial art, film and video, folk art and fine art, paintings, sculptures and prints by contemporary and historical artists. 

"Projections," Multimedia works from the museum's extensive collections of archival, documentary and experimental films. Located at 2911 Russell Street.  

SPECIAL EXHIBITS --  

$4-$6; free for children under age 12. Sunday-Wednesday, 10 a.m.-4 p.m.; Thursday, 11 a.m.-8 p.m. CLOSED APRIL 3-4 AND 9-10; MAY 23-24 AND 28; JULY 4; SEPT. 3, 13 AND 27; OCT. 4; NOV. 22; DEC. 24-25 AND 31. 2911 Russell St., Berkeley. (510) 549-6950, www.magnes.org.< 

LAWRENCE HALL OF SCIENCE  

ONGOING EXHIBITS --  

"NanoZone," Discover the science of the super-small: nanotechnology. Through hands-on activities and games, explore this microworld and the scientific discoveries made in this area.  

"Forces That Shape the Bay," A science park that shows and explains why the San Francisco Bay is the way it is, with information on water, erosion, plate tectonics and mountain building. You can ride earthquake simulators, set erosion in motion and look far out into the bay with a powerful telescope from 1,100 feet above sea level. The center of the exhibit is a waterfall that demonstrates how water flows from the Sierra Nevada Mountains to the Bay. Visitors can control where the water goes. There are also hands-on erosion tables, and a 40-foot-long, 6-foothigh, rock compression wall.  

"Real Astronomy Experience," A new exhibit-in-development allowing visitors to use the tools that real astronomers use. Aim a telescope at a virtual sky and operate a remote-controlled telescope to measure a planet.  

"Biology Lab," In the renovated Biology Lab visitors may hold and observe gentle animals. Saturday, Sunday and holidays, 1:30 p.m. to 4 p.m.  

"The Idea Lab," Experiment with some of the basics of math, science and technology through hands-on activities and demonstrations of magnets, spinning and flying, puzzles and nanotechnology.  

"Math Around the World," Play some of the world's most popular math games, such as Hex, Kalah, Game Sticks and Shongo Networks.  

"Math Rules," Use simple and colorful objects to complete interesting challenges in math through predicting, sorting, comparing, weighing and counting.  

"Animal Discovery Room,,' 1:30-4 p.m. Visitors of all ages can hold and touch gentle animals, learn about their behavior and habitats and play with self-guided activities and specimen models.  

"Forces That Shape the Bay," This science park shows and explains why the San Francisco Bay is the way it is, with information on water, erosion, plate tectonics and mountain building.  

"Ingenuity in Action," Summer 2010. Enjoy the best of the Ingenuity Lab. Engage your creative brain and use a variety of materials to design, build and test your own innovations.  

"Kapla," Play with simple, versatile building blocks that can be used to build very large, high and stable structures.  

"KidsLab," This multisensory play area includes larger-than-life blocks, a crawl-through kaleidoscope, the Gravity wall, a puppet theater and a reading area.  

"NanoZone," Discover the science of nanotechnology through handson activities and games.  

"Planetarium," Explore the skies in this interactive planetarium.  

"Science on a Sphere," Catch an out-of-this-world experience with an animated globe. See hurricanes form, tsunamis sweep across the oceans and city lights glow around the planet.  

EVENTS --  

"Scream Machines -- The Science of Roller Coasters, through Jan. 2. This head-spinning, stomach-churning exhibition for thrill-seekers features interactive exhibits, artifacts and images to explore.  

$6-$12; free children ages 2 and under. Daily, 10 a.m.-5 p.m. University of California, Centennial Drive, Berkeley. (510) 642-5132, www.lawrencehallofscience.org.< 

LINDSAY WILDLIFE MUSEUM This is the oldest and largest wildlife rehabilitation center in America, taking in 6,000 injured and orphaned animals yearly and returning 40 percent of them to the wild. The museum offers a wide range of educational programs using non-releasable wild animals to teach children and adults respect for the balance of nature. The museum includes a state-of-the art wildlife hospital which features a permanent exhibit, titled "Living with Nature,'' which houses 75 non-releasable wild animals in learning environments; a 5,000-square-foot Wildlife Hospital complete with treatment rooms, intensive care, quarantine and laboratory facilities; a 1-acre Nature Garden featuring the region's native landscaping and wildlife; and an "Especially For Children'' exhibit.  

WILDLIFE HOSPITAL -- September-March: 9 a.m. to 5 p.m. The hospital is open daily including holidays to receive injured and orphaned animals. There is no charge for treatment of native wild animals and there are no public viewing areas in the hospital. 

EXHIBITS --  

SPECIAL EVENTS --  

$5-$7; free children under age 2. Wednesdays-Sundays, 10 a.m.-5 p.m. 1931 First Ave., Walnut Creek. (925) 935-1978, www.wildlife-museum.org.< 

MEYERS HOUSE AND GARDEN MUSEUM The Meyers House, erected in 1897, is an example of Colonial Revival, an architectural style popular around the turn of the century. Designed by Henry H. Meyers,the house was built by his father, Jacob Meyers, at a cost of $4000.00. 

EXHIBITS --  

$3. Fourth Saturday of every month. 2021 Alameda Ave., Alameda. (510) 521-1247, www.alamedamuseum.org/meyers.html.< 

MUSEUM OF AFRICAN-AMERICAN TECHNOLOGY SCIENCE VILLAGE A science museum with an African-American focus promoting science education and awareness for the underrepresented. The science village chronicles the technical achievements of people of African descent from ancient ties to present. There are computer classes at the Internet Cafi, science education activities and seminars. There is also a resource library with a collection of books, periodicals and videotapes. 

$4-$6. Monday-Friday, 10 a.m.-5 p.m.; Saturday, noon-6 p.m.; Sunday, 2 p.m.-6 p.m. 630 20th St., Oakland. (510) 893-6426, www.ncalifblackengineers.org.< 

MUSEUM OF CHILDREN'S ART A museum of art for and by children, with activities for children to participate in making their own art.  

ART CAMPS -- Hands-on activities and engaging curriculum for children of different ages, led by professional artists and staff. $60 per day.  

CLASSES -- A Sunday series of classes for children ages 8 to 12, led by Mocha artists. Sundays, 2 p.m. to 4 p.m.  

OPEN STUDIOS -- Drop-in art play activities with new themes each week.  

"Big Studio." Guided art projects for children age 6 and older with a Mocha artist. Tuesday through Friday, 4 p.m. to 5 p.m. $5.  

"Little Studio." A hands-on experience that lets young artists age 18 months to 5 years see, touch and manipulate a variety of media. Children can get messy. Tuesday through Friday, 10 a.m. to 4 p.m. $5.  

"Family Weekend Studios." Drop-in art activities for the whole family. All ages welcome. Saturday and Sunday, noon to 4 p.m. $5 per child.  

FAMILY EXTRAVAGANZAS -- Special weekend workshops for the entire family.  

"Sunday Workshops with Illustrators," Sundays, 1 p.m. See the artwork and meet the artists who create children's book illustrations. Free. 

EVENTS --  

"Saturday Stories," 1 p.m. For children ages 2-5. Free. 

Free gallery admission. Tuesday-Friday, 10 a.m.-5 p.m.; Saturday-Sunday, noon-5 p.m. 538 Ninth St., Oakland. (510) 465-8770, www.mocha.org.< 

OAKLAND MUSEUM OF CALIFORNIA  

ONGOING EVENTS --  

"Art a la Carte," Wednesdays, 12:30 p.m. Art docents offer a variety of specialized tours focusing on one aspect of the museum's permanent collection. Free with museum admission.  

"Online Museum," Thursdays, 1 p.m. to 4 p.m. Explore the museum's collection on videodisks in the History Department Library.  

Docent Gallery Tours, Saturday and Sunday, 1:30 p.m. 

"Explore our New Gallery," through Dec. 2. The new Gallery of California Art showcases more than 800 works from OMCA's collection-one of the largest and most comprehensive holdings of California art in the world.  

"Gallery of California History," through Dec. 2. This new gallery is based on the theme of Coming to California.  

OPENING -- "Pixar: 25 Years of Animation," through Jan. 9. Exhibition presents an unprecedented look at the Emeryville-based animation company.  

$5-$8; free for children ages 5 and under; free to all on the second Sunday of the month. Special events are free with museum admission unless noted otherwise. Wednesday-Saturday, 10 a.m.-5 p.m.; Sunday, noon-5 p.m.; first Friday of the month, 10 a.m.-9 p.m. 1000 Oak St., Oakland. (510) 238-2200, www.museumca.org.< 

PARDEE HOME MUSEUM The historic Pardee Mansion, a three-story Italianate villa built in 1868, was home to three generations of the Pardee family who were instrumental in the civic and cultural development of California and Oakland. The home includes the house, grounds, water tower and barn. Reservations recommended. 

EVENTS --  

$5; free children ages 12 and under. House Tours: Monday-Saturday, 10 a.m.-4 p.m.; Sundays by appointment. 672 11th St., Oakland. (510) 444-2187, www.pardeehome.org.< 

SAN LEANDRO HISTORY MUSEUM AND ART GALLERY The museum showcases local and regional history and serves as a centerpiece for community cultural activity. There are exhibits on Ohlone settlements, farms of early settlers, and contributions of Portuguese and other immigrants. There will also be exhibits of the city's agricultural past and the industrial development of the 19th century.  

ONGOING EXHIBIT --  

"Yema/Po Archeological Site at Lake Chabot," An exhibit highlighting artifacts uncovered from a work camp of Chinese laborers, featuring photomurals, cutouts and historical photographs. 

Free. Thursday-Sunday, 11 a.m.-3 p.m. 320 West Estudillo Ave., San Leandro. (510) 577-3990, www.ci.sanleandro. ca.us/sllibrarymuseum.html.< 

SHADELANDS RANCH HISTORICAL MUSEUM Built by Walnut Creek pioneer Hiram Penniman, this 1903 redwood-framed house is a showcase for numerous historical artifacts, many of which belonged to the Pennimans. It also houses a rich archive of Contra Costa and Walnut Creek history in its collections of old newspapers, photographs and government records. 

EXHIBITS --  

$1-$3; free-children under age 6. Wednesday and Sunday, 1 p.m.-4 p.m.; Closed in January. 2660 Ygnacio Valley Road, Walnut Creek. (925) 935-7871, www.ci.walnut-creek.ca.us.< 

SMITH MUSEUM OF ANTHROPOLOGY AT CALIFORNIA STATE UNIVERSITY, HAYWARD The museum houses significant collections of archaeological and ethnographic specimens from Africa, Asia and North America and small collections from Central and South America. The museum offers opportunities and materials for student research and internships in archaeology and ethnology. 

SPECIAL EXHIBITS --  

Free. Monday-Friday, 10 a.m.-4 p.m. Meiklejohn Hall, Fourth Floor, 25800 Carlos Bee Blvd., Hayward. (510) 885-3104, (510) 885-7414, www.isis.csuhayward.edu/cesmith/acesmith.html.< 

UNIVERSITY OF CALIFORNIA, BERKELEY HEARST MUSEUM OF ANTHROPOLOGY  

ONGOING EXHIBITS --  

"Native California Cultures," This is an exhibit of some 500 artifacts from the museum's California collections, the largest and most comprehensive collections in the world devoted to California Indian cultures. The exhibit includes a section about Ishi, the famous Indian who lived and worked with the museum, Yana tribal baskets and a 17-foot Yurok canoe carved from a single redwood.  

"Recent Acquisitions," The collection includes Yoruba masks and carvings from Africa, early-20th-century Taiwanese hand puppets, textiles from the Americas and 19th- and 20th-century Tibetan artifacts.  

"From the Maker's Hand: Selections from the Permanent Collection," This exhibit explores human ingenuity in the living and historical cultures of China, Africa, Egypt, Peru, North America and the Meditteranean. 

$1-$4; free for children ages 12 and under; free to all on Thursdays. Wednesday-Saturday, 10 a.m.-4:30 p.m.; Sunday, noon-4:30 p.m. 103 Kroeber Hall, Bancroft Way and College Avenue, Berkeley. (510) 643-7648, www.hearstmuseum.berkeley.edu.< 

UNIVERSITY OF CALIFORNIA, BERKELEY MUSEUM OF PALEONTOLOGY  

ONGOING EXHIBITS --  

"Tyrannosaurus Rex," A 20-foot-tall, 40-foot-long replica of the fearsome dinosaur. The replica is made from casts of bones of the most complete T. Rex skeleton yet excavated. When unearthed in Montana, the bones were all lying in place with only a small piece of the tailbone missing.  

"Pteranodon," A suspended skeleton of a flying reptile with a wingspan of 22 to 23 feet. The Pteranodon lived at the same time as the dinosaurs.  

"California Fossils Exhibit," An exhibit of some of the fossils that have been excavated in California. 

Free. During semester sessions, hours generally are: Monday-Thursday, 8 a.m.-10 p.m.; Friday, 8 a.m.-5 p.m.; Saturday, 10 a.m.-5 p.m.; Sunday, 1 p.m.-10 p.m. Hours vary during summer and holidays. Lobby, 1101 Valley Life Sciences Building, #4780, University of California, Berkeley. (510) 642-1821, www.ucmp.berkeley.edu.< 

USS HORNET MUSEUM Come aboard this World War II aircraft carrier that has been converted into a floating museum. The Hornet, launched in 1943, is 899 feet long and 27 stories high. During World War II she was never hit by an enemy strike or plane and holds the Navy record for number of enemy planes shot down in a week. In 1969 the Hornet recovered the Apollo 11 space capsule containing the first men to walk on the moon, and later recovered Apollo 12. In 1991 the Hornet was designated a National Historic Landmark and is now docked at the same pier she sailed from in 1944. Today, visitors can tour the massive ship, view World War II-era warplanes and experience a simulated aircraft launch from the carrier's deck. Exhibits are being added on an ongoing basis. Allow two to three hours for a visit. Wear comfortable shoes and be prepared to climb steep stairs or ladders. Dress in layers as the ship can be cold. Arrive no later than 2 p.m. to sign up for the engine room and other docent-led tours. Children under age 12 are not allowed in the Engine Room or the Combat Information Center.  

ONGOING EVENTS --  

"Limited Access Day," Due to ship maintenance, tours of the navigation bridge and the engine room are not available. Tuesdays.  

"Flight Deck Fun," A former Landing Signal Officer will show children how to bring in a fighter plane for a landing on the deck then let them try the signals themselves. Times vary. Free with regular Museum admission.  

"Protestant Divine Services," Hornet chaplain John Berger conducts church services aboard The Hornet in the Wardroom Lounge. Everyone is welcome and refreshments are served immediately following the service. Sundays, 11 a.m. 

SPECIAL EVENTS -- Closed on New Year's Day.  

"Flashlight Tour," Receive a special tour of areas aboard the ship that have not yet been opened to the public or that have limited access during the day. 

"Family Day," Discounted admission for families of four with a further discount for additional family members. Access to some of the areas may be limited due to ship maintenance. Every Tuesday. $20 for family of four; $5 for each additional family member. 

"Living Ship Day," Experience an aircraft carrier in action, with simulated flight operations as aircraft are lifted to the flight deck and placed in launch position. Some former crewmembers will be on hand. 

"History Mystery Overnight," Aug. 27. Explore the USS Hornet during an evening of midnight investigations to see if "The Gray Ghost,'' is really haunted. Reservations required. (510) 521-8448 X224. 

$6-$14; free children age 4 and under with a paying adult. Daily, 10 a.m.-4 p.m. Pier 3 (enter on Atlantic Avenue), Alameda Point, Alameda. (510) 521-8448, www.uss-hornet.org.<

"DOWNTOWN BERKELEY MUSICFEST," -- Aug. 20 through Aug. 29. More than 50 performances will take place at 11 different venues across Berkeley's Downtown Arts District, with bands and artists such as The Blasters, Terence Brewer Trio, Dawn Drake, Turtle Island Quartet, Mark Hummel and more. Visit website for complete lineup and locations. 

www.downtownberkeleymusicfest.org.< 

924 GILMAN ST. -- All ages welcome. 

Ceremony, Punch, Nails, Cardboard Funeral, Aug. 22, 5 p.m. $8.  

Circle One, Negative Trend, Last Round Up, Greed, You Die!, Aug. 28, 7 p.m.  

$10.  

$5 unless otherwise noted. Shows start Friday and Saturday, 8 p.m.; Sunday, 5 p.m. unless otherwise noted. 924 Gilman St., Berkeley. (510) 525-9926, www.924gilman.org.< 

ALBATROSS PUB  

Whiskey Brothers, 9 p.m. First and third Wednesdays. Free.  

Kurt Ribal Jazz Quartet, Aug. 21, 9:30 p.m. $3.  

Free unless otherwise noted. Shows begin Wednesday, 9 p.m.; Saturday, 9:30 p.m. unless otherwise noted. 1822 San Pablo Ave., Berkeley. (510) 843-2473, www.albatrosspub.com.< 

ARMANDO'S  

Peter Anastos and Iter, Aug. 20, 8-11 p.m. $10.  

Caroompas Room, Aug. 21, 8-11 p.m. $10.  

Derek Rolando, Ray Obeido and Friends, Aug. 22, 3-6 p.m. $10.  

Blues Jam, Aug. 23, 7-10 p.m. $3.  

Bluegrass Jam, Aug. 25, 7-10 p.m. $3.  

Mal Sharpe and Big Money in Jazz, Aug. 26, 8-10 p.m. $10.  

The Steve Gannon Blues Band, Aug. 27, 8-11 p.m. $10.  

Annie Sampson and Her Band, Aug. 28, 8-11 p.m. $10.  

Kevin Beadles Band, Aug. 29, 3-6 p.m. $10.  

707 Marina Vista Ave., Martinez. (925) 228-6985, www.armandosmartinez.com.< 

ASHKENAZ  

Afrofunk Experience, Aug. 20, 9:30 p.m. $10-$13.  

Tambores Julio Remelexo, Aug. 21, 9 p.m. $10-$13.  

Moh Alileche Ensemble, Danse Maghred, Aug. 22, 8 p.m. $10-$12.  

The Pine Leaf Boys, Aug. 24, 8:30 p.m. $15.  

Kit and The Branded Men, Aug. 25, 8:30 p.m. $10.  

I Grade Family Tour, Aug. 26, 9 p.m. Featuring Niyorah, Toussaint, Tuff Lion with The Jah Current Band, DJ Relic Secure. $12-$15.  

Brass Menazeri, Aug. 27, 9 p.m. $12.  

Pato Banton and The Now Generation, Aug. 28, 9:30 p.m. $12-$15.  

New Directions In Indian Classical Music, Aug. 29, 8 p.m. $10-$12.  

1317 San Pablo Ave., Berkeley. (510) 525-5054, www.ashkenaz.com.< 

BARTLETT'S PATIO  

Erika Oba, Aug. 26, Noon-1 p.m. Free. (510) 549-2230, www.downtownberkeley.org. 

2020 Kittredge St., Berkeley. < 

BECKETT'S IRISH PUB  

SpearCracker, Aug. 8 and Aug. 22.  

Shark Alley Hobos, Aug. 20.  

D'Giin, Aug. 21.  

Trio of Doom, Aug. 25.  

John Seabury, Aug. 26.  

The P-PL!!!, Aug. 27.  

Paul Manousos, Aug. 28.  

Eastbay Beastgrass, Aug. 29.  

Free. Shows at 10 p.m. unless otherwise noted. 2271 Shattuck Ave., Berkeley. (510) 647-1790, www.beckettsirishpub.com.< 

BERKELEY ART HOUSE GALLERY AND CULTURAL CENTER  

George Cole, Aug. 21, 8 p.m. $10.  

2905 Shattuck Ave., Berkeley. (510) 472-3170, www.berkeleyarthouse.wordpress.com.< 

BLAKE'S ON TELEGRAPH  

Scarub, The Understudies, Aug. 27, 9 p.m. $10-$12  

Lindy LaFontaine, Aug. 29, 5 p.m. This is an all ages show. Free.  

For ages 18 and older unless otherwise noted. Music begins at 9:30 p.m. unless otherwise noted. 2367 Telegraph Ave., Berkeley. (510) 848-0886, www.blakesontelegraph.com.< 

FOX THEATER  

Rufus Wainwright, Aug. 21, 8 p.m. $40.50-$46.  

Bob Dylan, Aug. 24, 8 p.m. $67.50.  

The Chemical Brothers, Aug. 28, 8 p.m. $27.50.  

1807 Telegraph Ave., Oakland. (510) 452-0438.< 

FREIGHT AND SALVAGE  

"Freight Open Mic," Tuesdays. $4.50-$5.50.  

Phil Marsh, Aug. 20. $18.50-$19.50.  

"First Annual West Coast Jug Band Jubilee," Aug. 21, 12:30 p.m. and 8 p.m.  

$18.50-$19.50.  

West Coast Songwriters Competition Finals, Aug. 22. $18.50-$19.50.  

Peter Case, Aug. 25. $18.50-$19.50.  

"22nd Annual Freight Fiddle Summit," Aug. 26. Featuring Alasdair Fraser, Darol Anger and Kimberly Fraser. $24.50-$25.50.  

Edlos, Aug. 27. $20.50-$21.50.  

Shana Morrison, Aug. 28. $18.50-$19.50.  

Turtle Island Quartet, Aug. 29. $24.50-$25.50.  

Music starts at 8 p.m. unless otherwise noted. 2020 Addison St., Berkeley. (510) 548-1761, www.freightandsalvage.org.< 

GREEK THEATRE  

Rodrigo Y Gabriela, Xavier Rudd and Izintaba, Aug. 21, 8 p.m. $45.  

Norah Jones, Corinne Bailey Rae, Aug. 27, 8 p.m. $45-$65.  

Hearst Avenue and Gayley Road, Berkeley. (510) 548-3010, www.apeconcerts.com.< 

JACK LONDON SQUARE  

"Lunchtime Live," through Aug. 27, Noon. Aug. 20: Ben Oni  

Aug. 24: Big Cat Tolefree and The Hipnotics  

Aug. 27: Glimpse Trio  

free. Foot of Broadway, Oakland. (866) 295-9853, www.jacklondonsquare.com.< 

JUPITER  

"Americana Unplugged," 5 p.m. Sundays. A weekly bluegrass and Americana series.  

"Jazzschool Tuesdays," 8 p.m. Tuesdays. Featuring the ensembles from the Berkeley Jazzschool. www.jazzschool.com. 

8 p.m. 2181 Shattuck Ave., Berkeley. (510) 843-8277, www.jupiterbeer.com.< 

KIMBALL'S CARNIVAL  

"Monday Blues Legends Night," 8 p.m.-midnight. Enjoy live blues music every Monday night. Presented by the Bay Area Blues Society and Lothario Lotho Company. $5 donation. (510) 836-2227, www.bayareabluessociety.net. 

522 2nd St., Jack London Square, Oakland. < 

LA PENA CULTURAL CENTER  

Pellejo Seco, Aug. 20, 9:30 p.m. $12.  

Maria Lando, Aug. 21, 8 p.m. $15-$18.  

Mexican Tardeada, Aug. 22, 3-6 p.m. Free.  

Salvadora Galan, Aug. 27, 8 p.m. $12-$15.  

Los Bros., Aug. 28, 9:30 p.m. $11-$14.  

Free unless otherwise noted. 3105 Shattuck Ave., Berkeley. (510) 849-2568, www.lapena.org.< 

OAKLAND PUBLIC LIBRARY, GOLDEN GATE BRANCH  

Julius Courtney Big Band, Aug. 22. Concert takes places in Temescal Creek Park, 47th Street between Adeline and San Pablo Avenue.  

Rhonda Benin and Quartet, Aug. 29. Free.  

Free. Tuesday, 12:30 p.m. to 8 p.m.; Wednesday, Thursday and Saturday, 10 a.m. to 5:30 p.m.; Friday, noon to 5:30 p.m. 5606 San Pablo Ave., Oakland. (510) 597-5023, www.oaklandlibrary.org.< 

PARDEE HOME MUSEUM The historic Pardee Mansion, a three-story Italianate villa built in 1868, was home to three generations of the Pardee family who were instrumental in the civic and cultural development of California and Oakland. The home includes the house, grounds, water tower and barn. Reservations recommended. 

Frederick Hodges and Ann Gibson, Aug. 22, 2-4:30 p.m. $20.  

$5; free children ages 12 and under. House Tours: Monday-Saturday, 10 a.m.-4 p.m.; Sundays by appointment. 672 11th St., Oakland. (510) 444-2187, www.pardeehome.org.< 

PLEASANTON PUBLIC LIBRARY  

What's Up Big Band, Aug. 29, 2-4 p.m. Concert takes place in the meeting room. Free.  

Free. Monday-Thursday, 10 a.m.-9 p.m.; Friday and Saturday, 10 a.m.-5 p.m.; Sunday, 1 p.m.-5 p.m. 400 Old Bernal Ave., Pleasanton. (925) 931-4300, www.ci.pleasanton.ca.us/library.html.< 

ROUND TABLE PIZZA  

East Bay Banjo Club, 7:30-9:30 p.m. Tuesdays. Free.  

1938 Oak Park Blvd., Pleasant Hill. (925) 930-9004.< 

SHATTUCK DOWN LOW  

"Live Salsa," Wednesdays. An evening of dancing to the music of a live salsa band. Salsa dance lessons from 8-9:30 p.m. $5-$10.  

"Thirsty Thursdays," 9 p.m. Thursdays. Featuring DJ Vickity Slick and Franky Fresh. Free.  

Le Vice, Wanderland PD, Fishbear, Aug. 21, 9 p.m. $10.  

King of King's, Aug. 22 and Aug. 29, 9 p.m. $5-$10.  

Andy Y Su Orquestra, Aug. 25, 8 p.m. $10.  

The Blasters, Aug. 26, 8 p.m. $14-$16.  

Norma Fraser, Mystic Man, Laykay, The Itals, Aug. 28, 9 p.m. $15-$18.  

For ages 21 and older. 2284 Shattuck Ave., Berkeley. (510) 548-1159, www.shattuckdownlow.com.< 

STARRY PLOUGH PUB  

The Starry Irish Music Session led by Shay Black, Sundays, 8 p.m. Sliding scale.  

For ages 21 and over unless otherwise noted. Sunday and Wednesday, 8 p.m.; Thursday-Saturday, 9:30 p.m. unless otherwise noted. 3101 Shattuck Ave., Berkeley. (510) 841-2082, www.starryploughpub.com.< 

UPTOWN NIGHTCLUB  

Jucifer, Tornado Rider, Aug. 20, 9 p.m. $10.  

1928 Telegraph Ave., Oakland. (510) 451-8100, www.uptownnightclub.com.< 

YOSHI'S  

Patrice Rushen and Friends, Aug. 20 and Aug. 21, 8 and 10 p.m. Fri. - Sat.  

$30.  

Lenny White and Anomaly, Jimmy Herring, Aug. 24 and Aug. 25, 8 and 10 p.m.  

$14-$22.  

Amel Larrieux, Aug. 26 through Aug. 28, 8 p.m. Thu.; 8 and 10 p.m. Fri.-Sat. $26-$30.  

Shows are Monday through Saturday, 8 and 10 p.m.; Sunday, 2 and 7 p.m., unless otherwise noted. 510 Embarcadero West, Oakland. (510) 238-9200, www.yoshis.com.<

Haven't we seen enough of Hugh Hefner in his smoking robe and pajamas? Hasn't it been a couple of decades since we'd seen enough? Well, perhaps we can take one last look. His heyday may be long gone, his image and impact reduced by self-caricature and the sort of privilege that allows the wealthy to drift into irrevelance and senility with all their illusions intact; but whatever your take on the man, his mission and his achievements, Hefner has had a significant impact on American culture. 

Brigitte Berman's new documentary, Hugh Hefner: Playboy, Activist and Rebel, puts these achievements into context, challenging our preconceived notions of a man who has spent nearly 60 years battling the government, the religious right and outraged feminists in his efforts to push us toward "a healthier attitude toward sex." The film opens Friday, Aug. 20 at Landmark's Lumiere Theater in San Francisco and at Shattuck Cinemas in downtown Berkeley. 

But sex is only one aspect of Hefner's career on the public stage. He fought for civil rights, and not merely as a celebrity endorser; he put his money and reputation on the line in defense of the First Amendment; he spoke out against the Vietnam War. In the '50s, '60s and '70s, Hefner never shied away from fighting for the causes he believed in. Newsman Mike Wallace didn't particularly like Hefner when he first interviewed him for 60 Minutes, and he didn't find Hefner's arguments convincing. But years later, Wallace did come to like Hefner, and said that, more than that, he trusted him; for Hefner, whether you agreed with him or not, was always honest and upfront with his beliefs.  

Hugh Hefner's improbable journey began when, as a young family man, he came to realize that he was not required to simply live out the model provided by his parents. Seeking an outlet for his creative talents as a writer and cartoonist, he began planning a men's magazine. It would be an intelligent magazine with a stable of talented writers and artists providing provocative essays, literary fiction, sharp cartoons and plenty of humor. But the most daring premise of his venture was its frank sexuality. Hefner would challenge accepted notions of sexual propriety and he would challenge sexually repressive laws, making the claim that, if those laws were enforced, most of the population would face prison sentences of at least five years. His magazine would would air out the sexual taboos of the 1950s with the radical idea that, not only was sex a natural and very important aspect of life, but that women liked it, too.  

The first Playboy centerfold was a long rumored but rarely seen nude photo of Marilyn Monroe that Hefner tracked down. Soon Hefner would move from purchasing photos of models and would further explicate his view of sex by staging his own photo sessions, seeking amateur girl-next-door types, presenting sex as common, healthy, fun — even pure in a slightly prurient way.  

The magazine courted controversy from the beginning, and Hefner took on his opponents without hesitation, fighting his battles in editorials, in other media, and in the courts. Circulation climbed quickly; within a few years Playboy surpassed Esquire by selling 700,000 copies a month. In time that number would reach 2 million. 

Soon Playboy became a high-profile brand and the empire expanded to include a syndicated television show, in which Hefner showcased artists, musicians and intellectuals. His willingness to bring in black guests, including mixed-race vocal groups, thrust him into the civil rights debate, as did his support for Lenny Bruce, whom Hefner provided with legal counsel when the comedian was arrested for obscenity. When Hefner learned that the owners of his Playboy nightclub franchises in the South were, in accordance with discriminatory state laws, refusing to admit black customers or book black performers, he bought the clubs back and ran them himself, defying the law by booking controversial comedian Dick Gregory. As Gregory put it, the white attitude toward black entertainers at the time was, "You can sing to me, nigger, but you can't talk."  

Feminists considered these causes and the literary content of his magazine a sort of front, a clever ploy to raise the stature of the magazine and to legitimize Hefner's real vocation: pornography. They called him on the inherent misogyny of the presentation of the girl next door as a closeted wild animal, waiting to spring into action at the snap of a man's fingers; they criticized his promotion of an unattainable physical ideal that few women could emulate; they claimed that he treated women as commodities, as mere fodder for male fantasy, and that the practice was harmful to men as well as women.  

The film includes a confrontation with critics on the Dick Cavett Show during which Hefner did not have an answer for these allegations. In a telling moment, he refers to his two feminist critics as girls, making his blind spot apparent: In Hefner's eyes, he's no sexist, no misogynist; he loves girls. Women, however, are a more complex proposition.  

It's a curious mindset that can't see the problematic nature of Hefner's relations with, and presentations of, women. The glamor of the parties at the Playboy Mansion, where Hefner supplied his celebrity friends with wine, food and beautiful women, doesn't conceal his role as a sort of high-society pimp. He fails to recognize the possibility that women are drawn to him not out of love or physical attraction, but because of his money and power and star-making potential, his ability to launch a young woman on a career path as he did Jenny McCarthy, Shannon Tweed and Pamela Anderson. His proclamations of sexual honesty and freedom belie the fact that his view of sex is not only relentlessly male-centric but blatantly adolescent. Thus his provocative centerfolds spurred a national debate while simultaneously retarding it; they put sex center-stage but it was a rather limited view of sex, and when that point was made, Hefner and Playboy were ill-prepared for the debate that followed. 

In the Reagan years, Playboy was beset by a boycott campaign that pressured convenience stores to drop the magazine, leading to significant losses in circulation which it never recovered. The nightclubs closed; a Playmate was murdered; and Hefner suffered a stroke. His brush with death changed his outlook and he tried marriage and family life again; but once that marriage failed, he returned to his swinging ways with a vengeance, overcompensating with polygamous relationships with a bevy of young, buxom blondes.  

Dr. Ruth Westheimer, for years a friend, supporter and admirer of Hefner, says she no longer mentions his name when debating issues of sexual freedom; he mixed up his personal life with his mission, she says, so that the self-caricature of his later years has undermined his credibility and the merits of his arguments — people just don't take him seriously anymore. Other friends interviewed in the film say that love is his "rosebud," the elusive childhood longing that motivates the man.  

So if your image of Hefner is a doddering old fool drifting into senility with a bleach-blonde silicon doll on each arm, his lascivious grin masking the emptiness inside as his improbably buoyant companions serve as substitutes for love ... well, fair enough. But it's the extremist who push the limits, who forges the debate and pushes us toward progress. Hefner established the other end of the spectrum; we may not travel even half the distance across that spectrum, but at least we know the limits, allowing us to better define ourselves and our place on the continuum. Hefner is happy to help people to define their values, even if they only define them in opposition to his own.  

Hugh Hefner: Playboy, Activist and Rebel 

124 minutes. Rated R. Showing at the Lumiere Theater in San Francisco and Shattuck Cinemas in Berkeley.  

Directed by Brigitte Berman. Featuring Hugh Hefner, Jim Brown, Gene Simmons, Jenny McCarthy, Mike Wallace, Dick Gregory, Reverend Jesse Jackson, Tony Bennett, James Caan, Joan Baez, David Steinberg, George Lucas, Bill Maher, Pete Seeger. www.hughhefnerplayboyactivistrebel.com. 

Four good choices of films on DVD: 

Mystery Train 

Jim Jarmusch's Mystery Train is a laconic journey, in three parts, through a Memphis of the imagination. Spurred by the passion and fury of a fierce backbeat, three interlocking deadpan vignettes find rock and roll pilgrims searching for something — the ghost of Elvis, the spirit of Carl Perkins, or a vague yearning for the vaguely defined essence of pompadoured rebellion — amid the empty streets and hollowed-out hotels of a faded town still trading on a brief epochal moment in its history. A young, star-struck Japanese couple, a rebel without a cause, and a comically stoic widow traverse the remnants of a mythic city in a mythic America in search of the reflected glory of the nearly mythic but everlasting moment of its ascendence. Screamin' Jay Hawkins, one of the real-life architects of rock and roll, takes a supporting role as an eccentric hotelier working the late shift. 

1989. 110 minutes. $39.95. www.criterion.com. 

Night Train to Munich 

Today, British director Carol Reed's reputation rests primarily on The Third Man, the 1950 post-war thriller in which Joseph Cotton and Orson Welles joined an international cast in the sewers of Vienna in the creation of a cinema classic. But Reed created at least two more masterpieces with The Fallen Idol and Odd Man Out, as well as a number of other fine but lesser-known films, produce both before and after his late '40s peak. 

Night Train to Munich is a delirious ride, a curious hybrid of espionage thriller, Allied propaganda and screwball comedy, in which Nazis pursue a Czech scientist and his daughter from Prague to England to a precarious tram in the Swiss Alps. Rarely seen today, it was quite a success upon its release in 1940, its wry wit, sly sexual innuendo and absurdist cloak-and-dagger romance taking viewers on a stylish and ironic — if low-budget — tour through a series of genre conventions. Rex Harrison is suave and sarcastic, if a bit smarmy; Paul Henreid turns his heroic image on its head; and Margaret Lockwood maintains her beauty, humor and poise throughout a parade of plot twists. 

1940. 90 minutes. $29.95. www.criterion.com. 

Steamboat Bill, Jr. 

In 1928, Buster Keaton was wrapping up an astounding decade of independent filmmaking, seemingly with another decade or two stretched out before him. But circumstances conspired to bring his remarkable string of sterling comedies to a premature end. During production on his tenth feature film, Steamboat Bill, Jr., Keaton's marriage ended in bitter divorce and Joseph Schenk, Keaton's producer and brother-in-law, sold his contract to MGM, a move that would render silent comedy's most innovative auteur a mere shift worker in Hollywood's largest cinema assembly line. And with the talkies just around the corner, it's no wonder that Keaton's loss of personal and professional autonomy should lead to a fierce bout of alcoholism and steep career decline. 

The great clown's depression is on clear display in Steamboat Bill's — and indeed the silent era's — most spectacular stunt, in which Buster stands motionless as gale-force winds bring a thousand-pound wall crashing down around him, the frame of a second-floor window passing neatly over his head and around his shoulders, leaving him stunned but unscathed. Keaton's crew tried to dissuade him from performing the stunt; the photographer cranked the camera with his eyes averted, and the co-director refused to take part at all, taking refuge in a nearby tent while praying for Keaton's soul. 

Keaton's career had reached an artistic if not commercial peak a couple of years earlier with The General, his Civil War comedy masterpiece. It was an expensive production that made relatively little profit and drew mixed reviews, prompting Schenk to require Keaton to make a markedly less ambitious follow-up. Keaton kept costs down on his next few films, including Steamboat Bill, saving his money for a lavish finish in which a hurricane wreaks havoc on River Junction. It's a remarkable sequence of daring stunts and comedic destruction, providing a climactic conclusion to Keaton's independent career, one that would, unfortunately, foreshadow the stormy times that lay ahead for him. 

1928. 70 minutes. $29.95. www.kino.com. 

Close Up 

It was with 1999’s Taste of Cherry that Abbas Kiarostami firmly cemented his international reputation, becoming the first Iranian filmmaker to win the Palme d’or at the Cannes film festival. But by then, his contemplative, intelligent films had been spurring debate in his home country for many years. Close-Up (1990), Kiarostami's emphatic declaration of Iranian cinematic artistry, looked back on cinema itself through a refracted lens, blending fiction, fact and fantasy into a story both stimulating and sad. 

Close-Up was inspired by a news story Kiarostami read concerning Hossein Sabzian, an obsessive cinemaphile who impersonated Iranian film director Mohsen Makhmalbaf and thereby insinuated himself into the life of a wealthy family, if only for a few days. Kiarostami then insinuated himself into Sabzian's trial, convincing the judge to not only allow the director to film the proceedings, but to question the defendant as the cameras rolled. The director also managed to persuade Sabzian and his victims to re-enact the story of their meeting and brief association, and then, upon Sabzian's release from jail, staged a meeting between the impersonator and the impersonated, with Mohsen Makhmalbaf carrying Sabzian on the back of his motorcycle to the home of his victims to ask for their forgiveness.The result is an examination of cinema and the troubled mind of a man who has devoted his life to a fanatic appreciation of the art. Close-Up, as with all of Kiarostami's best work, uses the drama and melodrama of everyday life to present his viewers with tantalizing, even baffling questions, and wisely leaves the answers to us. 

1990. 98 minutes. $39.95. www.criterion.com. 

Gary Graves has written a masterful 70-minute duet and duel between Lorenzo de’ Medici and Niccolò Machiavelli. You should grab a ticket quick to this Central Works production since it closes its run at Berkeley City Club this weekend.  

Of course, THE PRINCE is that little book we were all supposed to read in Poli Sci 101, but never got past the first few pages. It is advice on how to be a prince or a president—or a mob-boss. It’s the ultimate argument for The End Justifying The Means, and it earned the author the legacy of his name being synonymous with the Devil. In the theatre, a “Machiavel” is the name the Elizabethans gave to unrepentant stage villains like Iago and Richard III. 

I would use the word “didactic,” which means “intending to teach or enlighten,” but, like the word “Machiavel,” it carries another connotation of “boring,” and this play certainly is not boring, not for a one moment.  

Lorenzo has just come to power in bankrupt Florence, and sends for his banished teacher to act as his ambassador in seeking a peace treaty with a threatening enemy. Machiavelli wants to be more than his emissary; he wants to be his consigliere and teach him how to rule.  

But Lorenzo is caught in the conundrum of serving two masters: fulfilling the Peaceful Nazarene’s Teachings versus securing the survival of his state with Beastly Realpolitik.  

Played in the palatial room that houses Central Works, the set is simply a table and chair out of the Cinquecento set against the grand hearth that Julia Morgan designed... On one wall hangs The Battle of Anghiari that Machiavelli actually commissioned Leonardo da Vinci to draw. On the other wall, a light throws a gobo cut-out of the Old Rugged Cross. Our pair is dressed in modern business suits, and the play deftly straddles the then-and-now 

The situation: the general coffers of the City-State are empty, the infrastructure is crumbling, the defunct Republic has failed due to the old senators’ bickering and favoring their own business interests over statesmanship (the more things change…, etc.). The audience laughed aloud more than once at the parallels to our contemporary troubles. 

There has been awful savagery among the Nation States of the Italian peninsula with the sort of barbarism we saw on the news in Serbia in the 90’s and Central Africa today. An old family foe threatens to invade. Sue for peace, or reenact the last scene from “The Godfather”…what to do, what to do?  

Colin Alexander Smith as Lorenzo de’ Medici wears a suit that could be from a Milan tailor accessorized with a purple tie, just enough to suggest his vanity and a little bit of Mafiosi. He uses his authoritarian baritone to disguise his indecision, and convincingly portrays a man with much inner turmoil whose actions either way will result in much spilled blood.  

Mark Farrell as Machiavelli plays the perfect Florentine Kissinger, always charming and proving his point repeatedly with all the examples of antiquity at his fingertips. Farrell has a verbal facility of alternating quick-paced argumentation with subservience that captivates the audience.  

The timbres of their voices are well-paired which is a subtlety important in casting any duet. 

Their vivace and sometimes presto delivery of Graves’ richly phrased arguments, anecdotes and images spins like a top that never wavers and holds us in thrall such that we seldom notice the acting. The movement is by and large natural with occasional forays into the theatrical. But this is forgivable, for it is believable that rulers and the courtly men who serve them tend to behave grandly, perhaps to impress and remind those around them of their station—particularly if they are expressive and high-born Italians.  

Graves directed, and concocted a realistic and functional little piece of blocking that made me smile: he has Machiavelli open the leaded glass doors of the theatre that open onto the garden. It was real environmental theatre when this inspired and natural staging let in a cool breeze that refreshed the fifty onlookers, a capacity audience for this intimate theatre. 

Staging in such a long rectangle with the audience on three sides is a challenge. The first row does not afford the “empathetic distance” necessary to maintain the dramatic illusion since the actors are so close. I would choose to sit in the second row on the risers.  

It’s the second go-round for this play, and it is education and entertainment that fills you up and makes you think. They will talk about this one for a while, so catch it if you can.  

THE PRINCE: a new play based on the infamous “Handbook for Tyrants” 

at the Berkeley City Club, 2315 Durant Ave., Berkeley  

Thu-Sat at 8pm & Sun at 5 pm through August 22. 

Info Tickets (510) 558-1381 or www.centralworks.org  

A Central Works Method Play developed in collaboration with Richard Frederick, Michael Navarra, and Jan Zvaifler. 

Written and directed by Gary Graves, costumes by Tammy Berlin, sound by Gregory Scharpen, and stage management by Louel Señores. 

WITH: Mark Farrell and Colin Alexander Smith.

Everywhere I looked, this was a week for superstars.

The History Channel has a new program called “Stan Lee’s Superhumans” which may add to your perspective of the Darwinian stipulation regarding mutation.

Next, ten-year-old Jackie Evancho of Pittsburgh PA stopped the show and jaws dropped around the nation when she sang “O Mio Babbino” on NBC’s “America’s Got Talent.” (Yes, you too will think it’s lip-synching, but it’s not; find a link to this video clip at the bottom of the review---don’t get distracted, just keep reading).

Then, upon the recommendation of a Critic’s Circle colleague, we went to the cabaret performance of Leanne Borghesi’s “DIVALICIOUS” at the New Conservatory Theatre CENTER in San Francisco. NCTC has become the leading Gay Theatre in San Francisco, and Cabaret singing in San Francisco is the domain of gay culture. Think Judy, think Barbara, think Liza, think Bette and her beginnings with accompanist Barry Manilow entertaining in gay bathhouses.  

If you aren’t a cabaret-goer, this is the time to try something different, and catch the statuesque and star-destined Ms. Borghesi who sings there through August 22, before she is off to NYC’s Metropolitan Club (I’m told) and, I predict, to super-stardom.  

She is big beautiful woman, much prettier than the picture at the top. Meeting her in the reception line afterwards, she is surely over six feet tall. When I describe her to friends, given the venue, they ask, “Is she a woman?” Oh, yeah!  

She tells of being a fat little girl with glasses who loved and lived musical theatre and all the singers mentioned above. You see it with every move and nuance: the singers and songs are burned deep into her, and the synthesis is new and fresh and, maybe, better.  

I was entranced by her variations and intonations, her swirls and dips, her twists and scoops, her delicious vibrato, her working the vowels; it all gave me thrills. Her interpretations are unique, and never fail to keep you interested in what she does with all the songs you know by heart. She changes moods quickly and seamlessly. She whispers then belts a torch song while leaning against the proscenium in the most dramatic of poses with one knee bent and foot braced against the stage wall and her arm longingly poised above her head. Next, she is dancing lightly and swirling with the next up-tempo selection. Her gestures are grand and in other hands these would be trite, but they are so organic and come from inside of her, and you buy it and want more. Occasionally there is a little of the inside joke and paean to the great ladies, as when she does “Anything Goes,” exactly the way Patty Lupone phrased it. Last year, she won the Critic’s Circle Award for “Dames at Sea,” as did her accompanist G. Scott Lacy for his musical direction.  

With one selection, her singing made me feel the way I do when snuggling down between cool sheets under a down comforter; her singing can put that sort of memory into your head and body. 

That being said, it could be better.  

Cabaret is different in nature and setting than musical theatre, and sitting in proper little rows in the audience of a theatre distances the performer from the audience, whereas sitting in a club around a little round table with a glass of booze and the singer close by on a little rise enhances intimacy. 

When Ms. Borghesi spiels her patter, or when she chats and flirts with Mr. Lacy, it seems startlingly canned and rehearsed. When she sings, everything is effortless and comes from deep within. When she talks, well…maybe that just needs a lot more rehearsal and/or direction. Perhaps it would be improved if it were improvved, or else rehearsed to the point where it sounds spontaneous. 

I remember seeing Johnny Mathis when I was a teenager outside of Pittsburgh PA at the Twin Coaches nightclub where all the stars played. He never said a word. Just sang. I have never been so entranced as then. Till now. Except when she talked. Perhaps Musical Theatre is more her forte—not everyone can do everything—but I’m hoping that she can connect emotionally and casually with her audience and easily chat with them like the greats could.  

Her song mix and segues keep you expectant and off-balance like the dance-away lovers in the torch songs she sings. It was perfection in selection. Until the end. 

The pre-show music was Sondheim’s “Into the Woods.” When she sang that song late in the second act, it was the perfect finale, book-ended and brought full circle.  

Then she did “Don’t Rain on My Parade.” She’d been singing for two sets, and while her voice didn’t seen particularly tired, covering Barbara’s signature song is like doing the “To be or not to be” monologue; insanely high standards are used for comparison. Mixing it in mid-way would have been a better placement.  

Then she did another one. By that time, it was like being served three desserts in a row. She could have left them wanting more; alas, she gave them too much. 

If she can learn to just talk to the folks, and know when to quit, this kindergarten teacher has the makings of the next cabaret superstar, and she’ll do super-fine. There were no CDs to be bought, and I would have bought two.  

New Conservatory Theatre Center is a comfortable place to see a show, cocktails are $8, it’s all carpeted and near public transportation. Two sets, one intermission, and you’re out by 9:30.  

It’s a performance you’ll remember even if she doesn’t Make It There—though I’m betting on her making it anywhere. 

“DIVALICIOUS” at New Conservatory Theatre Center, 25 Van Ness St., San Francisco 

Wed thru Sat at 8 pm with Sun Mats at 2 pm through August 22. 

(Near Van Ness Muni Metro Station, (serviced by the J, K, L, M, N lines) on many MUNI bus lines and 3 blocks from the Civic Center Bart Station.) 

INFO/TICKETS (415) 861-8972 or http://www.nctcsf.org/press_room/divalicious/divalicious.htm 

Directed by Stephanie Temple, musical direction by G. Scott Lacy, scenic design by Kuo-Hao Lo, lighting design by Christian Mejia, sound design by Sara Stanley (additions by Mark O’Brien). Stage management by Lori Fowler. 

With: Leanne Borghesi, accompanied by G. Scott Lacy. 

Oh, and that video link to the ten-year-old superstar in the making: http://www.youtube.com/user/AmericasGotTalent#p/search/2/SKhmFSV-XB0  

"SUN SPHERES," -- "Sun Spheres'' is a trio of mosaic sculptures by artist Laurel True at the intersection of Ocean and Granada Avenues in the OMI District of San Francisco. 

(415) 252-2551, www.sfartscommission.org/pubart.< 

AIA SAN FRANCISCO  

"Water for a Sustainable City," through Oct. 29. Exhibit explores the development of San Francisco's water system through the lens of architecture and design.  

Free. Monday-Friday, 9 a.m.-5 p.m. 130 Sutter St., # 600, San Francisco. (415) 362-7397, www.aiasf.org.< 

CONSERVATORY OF FLOWERS The Victorian landmark has 1,500 species including rare and beautiful tropical plants from 50 countries. Exhibits include Highland Tropics, the Aquatic Plants, Lowland Tropics, Potted Plants and the new Special Exhibits gallery. Opened in 1879, the wood and glass greenhouse is the oldest existing conservatory in the Western Hemisphere. 

"Chomp 2! Return of the Carnivorous Plants," through Oct. 31. Special exhibition of carnivorous plants features living plants and activities for families.  

$5 general; $3 seniors, students and youth ages 12-17; $1.50 children ages 5-11; free for ages 4 and under; free first Tuesdays. Tuesday-Sunday, 9 a.m.-5 p.m. John F. Kennedy Drive, Golden Gate Park, San Francisco. (415) 666-7001, www.conservatoryofflowers.org.< 

EVENING GALLERY WALKS These monthly evening gallery walks or "crawls'' are a way to learn about art for the casual viewer without the intimidation of visiting a gallery with no one else around. Generally the galleries are filled on the "walk'' evenings with people drinking wine and talking. Gallery owners are happy to answer questions about the art on view. The important thing to remember is that it is free to gaze and drink. 

"First Thursday," 5:30-8 p.m. Generally some 20 galleries participate in this monthly evening of open galleries. Many are located around Union Square. Some of the galleries that participate on a regular basis are Pasquale Iannetti Gallery, Caldwell Snyder Gallery, and Hackett-Freedman Gallery, all on Sutter Street; Meyerovich Gallery and Dolby Chadwick Gallery on Post Street; and Rena Bransten Gallery and Stephen Wirtz Gallery on Geary Street. Sponsored by the San Francisco Art Dealers Association. First Thursday of the month. Free.  

San Francisco. < 

GIANT ROBOT  

"Hot Pink Fuzz," through Sept. 8. Featuring works from artists Monyomonyo, Miss Muju, and Snaggs, this show is focused on all felt and sewn art pieces. Opening reception, August 14, 6:30 p.m.  

618 Schrader St., San Francisco. (415) 876-4773, www.gr-sf.com.< 

HOTEL DES ARTS The boutique 51-room art hotel in Union Square features an art gallery by Start SOMA. 

"Painted Rooms," An exhibit of painted rooms in the hotel by emerging artists.  

Free. Daily, 8 a.m.-11 p.m. 447 Bush St., San Francisco. (415) 956-4322, www.sfhoteldesarts.com.< 

JAZZ HERITAGE CENTER  

CLOSING -- "The Art of Michael Rios," through Aug. 22. Features a Rios retrospective and a tribute to Miles Davis and Carlos Santana.  

1320 Fillmore Street, San Francisco. < 

JEWISH COMMUNITY CENTER OF SAN FRANCISCO  

"The Digital Liberation of G-d," A permanent interactive media installation created by New York-based artist Helene Aylon, which examines the influences of patriarchal attitudes upon Jewish traditions and sacred texts.  

Monday-Thursday, 8 a.m.-10 p.m.; Friday, 8 a.m.-6 p.m.; Saturday, 8:30 a.m.-6 p.m.; Sunday, 9 a.m.-6 p.m. 3200 California St., San Francisco. (415) 292-1200, Box Office: (415) 292-1233, www.jccsf.org.< 

MILTON MARKS CONFERENCE CENTER  

"Local Color," through Oct. 10. Works by 27 artists from the Peninsula Chapter of the Women's Caucus for Art.  

455 Golden Gate Ave., San Francisco. < 

RAYKO PHOTO CENTER  

"(Por)trait Revealed," through Sept. 10. Works by Hiroyo Kaneko, Mark Menjivar, Fritz Liedtke and others.  

Free. Tuesday-Thursday, noon-10 p.m.; Friday-Sunday, noon to 8 p.m. 428 Third St., San Francisco. (415) 495-3773, www.raykophoto.com.< 

SAN FRANCISCO ART INSTITUTE  

"Pure Consciousness at 19 Kindergartens," through Sept. 18. Works by On Kawara.  

Free unless noted otherwise. Lecture Hall, 800 Chestnut St., San Francisco. (415) 771-7020, www.sfai.edu/.< 

SAN FRANCISCO PUBLIC LIBRARY, BAYVIEW-ANNA E. WADEN BRANCH  

"Bayview's Historical Footprints," A permanent photographic exhibition celebrating the diverse history of Bayview Hunters Point featuring multimedia oral histories from community elders.  

Free. Monday, Tuesday and Saturday, 10 a.m.-6 p.m.; Wednesday, 1 p.m.-8 p.m.; Thursday, 1 p.m.-7 p.m.; Friday, 1 p.m.-6 p.m. 5075 Third St., San Francisco. (415) 355-5757, www.sfpl.org.< 

SAN FRANCISCO PUBLIC LIBRARY, MAIN BRANCH  

"Digging Deep: Underneath San Francisco Public Library," Exhibition collects archaeological remains from the Gold Rush-era cemetery and the ruins of old City Hall destroyed in the 1906 earthquake.  

"Singgalot (The Ties That Bind)," through Oct. 24. The exhibit celebrates 100 years of Filipino American experience with photographs, images and historical documents drawn from the National Archives, the Library of Congress and personal collections.  

Free. Monday and Saturday, 10 a.m.-6 p.m.; Tuesday-Thursday, 9 a.m.-8 p.m.; Friday, noon-6 p.m.; Sunday, noon-5 p.m. 100 Larkin St., San Francisco. (415) 557-4400, www.sfpl.org.< 

USF THACHER GALLERY  

"Galleons and Globalization: California Mission Arts and the Pacific Rim," Aug. 20 through Dec. 19. The exhibit explores the lively commerce in iconography, materials and ideas that shaped California's rich mission arts.  

2130 Fulton St., San Francisco. (415) 422-5178.< 

YERBA BUENA CENTER FOR THE ARTS The center's visual arts exhibitions feature contemporary art and popular culture by local, national and international artists. There are four rounds of exhibitions in the galleries each year. 

"The Bowls Project: Secrets of the Apocalyptic Intimate," through Aug. 22. An interactive sound sculpture/immersive performance installation by Jewlia Eisenberg and Charming Hostess.  

"PlayCRAFT: A Game of Your Design," through Oct. 3. Create your own design object as you explore the "TechnoCRAFT'' exhibition.  

"Something from Nothing: Films on Design and Architecture," through Sept. 5. Jul. 25, 2 p.m.: "Wow and Flutter.''  

Aug. 1, 2 p.m.: "The Greening of Southie.''  

Aug. 15, 2 p.m.: "Infinite Space: The Architecture of John Lautner.''  

Aug. 22, 2 p.m.: "Rem Koolhaas: A Kind of Architect.''  

Aug. 29, 2 p.m.: "The Visual Language of Herbert Matter.''  

Sept. 5, 2 p.m.: "Handmade Nation.''  

$3-$6; free the first Tuesday of every month. Tuesday, Wednesday and Sunday, noon-5 p.m.; Thursday-Saturday, noon-8 p.m. 701 Mission St., San Francisco. (415) 978-2787, www.ybca.org.<

ASHKENAZ  

"Danceversity World Dance Camp 2010," through Aug. 20, Monday-Friday, Aug.2-6, Aug. 9-13, Aug. 16-20, 9 a.m.-4 p.m. A series of week-long dance camps designed to give children the unique opportunity to explore how people around the world express themselves through dance. $170-$340. www.danceversity.com. 

1317 San Pablo Ave., Berkeley. (510) 525-5054, www.ashkenaz.com.< 

ELKS LODGE, ALAMEDA  

"All You Can Dance Sunday Socials," Sunday, 4-6 p.m. Marilyn Bowe and Robert Henneg presents monthly socials with ballroom, swing, Latin and rock & roll themes. www.dancewithme.info. 

2255 Santa Clara Ave., Alameda. (510) 864-2256.< 

SHABNAM BELLYDANCE STUDIO AND RHYTHMIX CULTURAL WORKS  

"Bellydance Day," Aug. 21, 10 a.m.-10 p.m. A full day of Bellydance workshops followed by a show featuring a variety of award-winning performers. $15-$22. www.bellydanceday.com. 

2513 Blanding Ave., Alameda. (501) 865-5060, www.rhythmix.org.< 

SHATTUCK DOWN LOW  

"Live Salsa," Wednesdays. An evening of dancing to the music of a live salsa band. Salsa dance lessons from 8-9:30 p.m. $5-$10.  

For ages 21 and older. 2284 Shattuck Ave., Berkeley. (510) 548-1159, www.shattuckdownlow.com.< 

SOLAD DANCE CENTER  

"Persian Dance," Tuesdays and Thursdays, 8:30 and 10 p.m. Rosa Rojas offers traditional dance classes. $10.  

Citrus Marketplace, 2260 Oak Grove Rd., Walnut Creek. (925) 938-3300.< 

STARRY PLOUGH PUB  

"Ceili and Dance," Traditional Irish music and dance. The evening begins with a dance lesson at 7 p.m. followed by music at 9 p.m. Mondays, 7 p.m. Free.  

For ages 21 and over unless otherwise noted. Sunday and Wednesday, 8 p.m.; Thursday-Saturday, 9:30 p.m. unless otherwise noted. 3101 Shattuck Ave., Berkeley. (510) 841-2082, www.starryploughpub.com.<

CARMEN FLORES RECREATION CENTER  

"El Corazon de la Communidad: The Heart of the Community", Painted by Joaquin Alejandro Newman, this mural installation consists of four 11-foot panels that mix ancient Meso-American and contemporary imagery to pay homage to local activists Carmen Flores and Josie de la Cruz.  

Free unless otherwise noted. Monday-Friday, 10 a.m.-7 p.m. 1637 Fruitvale Ave., Oakland. (510) 535-5631.< 

DAVID BROWER CENTER  

"Water, Rivers and People/ Agua, Rios y Pueblos," through Aug. 31. Exhibition depicts those who are fighting to defend rivers and the people who depend on them.  

2150 Allston Way, Berkeley. < 

FRANK BETTE CENTER FOR THE ARTS  

OPENING -- "2010 Alameda Plein Air Painout Exhibit," through Aug. 28. Plein air artists display their work.  

Free. Wednesday and Friday-Sunday, 10:30 a.m.-5 p.m.; Thursday, 10:30 a.m.-9:30 p.m. 1601 Paru St., Alameda. (510) 523-6957, www.frankbettecenter.org.< 

JOHANSSON PROJECTS  

OPENING -- "Between Currencies," through Sept. 11. Works by Erik Parra.  

OPENING -- "Some Math," through Sept. 11. Works by Jana Flynn and Jill Gallenstein.  

Free. Thursday-Saturday, noon-6 p.m. 2300 Telegraph Ave., Oakland. (510) 444-9140, www.johanssonprojects.com.< 

LAWRENCE HALL OF SCIENCE  

ONGOING EXHIBITS --  

"NanoZone," Discover the science of the super-small: nanotechnology. Through hands-on activities and games, explore this microworld and the scientific discoveries made in this area.  

"Forces That Shape the Bay," A science park that shows and explains why the San Francisco Bay is the way it is, with information on water, erosion, plate tectonics and mountain building. You can ride earthquake simulators, set erosion in motion and look far out into the bay with a powerful telescope from 1,100 feet above sea level. The center of the exhibit is a waterfall that demonstrates how water flows from the Sierra Nevada Mountains to the Bay. Visitors can control where the water goes. There are also hands-on erosion tables, and a 40-foot-long, 6-foothigh, rock compression wall.  

"Real Astronomy Experience," A new exhibit-in-development allowing visitors to use the tools that real astronomers use. Aim a telescope at a virtual sky and operate a remote-controlled telescope to measure a planet.  

"Biology Lab," In the renovated Biology Lab visitors may hold and observe gentle animals. Saturday, Sunday and holidays, 1:30 p.m. to 4 p.m.  

"The Idea Lab," Experiment with some of the basics of math, science and technology through hands-on activities and demonstrations of magnets, spinning and flying, puzzles and nanotechnology.  

"Math Around the World," Play some of the world's most popular math games, such as Hex, Kalah, Game Sticks and Shongo Networks.  

"Math Rules," Use simple and colorful objects to complete interesting challenges in math through predicting, sorting, comparing, weighing and counting.  

"Kapla," The hands-on exhibit features thousands of versatile building blocks that can be used to build very large, high and stable structures and models of bridges, buildings, animals or anything else your mind can conceive.  

$6-$12; free children ages 2 and under. Daily, 10 a.m.-5 p.m. University of California, Centennial Drive, Berkeley. (510) 642-5132, www.lawrencehallofscience.org.< 

LINDSAY WILDLIFE MUSEUM This is the oldest and largest wildlife rehabilitation center in America, taking in 6,000 injured and orphaned animals yearly and returning 40 percent of them to the wild. The museum offers a wide range of educational programs using non-releasable wild animals to teach children and adults respect for the balance of nature. The museum includes a state-of-the art wildlife hospital which features a permanent exhibit, titled "Living with Nature,'' which houses 75 non-releasable wild animals in learning environments; a 5,000-square-foot Wildlife Hospital complete with treatment rooms, intensive care, quarantine and laboratory facilities; a 1-acre Nature Garden featuring the region's native landscaping and wildlife; and an "Especially For Children'' exhibit.  

WILDLIFE HOSPITAL -- September-March: 9 a.m. to 5 p.m. The hospital is open daily including holidays to receive injured and orphaned animals. There is no charge for treatment of native wild animals and there are no public viewing areas in the hospital. 

EXHIBITS --  

SPECIAL EVENTS --  

$5-$7; free children under age 2. Wednesdays-Sundays, 10 a.m.-5 p.m. 1931 First Ave., Walnut Creek. (925) 935-1978, www.wildlife-museum.org.< 

NATIONAL INSTITUTE OF ART AND DISABILITIES  

"Word Play," through Aug. 20. NIAD artists manipulate and repeat letters to create their own language, transform words into hybrid forms, utilize captions to tell a story, or their autograph can become a focal point of their work.  

551 23rd St., Richmond. (510) 620-0290, www.niadart.org.< 

OAKLAND ASIAN CULTURAL CENTER  

"Oakland's 19th-Century San Pablo Avenue Chinatown," A permanent exhibit of new findings about the rediscovered Chinatown on San Pablo Avenue. The exhibit aims to inform visitors about the upcoming archaeological work planned to explore the lives of early Chinese pioneers in the 1860s.  

Free. Monday-Friday, 10 a.m.-5 p.m.; Saturday, 11 a.m.-4 p.m. Pacific Renaissance Plaza, 388 Ninth St., Suite 290, Oakland. (510) 637-0455, www.oacc.cc.< 

OAKLAND INTERNATIONAL AIRPORT  

"Going Away, Coming Home," A 160-foot public art installation by Mills College art professor Hung Liu. Liu hand painted 80 red-crowned cranes onto 65 panels of glass that were then fired, tempered and paired with background panes that depict views of a satellite photograph, ranging from the western United States to the Asia Pacific Area. Terminal 2.  

Free. Daily, 24 hours, unless otherwise noted. Oakland International Airport, 1 Airport Drive, Oakland. (510) 563-3300, www.flyoakland.com.< 

ORINDA LIBRARY  

OPENING -- "Its Own Nothingness," through Aug. 31. Works by Wenda Pyman.  

24 Orinda Way, Orinda. (925) 254-2184.< 

RICHMOND ART CENTER  

"Innovations in Contemporary Crafts," through Aug. 21. Juried exhibition features works by 30 San Francisco Bay Area artists.  

Free. Tuesday-Sunday, noon-5 p.m. 2540 Barrett Ave., Richmond. (510) 620-6772, www.therichmondartcenter.org.< 

WOMEN'S CANCER RESOURCE CENTER  

"Benny's Garden," through Sept. 3. Works by Benny Alba, Jen Downey, Anna Edwards, Jeremy Qwan and L. Hickox Robinson.  

5471 Telegraph Ave., Oakland. <

"LASTSUNDAYSFEST," -- Aug. 29. A street fair featuring live music, crafts, artisans, mechanical bull riding, clowns, bounce houses, face painting and more. Event takes place along Telegraph Avenue in Berkeley between Dwight and Bancroft. 

Noon-7 p.m.(510) 520-2764, www.lastsundaysfest.com.< 

ALAMEDA COUNTY FAIRGROUNDS  

"Good Guys 24th West Coast Nationals," Aug. 27 through Aug. 29, 8 a.m.-5 p.m. Fri.-Sat.; 8 a.m.-3 p.m. Sun. The west's largest automotive event, featuring more than 3,500 classic cars, hot rods and customs. The event also includes hundreds of vendor exhibits, an automotive swap meet, live entertainment and more. $6-$18; $8 Parking. (925) 838-9876, www.ggwestcoastnats.com. 

4501 Pleasanton Ave., Pleasanton. (925) 426-7600, www.alamedacountyfair.com.< 

ARDENWOOD HISTORIC FARM Ardenwood farm is a working farm that dates back to the time of the Patterson Ranch, a 19th-century estate with a mansion and Victorian Gardens. Today, the farm still practices farming techniques from the 1870s. Unless otherwise noted, programs are free with regular admission.  

ONGOING PROGRAMS --  

"Blacksmithing," Thursday, Friday and Sunday, 10 a.m. to 4 p.m. Watch a blacksmith turn iron into useful tools.  

"Horse-Drawn Train," Thursday, Friday and Sunday. A 20-minute ride departs from Ardenwood Station and Deer Park.  

"Animal Feeding," Thursday-Sunday, 3-4 p.m. Help slop the hogs, check the henhouse for eggs and bring hay to the livestock.  

"Victorian Flower Arranging," Thursday, 10:15-11:30 a.m. Watch as Ardenwood docents create floral works of art for display in the Patterson House.  

"Cajun Zydeco Festival," Aug. 21, 10 a.m.-7 p.m. Enjoy the best in Cajun/Zydeco music, dancing, and delicious food. Visit with farm animals, take a train, and listen to live music from the Pine Leaf Boys. $2-$20.  

$1-$5; free children under age 4. Tuesday-Sunday, 10 a.m.-4 p.m. 34600 Ardenwood Blvd., Fremont. (510) 796-0199, (510) 796-0663, www.ebparks.org.< 

ASHKENAZ  

"I Like My Bike Night," 9 p.m. First Fridays of the month. This monthly series brings bicycle innovators, enthusiasts, artists and organizations together under one roof, as well as encourages regular Ashkenaz show-goers to leave their cars in the driveway and arrive at the venue by bicycle instead. $8-$25.  

1317 San Pablo Ave., Berkeley. (510) 525-5054, www.ashkenaz.com.< 

AUCTIONS BY THE BAY  

"ArtiFacts: A Lecture Series for Collectors," 3 p.m. First Sundays of the month Guest curators, scholars and conservation experts from throughout the Bay Area discuss the art of collecting. First Sunday of every month, 3 p.m. $7; includes a preview of the monthly estate auction which takes place the following day at 10am.  

Auctions by the Bay Theater-Auction House, 2700 Saratoga St., Alameda. (510) 835-6187, www.auctionsbythebay.com.< 

BAY AREA FREE BOOK EXCHANGE  

"Free Books," 9 a.m.-6 p.m. Sat. - Sun. Donate your unwanted books and receive new titles for free.  

10520 San Pablo Ave., El Cerrito. (510) 526-1941, www.bayareafreebookexchange.com.< 

CALIFORNIA GENEALOGICAL SOCIETY AND LIBRARY  

"California Genealogical Society and Library Free First Saturday," 10 a.m.- 4 p.m. Event takes place on the first Saturday of every month, 10 a.m.- 4 p.m. Trace and compile your family history at this month's open house event. Free. www.calgensoc.org. 

2201 Broadway, Suite LL2, Oakland. (510) 663-1358.< 

CALIFORNIA HISTORICAL SOCIETY  

HISTORY WALKABOUTS -- A series of walking tours that explore the history, lore and architecture of California with veteran tour guide Gary Holloway. Walks are given on specific weekends. There is a different meeting place for each weekend and walks take place rain or shine so dress for the weather. Reservations and prepayment required. Meeting place will be given with confirmation of tour reservation. Call for details.  

678 Mission St., San Francisco. (415) 357-1848, www.californiahistoricalsociety.org.< 

CALIFORNIA MAGIC THEATER  

"Dinner Theater Magic Show," 7:30 p.m. Fri - Sat. Enter the joyous and bewildering world of illusion while chowing down on a home cooked meal. Each weekend features different professional magicians. Recommended for ages 13 and older. $54-$64 includes meal.  

729 Castro St., Martinez. (925) 374-0056, www.calmagic.com.< 

CHABOT SPACE AND SCIENCE CENTER State-of-the-art facility unifying science education activities around astronomy. Enjoy interactive exhibits, hands-on activities, indoor stargazing, outdoor telescope viewing and films. 

Center Admission: $14.95; $10.95 children 3-12; free children under 3; $3 discount for seniors and students. Telescope viewing only: free. Wednesday-Thursday, 10 a.m.-5 p.m.; Friday-Saturday, 10 a.m.-10 p.m.; Sunday, 11 a.m.-5 p.m.; Also open on Tuesdays 10 a.m.-5 p.m. after June 29. 10000 Skyline Blvd., Oakland. (510) 336-7300, www.chabotspace.org.< 

DUNSMUIR HOUSE AND GARDENS HISTORIC ESTATE Nestled in the Oakland hills, the 50-acre Dunsmuir House and Gardens estate includes the 37-room Neoclassical Revival Dunsmuir Mansion, built by coal and lumber baron Alexander Dunsmuir for his bride. Restored outbuildings set amid landscaped gardens surround the mansion.  

ESTATE GROUNDS -- Self-Guided Grounds Tours are available yearround. The 50 acres of gardens and grounds at the mansion are open to the public for walking Tuesday-Friday, 9 a.m.-4 p.m. Booklets and maps of the grounds are available at the Dinkelspiel House. Free.  

GUIDED TOURS -- Docent-led tours are available on the first Sunday of each month at 1 p.m. and 2 p.m. (except for July) and Wednesdays at 11 a.m. $5 adults, $4 seniors and juniors (11-16), children 11 and under free. 

Dunsmuir House and Gardens, 2960 Peralta Oaks Court, Oakland. (510) 615-5555, www.dunsmuir.org.< 

FRANK OGAWA PLAZA  

"Oakland Artisan Marketplace," 10 a.m.-4 p.m. Fridays. The City of Oakland and Cultural Arts & Marketing Department presents a weekly market featuring fine arts and crafts of local artists. Free. (510) 238-4948, www.oaklandartisanmarketplace.org. 

"Art and Soul Oakland Festival," Aug. 21 and Aug. 22, Noon-6 p.m. Enjoy the finest art and food that the Bay Area has to offer while listening to the sounds of artists such as CAKE, MC Hammer, En Vogue, Pete Escovedo and more. $5-$10, children 12 and under are free. www.artandsouloakland.com. 

14th Street and Broadway, Oakland. < 

JACK LONDON AQUATIC CENTER  

"Oakland Artisan Marketplace,"' 11 a.m.-6 p.m. Saturdays; 10 a.m.-4 p.m. Sundays The City of Oakland and Cultural Arts & Marketing Department presents a weekly market featuring fine arts and crafts of local artists. Free. (510) 238-4948, www.oaklandartisanmarketplace.org. 

115 Embarcadero, Oakland. < 

KENNEDY PARK  

"Zucchini Festival," Aug. 21 and Aug. 22, 10 a.m.-7:30 p.m. Food, cooking demonstrations, live music, children's rides, games and other entertainment. $2-$5, children under five are free. (510) 278-2079, www.haywardzucchini.com. 

19501 Hesperian Blvd., Hayward. (510) 670-7275.< 

LAWRENCE HALL OF SCIENCE  

ONGOING EXHIBITS --  

"NanoZone," Discover the science of the super-small: nanotechnology. Through hands-on activities and games, explore this microworld and the scientific discoveries made in this area.  

"Forces That Shape the Bay," A science park that shows and explains why the San Francisco Bay is the way it is, with information on water, erosion, plate tectonics and mountain building. You can ride earthquake simulators, set erosion in motion and look far out into the bay with a powerful telescope from 1,100 feet above sea level. The center of the exhibit is a waterfall that demonstrates how water flows from the Sierra Nevada Mountains to the Bay. Visitors can control where the water goes. There are also hands-on erosion tables, and a 40-foot-long, 6-foothigh, rock compression wall.  

"Real Astronomy Experience," A new exhibit-in-development allowing visitors to use the tools that real astronomers use. Aim a telescope at a virtual sky and operate a remote-controlled telescope to measure a planet.  

"Biology Lab," In the renovated Biology Lab visitors may hold and observe gentle animals. Saturday, Sunday and holidays, 1:30 p.m. to 4 p.m.  

"The Idea Lab," Experiment with some of the basics of math, science and technology through hands-on activities and demonstrations of magnets, spinning and flying, puzzles and nanotechnology.  

"Math Around the World," Play some of the world's most popular math games, such as Hex, Kalah, Game Sticks and Shongo Networks.  

"Math Rules," Use simple and colorful objects to complete interesting challenges in math through predicting, sorting, comparing, weighing and counting.  

HOLT PLANETARIUM Shows on Saturdays and Sundays. Programs recommended for ages 6 and up unless otherwise noted. $2.50-$3 in addition to general admission.  

$6-$12; free children ages 2 and under. Daily, 10 a.m.-5 p.m. University of California, Centennial Drive, Berkeley. (510) 642-5132, www.lawrencehallofscience.org.< 

UNIVERSITY OF CALIFORNIA, BERKELEY PACIFIC FILM ARCHIVE Exploring cinema from the Bay Area and cultures around the world, the Pacific Film Archive offers daily film screenings, including rare and rediscovered prints of movie classics; new and historic works by world famous directors; restored silent films with live musical accompaniment; retrospectives; and new and experimental works. Check Web site for a full schedule of films.  

"First Impressions: Free First Thursdays," first Thursday of every month. Special tours and movie presentations. Admission is free. 

Single feature: $5-$8; Double feature: $9-$12 general. PFA Theater, 2575 Bancroft Way, Berkeley. (510) 642-5249, www.bampfa.berkeley.edu.< 

UNIVERSITY OF CALIFORNIA, BERKELEY, MORRISON LIBRARY  

"Lunch Poems," 12:10-12:50 p.m. First Thursdays of each month  

2600 Bancroft Way, Berkeley. (510) 642-3671.< 

USS HORNET MUSEUM Come aboard this World War II aircraft carrier that has been converted into a floating museum. The Hornet, launched in 1943, is 899 feet long and 27 stories high. During World War II she was never hit by an enemy strike or plane and holds the Navy record for number of enemy planes shot down in a week. In 1969 the Hornet recovered the Apollo 11 space capsule containing the first men to walk on the moon, and later recovered Apollo 12. In 1991 the Hornet was designated a National Historic Landmark and is now docked at the same pier she sailed from in 1944. Today, visitors can tour the massive ship, view World War II-era warplanes and experience a simulated aircraft launch from the carrier's deck. Exhibits are being added on an ongoing basis. Allow two to three hours for a visit. Wear comfortable shoes and be prepared to climb steep stairs or ladders. Dress in layers as the ship can be cold. Arrive no later than 2 p.m. to sign up for the engine room and other docent-led tours. Children under age 12 are not allowed in the Engine Room or the Combat Information Center.  

ONGOING EVENTS --  

"Limited Access Day," Due to ship maintenance, tours of the navigation bridge and the engine room are not available. Tuesdays.  

"Flight Deck Fun," A former Landing Signal Officer will show children how to bring in a fighter plane for a landing on the deck then let them try the signals themselves. Times vary. Free with regular Museum admission.  

"Protestant Divine Services," Hornet chaplain John Berger conducts church services aboard The Hornet in the Wardroom Lounge. Everyone is welcome and refreshments are served immediately following the service. Sundays, 11 a.m. 

SPECIAL EVENTS -- Closed on New Year's Day. 

"Living Ship Day," Experience an aircraft carrier in action, with simulated flight operations as aircraft are lifted to the flight deck and placed in launch position. Some former crewmembers will be on hand. 

"Flashlight Tour," Receive a special tour of areas aboard the ship that have not yet been opened to the public or that have limited access during the day. 

"Family Day," Discounted admission for families of four with a further discount for additional family members. Access to some of the areas may be limited due to ship maintenance. Every Tuesday. $20 for family of four; $5 for each additional family member. 

"History Mystery Overnight," Aug. 27. Explore the USS Hornet during an evening of midnight investigations to see if "The Gray Ghost,'' is really haunted. Reservations required. (510) 521-8448 X224. 

$6-$14; free children age 4 and under with a paying adult. Daily, 10 a.m.-4 p.m. Pier 3 (enter on Atlantic Avenue), Alameda Point, Alameda. (510) 521-8448, www.uss-hornet.org.<

"DOWNTOWN BERKELEY MUSICFEST," -- Aug. 20 through Aug. 29. More than 50 performances will take place at 11 different venues across Berkeley's Downtown Arts District, with bands and artists such as The Blasters, Terence Brewer Trio, Dawn Drake, Turtle Island Quartet, Mark Hummel and more. Visit website for complete lineup and locations. 

www.downtownberkeleymusicfest.org.< 

ALAMEDA COUNTY FAIRGROUNDS  

"Good Guys 24th West Coast Nationals," Aug. 27 through Aug. 29, 8 a.m.-5 p.m. Fri.-Sat.; 8 a.m.-3 p.m. Sun. The west's largest automotive event, featuring more than 3,500 classic cars, hot rods and customs. The event also includes hundreds of vendor exhibits, an automotive swap meet, live entertainment and more. $6-$18; $8 Parking. (925) 838-9876, www.ggwestcoastnats.com. 

4501 Pleasanton Ave., Pleasanton. (925) 426-7600, www.alamedacountyfair.com.< 

ARDENWOOD HISTORIC FARM Ardenwood farm is a working farm that dates back to the time of the Patterson Ranch, a 19th-century estate with a mansion and Victorian Gardens. Today, the farm still practices farming techniques from the 1870s. Unless otherwise noted, programs are free with regular admission.  

ONGOING PROGRAMS --  

"Blacksmithing," Thursday, Friday and Sunday, 10 a.m. to 4 p.m. Watch a blacksmith turn iron into useful tools.  

"Horse-Drawn Train," Thursday, Friday and Sunday. A 20-minute ride departs from Ardenwood Station and Deer Park.  

"Animal Feeding," Thursday-Sunday, 3-4 p.m. Help slop the hogs, check the henhouse for eggs and bring hay to the livestock.  

"Victorian Flower Arranging," Thursday, 10:15-11:30 a.m. Watch as Ardenwood docents create floral works of art for display in the Patterson House.  

"Cajun Zydeco Festival," Aug. 21, 10 a.m.-7 p.m. Enjoy the best in Cajun/Zydeco music, dancing, and delicious food. Visit with farm animals, take a train, and listen to live music from the Pine Leaf Boys. $2-$20.  

$1-$5; free children under age 4. Tuesday-Sunday, 10 a.m.-4 p.m. 34600 Ardenwood Blvd., Fremont. (510) 796-0199, (510) 796-0663, www.ebparks.org.< 

FOX THEATER  

Rufus Wainwright, Aug. 21, 8 p.m. $40.50-$46.  

Bob Dylan, Aug. 24, 8 p.m. $67.50.  

1807 Telegraph Ave., Oakland. (510) 452-0438.< 

FRANK OGAWA PLAZA  

"Art and Soul Oakland Festival," Aug. 21 and Aug. 22, Noon-6 p.m. Enjoy the finest art and food that the Bay Area has to offer while listening to the sounds of artists such as CAKE, MC Hammer, En Vogue, Pete Escovedo and more. $5-$10, children 12 and under are free. www.artandsouloakland.com. 

14th Street and Broadway, Oakland. < 

FREIGHT AND SALVAGE  

"22nd Annual Freight Fiddle Summit," Aug. 26. Featuring Alasdair Fraser, Darol Anger and Kimberly Fraser. $24.50-$25.50.  

Shana Morrison, Aug. 28. $18.50-$19.50.  

Music starts at 8 p.m. unless otherwise noted. 2020 Addison St., Berkeley. (510) 548-1761, www.freightandsalvage.org.< 

KENNEDY PARK  

"Zucchini Festival," Aug. 21 and Aug. 22, 10 a.m.-7:30 p.m. Food, cooking demonstrations, live music, children's rides, games and other entertainment. $2-$5, children under five are free. (510) 278-2079, www.haywardzucchini.com. 

19501 Hesperian Blvd., Hayward. (510) 670-7275.< 

MOE'S BOOKS  

Neal Pollack, Aug. 20, 7:30 p.m. The author discusses his memoir "Stretch: The Unlikely Making of a Yoga Dude.''  

10 a.m.-11 p.m. daily. 2476 Telegraph Ave., Berkeley. (510) 849-2087, www.moesbooks.com.< 

SHATTUCK DOWN LOW  

The Blasters, Aug. 26, 8 p.m. $14-$16.  

For ages 21 and older. 2284 Shattuck Ave., Berkeley. (510) 548-1159, www.shattuckdownlow.com.< 

YOSHI'S  

Patrice Rushen and Friends, Aug. 20 and Aug. 21, 8 and 10 p.m. Fri. - Sat.  

$30.  

Shows are Monday through Saturday, 8 and 10 p.m.; Sunday, 2 and 7 p.m., unless otherwise noted. 510 Embarcadero West, Oakland. (510) 238-9200, www.yoshis.com.<

"LASTSUNDAYSFEST," -- Aug. 29. A street fair featuring live music, crafts, artisans, mechanical bull riding, clowns, bounce houses, face painting and more. Event takes place along Telegraph Avenue in Berkeley between Dwight and Bancroft. 

Noon-7 p.m.(510) 520-2764, www.lastsundaysfest.com.< 

"WALNUT CREEK FAMILY FEST 2010," -- Aug. 28 and Aug. 29. A weekend of live entertainment on four stages, activities and sports for children, arts, crafts, vendors and the chance to have a picture taken with Scooby-Doo. Event takes place at Heather Farm Park, located at N. San Carlos Drive at Ygnacia Valley Road, Walnut Creek. 

$5-$6.10 a.m.-6 p.m.< 

ARDENWOOD HISTORIC FARM Ardenwood farm is a working farm that dates back to the time of the Patterson Ranch, a 19th-century estate with a mansion and Victorian Gardens. Today, the farm still practices farming techniques from the 1870s. Unless otherwise noted, programs are free with regular admission.  

ONGOING PROGRAMS --  

"Blacksmithing," Thursday, Friday and Sunday, 10 a.m. to 4 p.m. Watch a blacksmith turn iron into useful tools.  

"Horse-Drawn Train," Thursday, Friday and Sunday. A 20-minute ride departs from Ardenwood Station and Deer Park.  

"Animal Feeding," Thursday-Sunday, 3-4 p.m. Help slop the hogs, check the henhouse for eggs and bring hay to the livestock.  

"Victorian Flower Arranging," Thursday, 10:15-11:30 a.m. Watch as Ardenwood docents create floral works of art for display in the Patterson House.  

SPECIAL EVENTS --  

"Toddler Time," Tuesdays, 11-11:30 a.m. Bring the tiny tots out for an exciting morning at the farm. Meet and learn all about a new animal friend through stories, chores and fun.  

"Animal Feeding," Thursday-Sunday, 3 p.m. Feed the pigs, check for eggs and bring hay to the livestock. 

"Horse-Drawn Train Rides," Thursday, Friday and Sunday, 10:15 a.m.-3:30 p.m. Meet Jigs or Tucker the Belgian Draft horses that pull Ardenwood's train. Check the daily schedule and meet the train at Ardenwood Station or Deer Park. 

"Country Kitchen Cookin'," Sundays, 10:30 a.m.-2 p.m. Enjoy the flavor of the past with treats cooked on Ardenwood's wood burning stove. Sample food grown on the farm and discover the history of your favorite oldtime snacks. 

"Potato Harvesting," Learn the spectacular history of this New World native as you dig with your spade and help find the spuds. 

"Afternoon Fun and Games," July 17 and Aug. 28, 2-3 p.m. Try old-fashioned games. 

"Saturday Rail Adventure," July 24 and Aug. 28, 10 a.m.-3:30 p.m. Explore the fields and eucalyptus groves. 

"Lovely Ladies Croquet," July 25 and Aug. 22, 1-3 p.m. Participate in a very Victorian game. 

"Cajun Zydeco Festival," Aug. 21, 10 a.m.-7 p.m. Enjoy the best in Cajun/Zydeco music, dancing, and delicious food. Visit with farm animals, take a train, and listen to live music from the Pine Leaf Boys. $2-$20.  

$1-$5; free children under age 4. Tuesday-Sunday, 10 a.m.-4 p.m. 34600 Ardenwood Blvd., Fremont. (510) 796-0199, (510) 796-0663, www.ebparks.org.< 

BLACKHAWK MUSEUM  

AUTOMOTIVE MUSEUM -- The museum's permanent exhibition of internationally renowned automobiles dated from 1897 to the 1980s. The cars are displayed as works of art with room to walk completely around each car to admire the workmanship. On long-term loan from the Smithsonian Institution is a Long Steam Tricycle; an 1893-94 Duryea, the first Duryea built by the Duryea brothers; and a 1948 Tucker, number 39 of the 51 Tuckers built, which is a Model 48 "Torpedo'' four-door sedan.  

ONGOING EXHIBITS --  

"International Automotive Treasures," An ever-changing exhibit featuring over 90 automobiles.  

"A Journey on Common Ground," An exhibit of moving photographs, video and art objects from around the world exploring the causes of disability and the efforts of the Wheelchair Foundation to provide a wheelchair for every person in need who cannot afford one.  

ONGOING EVENT --  

Free Public Tours, Saturday and Sunday, 2 p.m. Docent-led guided tours of the museum's exhibitions. 

$5-$8; free for children ages 6 and under. Wednesday-Sunday, 10 a.m.-5 p.m. 3700 Blackhawk Plaza Circle, Danville. (925) 736-2280, (925) 736-2277, www.blackhawkmuseum.org.< 

CHABOT SPACE AND SCIENCE CENTER State-of-the-art facility unifying science education activities around astronomy. Enjoy interactive exhibits, hands-on activities, indoor stargazing, outdoor telescope viewing and films. 

ASK JEEVES PLANETARIUM -- The planetarium features one of the most advanced star projectors in the world. A daily planetarium show is included with general admission. Call for current show schedule.  

"Space NOW!", Each week, this real-time ride through constellations, stars, and planets will reflect current happenings in our sky. Space NOW! will also tie in activities going on throughout the center. This is Chabot's first daytime guided tour of the universe. 

"Astronaut," What does it take to be part of the exploration of space? Experience a rocket launch from inside the body of an astronaut. Explore the amazing worlds of inner and outer space, from floating around the International Space Station to maneuvering through microscopic regions of the human body. Narrated by Ewan McGregor. 25 min. 

"Tales Of The Maya Skies," "Tales of the Maya Skies'' is a new full-dome planetarium show that explores the cosmology of the ancient Maya, along with their culture and their contributions to astronomy. Starts November 21. 

"Secret of the Cardboard Rocket," Take a journey through the solar system with two young adventurers who turn an old cardboard box into a rocket. Recommended for ages 5-10. 

"Sonic Vision," Friday-Saturday, 9:15 p.m. This show uses the latest digital technology to illuminate the planetarium with colorful computer-generated imagery set to today's popular music, including Radiohead, U2, David Bowie, Coldplay, Moby and more. 

"The Sky Tonight," Saturdays, 8 p.m. Take a live tour of the starry sky overhead on the night of your visit. The show includes a look at constellations, planets and special celestial objects. 

"The Search for Life: Are We Alone?" A voyage from the ocean deep to the outer reaches of the cosmos in search of life, narrated by Harrison Ford. 

"Black Holes: The Other Side of Infinity," Take a ride to the inside of a massive black hole and learn about the latest scientific evidence, which suggests that black holes are real. Narrated by Liam Neeson. Suitable for age 12 and older. Free with General Admission ticket. 

"Sunshine," A 15-minute planetarium show for children ages 5 and under. In the show, Sunshine, a lovable animated cartoon of the Sun, urges children to sing and play along with his tricks. In the process, he introduces the colors of the day sky and the other suns of the night sky. Free with regular general admission. 

"Immersive Space: Fly Through the Cosmos," Fridays, 8 p.m. Experience the "digital universe'' in a new full-dome system. Travel to the nearest star and beyond in seconds. 

SPECIAL EVENTS --  

"10000: A Skyline Party," Aug. 20, 7 p.m. Come for music, celestial beverages, provocative science, films and more. $8-$20. (510) 336-7373. 

SPECIAL EXHIBITS --  

"Chabot Observatories: A View to the Stars," This new permanent exhibit honors the 123-year history of Chabot and its telescopes. The observatory is one of the oldest public observatories in the United States. The exhibit covers the three different sites of the observatory over its history as well as how its historic telescopes continue to be operated today. Included are informative graphic panels, multimedia kiosks, interactive computer programs, hands-on stations, and historic artifacts. 

TIEN MEGADOME SCIENCE THEATER -- A 70-foot dome-screen auditorium. Show times subject to change. Call for current show schedule. Price with paid general admission is $6-$7. Theater only: $7-$8. (510) 336-7373, www.ticketweb.com. 

"Dinosaurs Alive," A global adventure of science and discovery, featuring the earliest dinosaurs of the Triassic Period to the monsters of the Cretaceous, "reincarnated" life-sized for the giant screen. Audiences will journey with some of the world's preeminent paleontologists as they uncover evidence that the descendents of dinosaurs still walk (or fly) among us. From the exotic, trackless expanses and sand dunes of Mongolia's Gobi Desert to the dramatic sandstone buttes of New Mexico, the film will follow American Museum of Natural History (AMNH) paleontologists as they explore some of the greatest dinosaur finds in history. 

"Forces of Nature," This film showcases the awesome spectacle of earthquakes, volcanoes, and severe storms as scientists continue their quests to understand how these natural disasters are triggered. 

"The Living Sea," The film celebrates the beauty, power and importance of the ocean. Produced in association with The National Maritime Center, the Ocean Film Network and Dr. Robert Ballard. 

"The Human Body," This show explores the daily biological processes that go on in the human body without our control and often without our notice. This amazing story is revealed in detail on the giant screen. 

"Cosmic Voyage," A breathtaking journey through time and space. Zoom from the surface of the Earth to the largest observable structures of the Universe and back down to the sub-nuclear realm, a guided tour across some 42 orders of magnitude. Explore some of the greatest scientific theories, many of which have never before been visualized on film. 

Center Admission: $14.95; $10.95 children 3-12; free children under 3; $3 discount for seniors and students. Telescope viewing only: free. Wednesday-Thursday, 10 a.m.-5 p.m.; Friday-Saturday, 10 a.m.-10 p.m.; Sunday, 11 a.m.-5 p.m.; Also open on Tuesdays 10 a.m.-5 p.m. after June 29. 10000 Skyline Blvd., Oakland. (510) 336-7300, www.chabotspace.org.< 

CHILDREN'S FAIRYLAND A fairy tale theme park featuring more than 30 colorful fantasy sets. Designed especially for children ages 10 and under, there are gentle rides, a train, the "Peter Rabbit Village,'' puppet shows, story-telling and lots of slides and animals. Admission price includes unlimited rides, special shows, guest entertainers and puppet shows.  

OLD WEST JUNCTION -- Children's Fairyland's newest attraction is a Wild West-themed town sized just for children, with a livery stable, bank, jail and a water tower slide.  

PUPPET SHOWS -- Saturday and Sunday, 11 a.m., 2 p.m. and 4 p.m. All shows are at the Open Storybook Theatre. Free with regular Fairyland admission.  

ARTS AND CRAFTS CENTER -- Activities on Saturday and Sunday, noon to 3 p.m.  

ANIMAL OF THE DAY -- Saturday and Sunday, 1-1:20 p.m. at the Humpty Dumpty Wall. Learn about one of Fairyland's animal friends. 

SPECIAL EVENTS --  

"Arts and Crafts," Noon-3 p.m. Event features arts and crafts projects for children and their families. $6. 

"Animal of the Day!" Saturdays and Sundays, 1-1:20 p.m. Come up close and learn about Fairyland's creatures. 

$6; free for children under age 1; $2 for a Magic Key. No adult admitted without a child and no child admitted without an adult. Summer (June through Labor Day): Monday through Friday, 10 a.m. to 4 p.m.; Saturday and Sunday, 10 a.m. to 5 p.m.; Fall and Spring: Wednesday through Sunday, 10 a.m. to 4 p.m.; Winter: Friday through Sunday, 10 a.m. to 4 p.m. CLOSED DEC. 25-JAN. 4. 699 Bellevue Ave., Oakland. (510) 452-2259, www.fairyland.org.< 

CRAB COVE VISITOR CENTER At Crab Cove, you can see live underwater creatures and go into the San Francisco Bay from land. You can also travel back in time to Alameda's part. The goal is to increase understanding of the environmental importance of San Francisco Bay and the ocean ecosystem. Crab Cove's Indoor Aquarium and Exhibit Lab is one of the largest indoor aquariums in the East Bay. 

SPECIAL EVENTS --  

"Sea Siblings," Tuesdays, 9:30 a.m. and 11 a.m. Explore the natural world and take part in a theme related craft. Designed for the 3-5 year old learner. Registration is required. $4. (888) 327-2757. 

"Sea Squirts," 10-11:30 a.m. and 11 a.m.-12:30 p.m. Discover the wonders of nature with your little one. Registration is required. $6-$8. 

"Catch of the Day," Sundays, 2-3 p.m. Drop by to find out more about the Bay and its wildlife through guided exploration and hands-on fun. 

Free unless otherwise noted; parking fee may be charged. 1252 McKay Ave., Alameda. (510) 521-6887, www.ebparks.org.< 

DUNSMUIR HOUSE AND GARDENS HISTORIC ESTATE Nestled in the Oakland hills, the 50-acre Dunsmuir House and Gardens estate includes the 37-room Neoclassical Revival Dunsmuir Mansion, built by coal and lumber baron Alexander Dunsmuir for his bride. Restored outbuildings set amid landscaped gardens surround the mansion.  

ESTATE GROUNDS -- Self-Guided Grounds Tours are available yearround. The 50 acres of gardens and grounds at the mansion are open to the public for walking Tuesday-Friday, 9 a.m.-4 p.m. Booklets and maps of the grounds are available at the Dinkelspiel House. Free.  

GUIDED TOURS -- Docent-led tours are available on the first Sunday of each month at 1 p.m. and 2 p.m. (except for July) and Wednesdays at 11 a.m. $5 adults, $4 seniors and juniors (11-16), children 11 and under free. 

Dunsmuir House and Gardens, 2960 Peralta Oaks Court, Oakland. (510) 615-5555, www.dunsmuir.org.< 

FOREST HOME FARMS The 16-acre former farm of the Boone family is now a municipal historic park in San Ramon. It is located at the base of the East Bay Hills and is divided into two parts by Oak Creek. The Boone House is a 22-room Dutch colonial that has been remodeled several times since it was built in 1900. Also on the property are a barn built in the period from 1850 to 1860; the Victorian-style David Glass House, dating from the late 1860s to early 1870s; a storage structure for farm equipment and automobiles; and a walnut processing plant. 

Free unless otherwise noted. Public tours available by appointment. 19953 San Ramon Valley Blvd., San Ramon. (925) 973-3281, www.ci.sanramon. ca.us/parks/boone.htm.< 

HABITOT CHILDREN'S MUSEUM A museum especially for children ages 7 and under. Highlights include "WaterWorks,'' an area with some unusual water toys, an Infant Tree for babies, a garden especially for toddlers, a child-scale grocery store and cafe, and a costume shop and stage for junior thespians. The museum also features a toy lending library.  

ONGOING EXHIBITS --  

"Waterworks." A water play gallery with rivers, a pumping station and a water table, designed to teach about water.  

"Little Town Grocery and Cafe." Designed to create the ambience of shopping in a grocery store and eating in a restaurant.  

"Infant-Toddler Garden." A picket fence gated indoor area, which includes a carrot patch with wooden carrots to be harvested, a pretend pond and a butterfly mobile to introduce youngsters to the concept of food, gardening and agriculture.  

"Dramatic Arts Stage." Settings, backdrops and costumes coincide with seasonal events and holidays. Children can exercise their dramatic flair here.  

"Wiggle Wall." The floor-to-ceiling "underground'' tunnels give children a worm's eye view of the world. The tunnels are laced with net covered openings and giant optic lenses. 

SPECIAL EVENTS -- Free with museum admission unless otherwise noted.  

"Family Alien Day," Aug. 28, 9:30 a.m.-4:30 p.m. Children are encouraged to arrive dressed in costumes from another planet for an out of this world event. Families can use glow in the dark face paint, create alien antennas, and build recycled planet sculptures among many other activities. 

SPECIAL EXHIBITS --  

$6-$7. Wednesday and Thursday, 9:30 a.m.-1 p.m.; Friday and Saturday, 9:30 a.m.-4:30 p.m.; Closed Sunday-Tuesday. 2065 Kittredge St., Berkeley. (510) 647-1111, www.habitot.org.< 

HALL OF HEALTH A community health-education museum and science center promoting wellness and individual responsibility for health. There are hands-on exhibits that teach about the workings of the human body, the value of a healthy diet and exercise, and the destructive effects of smoking and drug abuse. "Kids on the Block'' puppet shows, which use puppets from diverse cultures to teach about and promote acceptance of conditions such as cerebral palsy, Down Syndrome, leukemia, blindness, arthritis and spina bifida, are available by request for community events and groups visiting the Hall on Saturdays.  

ONGOING EXHIBITS --  

"This Is Your Heart!" An interactive exhibit on heart health.  

"Good Nutrition," This exhibit includes models for making balanced meals and an Exercycle for calculating how calories are burned.  

"Draw Your Own Insides," Human-shaped chalkboards and models with removable organs allow visitors to explore the inside of their bodies.  

"Your Cellular Self and Cancer Prevention," An exhibit on understanding how cells become cancerous and how to detect and prevent cancer. 

Suggested $3 donation; free for children under age 3. Tuesday-Saturday, 10 a.m.-4 p.m. 2230 Shattuck Ave., Berkeley. (510) 549-1564, www.hallofhealth.org.< 

HAYWARD SHORELINE INTERPRETIVE CENTER Perched on stilts above a salt marsh, the Center offers an introduction to the San Francisco Bay-Estuary. It features exhibits, programs and activities designed to inspire a sense of appreciation, respect and stewardship for the Bay, its inhabitants and the services they provide. The Habitat Room offers a preview of what may be seen outside. The 80-gallon Bay Tank contains some of the fish that live in the Bay's open waters, and the Channel Tank represents habitats formed by the maze of sloughs and creeks that snake through the marsh. The main room of the Center features rotating exhibits about area history, plants and wildlife. Part of the Hayward Area Recreation and Park District.  

ONGOING EXHIBIT --  

"Exploring Nature," An exhibit of Shawn Gould's illustrations featuring images of the natural world. 

SPECIAL EVENTS --  

"Weekend Weed Warriors," 1-4 p.m. Help the shoreline to eliminate the non-native plants that threaten its diversity. Ages 12 and older. Registration required. 

"Nature Detectives," 11 a.m.-noon. An introduction and exploration of the world of Black-Crowned Night-Herons. Ages 3-5 and their caregivers. Registration required. 

"Waterfowl of the Freshwater Marsh," 10 a.m.-1 p.m. Join an expert birder to go "behind the gates'' to areas of the marsh that are not open to the public. 

Free. Saturday and Sunday, 10 a.m. to 5 p.m. 4901 Breakwater Ave., Hayward. (510) 670-7270, www.hard.dst.ca.us/hayshore.html.< 

JEWISH COMMUNITY CENTER OF THE EAST BAY  

"Shabbat Celebration for Young Children," Saturday, 10:30 a.m.-noon. Join other families with young children to sharethis weekly Jewish holiday of joy and renewal.  

1414 Walnut St., Berkeley. (510) 848-0237, www.jcceastbay.org/.< 

JOHN MUIR NATIONAL HISTORIC SITE The site preserves the 1882 Muir House, a 17-room Victorian mansion where naturalist John Muir lived from 1890 to his death in 1914. It was here that Muir wrote about preserving America's wilderness and helped create the national parks idea for the United States. The house is situated on a hill overlooking the City of Martinez and surrounded by nine acres of vineyards and orchards. Take a self-guided tour of this well-known Scottish naturalist's home. Also part of the site is the historic Martinez Adobe and Mount Wanda.  

ONGOING EVENT --  

Public Tours of the John Muir House, Begin with an eight-minute park film and then take the tour. The film runs every 15 minutes throughout the day. Wednesday through Friday, 2 p.m.; Saturday and Sunday, 1 p.m., 2 p.m. and 3 p.m.  

MOUNT WANDA -- The mountain consists of 325 acres of grass and oak woodland historically owned by the Muir family. It offers a nature trail and several fire trails for hiking. Open daily, sunrise to sunset. 

EVENTS --  

"FULL MOON WALK," Aug. 24. A two hour walk by the light of the full moon. Dress warmly and wear appropriate walking shoes. Reservations required and starting time will be given with reservation. Meet at the CalTrans Park and Ride lot at the corner of Alhambra Avenue and Franklin Canyon Road in Martinez. Reservations required. (925) 228-8860. 

$3 general; free children ages 16 and under. Wednesday-Sunday, 10 a.m.-5 p.m. 4202 Alhambra Ave., Martinez. (925) 228-8860, www.nps.gov/jomu.< 

JUNIOR CENTER OF ART AND SCIENCE A center dedicated to encouraging children's active wonder and creative response through artistic and scientific exploration of their natural urban environment. The center's classes, workshops, exhibits and events integrate art and science.  

EXHIBITS -- Three educational exhibits are mounted in the "Children's Gallery'' each year. A docent-led tour, demonstrations, hands-on activities and art projects are available to school groups throughout the year.  

"Jake's Discovery Garden," Jake's Discovery Garden is a new interactive studio exhibit designed for preschool-aged children and their adult caregivers that teaches young visitors about the natural environments found in their backyards, playgrounds and neighborhoods. 

SPECIAL EVENTS --  

Free; programs and special exhibits have a fee. September through May: Tuesday through Friday, 10 a.m. to 6 p.m.; Saturday, 10 a.m. to 3 p.m. June through August: Monday through Thursday, 8:30 a.m. to 5:30 p.m. 558 Bellevue Ave., Oakland. (510) 839-5777, www.juniorcenter.org.< 

KENNEDY PARK  

"Zucchini Festival," Aug. 21 and Aug. 22, 10 a.m.-7:30 p.m. Food, cooking demonstrations, live music, children's rides, games and other entertainment. $2-$5, children under five are free. (510) 278-2079, www.haywardzucchini.com. 

19501 Hesperian Blvd., Hayward. (510) 670-7275.< 

LAKE CHABOT REGIONAL PARK The 315-acre lake offers year-round recreation. Services include canoe and boat rental, horseshoe pits, hiking, bicycling, picnicking and seasonal tours aboard the Chabot Queen. For boat rentals, call (510) 247-2526. 

Free unless noted otherwise; $5 parking; $2 per dog except guide/service dogs. Daily, 6 a.m. to 9 p.m. 17930 Lake Chabot Road, Castro Valley. (510) 562-PARK, www.ebparks.org.< 

LAWRENCE HALL OF SCIENCE  

ONGOING EXHIBITS --  

"NanoZone," Discover the science of the super-small: nanotechnology. Through hands-on activities and games, explore this microworld and the scientific discoveries made in this area.  

"Forces That Shape the Bay," A science park that shows and explains why the San Francisco Bay is the way it is, with information on water, erosion, plate tectonics and mountain building. You can ride earthquake simulators, set erosion in motion and look far out into the bay with a powerful telescope from 1,100 feet above sea level. The center of the exhibit is a waterfall that demonstrates how water flows from the Sierra Nevada Mountains to the Bay. Visitors can control where the water goes. There are also hands-on erosion tables, and a 40-foot-long, 6-foothigh, rock compression wall.  

"Real Astronomy Experience," A new exhibit-in-development allowing visitors to use the tools that real astronomers use. Aim a telescope at a virtual sky and operate a remote-controlled telescope to measure a planet.  

"Biology Lab," In the renovated Biology Lab visitors may hold and observe gentle animals. Saturday, Sunday and holidays, 1:30 p.m. to 4 p.m.  

"The Idea Lab," Experiment with some of the basics of math, science and technology through hands-on activities and demonstrations of magnets, spinning and flying, puzzles and nanotechnology.  

"Math Around the World," Play some of the world's most popular math games, such as Hex, Kalah, Game Sticks and Shongo Networks.  

"Math Rules," Use simple and colorful objects to complete interesting challenges in math through predicting, sorting, comparing, weighing and counting.  

HOLT PLANETARIUM Shows on Saturdays and Sundays. Programs recommended for ages 6 and up unless otherwise noted. $2.50-$3 in addition to general admission.  

$6-$12; free children ages 2 and under. Daily, 10 a.m.-5 p.m. University of California, Centennial Drive, Berkeley. (510) 642-5132, www.lawrencehallofscience.org.< 

LINDSAY WILDLIFE MUSEUM This is the oldest and largest wildlife rehabilitation center in America, taking in 6,000 injured and orphaned animals yearly and returning 40 percent of them to the wild. The museum offers a wide range of educational programs using non-releasable wild animals to teach children and adults respect for the balance of nature. The museum includes a state-of-the art wildlife hospital which features a permanent exhibit, titled "Living with Nature,'' which houses 75 non-releasable wild animals in learning environments; a 5,000-square-foot Wildlife Hospital complete with treatment rooms, intensive care, quarantine and laboratory facilities; a 1-acre Nature Garden featuring the region's native landscaping and wildlife; and an "Especially For Children'' exhibit.  

WILDLIFE HOSPITAL -- September-March: 9 a.m. to 5 p.m. The hospital is open daily including holidays to receive injured and orphaned animals. There is no charge for treatment of native wild animals and there are no public viewing areas in the hospital. 

SPECIAL EVENTS --  

$5-$7; free children under age 2. Wednesdays-Sundays, 10 a.m.-5 p.m. 1931 First Ave., Walnut Creek. (925) 935-1978, www.wildlife-museum.org.< 

MUSEUM OF CHILDREN'S ART A museum of art for and by children, with activities for children to participate in making their own art.  

ART CAMPS -- Hands-on activities and engaging curriculum for children of different ages, led by professional artists and staff. $60 per day.  

CLASSES -- A Sunday series of classes for children ages 8 to 12, led by Mocha artists. Sundays, 2 p.m. to 4 p.m.  

OPEN STUDIOS -- Drop-in art play activities with new themes each week.  

"Big Studio." Guided art projects for children age 6 and older with a Mocha artist. Tuesday through Friday, 4 p.m. to 5 p.m. $5.  

"Little Studio." A hands-on experience that lets young artists age 18 months to 5 years see, touch and manipulate a variety of media. Children can get messy. Tuesday through Friday, 10 a.m. to 4 p.m. $5.  

"Family Weekend Studios." Drop-in art activities for the whole family. All ages welcome. Saturday and Sunday, noon to 4 p.m. $5 per child.  

FAMILY EXTRAVAGANZAS -- Special weekend workshops for the entire family.  

"Sunday Workshops with Illustrators," Sundays, 1 p.m. See the artwork and meet the artists who create children's book illustrations. Free. 

EVENTS --  

"Saturday Stories," 1 p.m. For children ages 2-5. Free. 

SPECIAL EVENT --  

"Saturday Stories," 1 p.m. For ages 2-5. Free. 

Free gallery admission. Tuesday-Friday, 10 a.m.-5 p.m.; Saturday-Sunday, noon-5 p.m. 538 Ninth St., Oakland. (510) 465-8770, www.mocha.org.< 

POINT PINOLE REGIONAL SHORELINE The 2,315-acre parkland bordering Pinole, Richmond and San Pablo offers views of Mount Tamalpais, the Marin shoreline and San Pablo Bay. There are trails through meadows and woods, and along the bluffs and beaches of San Pablo Bay. Visitors can hike, ride bikes or take the park's shuttle bus to reach the 1,250-foot fishing pier at Point Pinole. 

$5 per vehicle; $4 per trailered vehicle; $2 per dog (guide/service dogs free). Daily, 5 a.m. to 10 p.m., unless otherwise posted. Giant Highway, Richmond. (510) 562-PARK, www.ebparks.org.< 

ROBERT SIBLEY VOLCANIC REGIONAL PRESERVE East Bay residents have several volcanoes in their backyard. This park contains Round Top, one of the highest peaks in the Oakland Hills. 

Free. Daily, 5 a.m. to 10 p.m. 6800 Skyline Blvd., Oakland. (510) 562-PARK, www.ebparks.org.< 

SHADOW CLIFFS REGIONAL RECREATION AREA The 296-acre park includes an 80-acre lake and a four-flume waterslide, with picnic grounds and a swimming beach. Water slide fees and hours: (925) 829-6230. 

$6 per vehicle; $2 per dog except guide and service dogs. May 1 through Labor Day: daily, 6 a.m. to 9 p.m.; shortened hours for fall and winter. Stanley Boulevard, one mile from downtown, Pleasanton. (510) 562-PARK, www.ebparks.org.< 

SULPHUR CREEK NATURE CENTER A wildlife rehabilitation and education facility where injured and orphaned local wild creatures are rehabilitated and released when possible. There is also a lending library of animals such as guinea pigs, rats, mice and more. The lending fee is $8 per week.  

ONGOING EVENTS --  

"Toddler Time," Learn about animals by listening to stories and exploring. Themes vary by month. Call for schedule. $7 per family.  

"Day on the Green Animal Presentations," Meet an assortment of wild and domestic animals. Wildlife volunteers will present a different animal each day from possums to snakes, tortoises to hawks. Saturday and Sunday, 2:30 p.m. 

CHILDREN'S EVENTS --  

Free. Park: Tuesday-Sunday, 10 a.m.-5 p.m.; Discovery Center: Tuesday-Saturday, 10 a.m.-4:30 p.m.; Animal Lending Library: Saturday-Sunday, 10 a.m.-3 p.m.; Wildlife Rehabilitation Center: daily, 10 a.m.-4:30 p.m. 1801 D St., Hayward. (510) 881-6747, www.haywardrec.org/sulphur_creek.html.< 

USS HORNET MUSEUM Come aboard this World War II aircraft carrier that has been converted into a floating museum. The Hornet, launched in 1943, is 899 feet long and 27 stories high. During World War II she was never hit by an enemy strike or plane and holds the Navy record for number of enemy planes shot down in a week. In 1969 the Hornet recovered the Apollo 11 space capsule containing the first men to walk on the moon, and later recovered Apollo 12. In 1991 the Hornet was designated a National Historic Landmark and is now docked at the same pier she sailed from in 1944. Today, visitors can tour the massive ship, view World War II-era warplanes and experience a simulated aircraft launch from the carrier's deck. Exhibits are being added on an ongoing basis. Allow two to three hours for a visit. Wear comfortable shoes and be prepared to climb steep stairs or ladders. Dress in layers as the ship can be cold. Arrive no later than 2 p.m. to sign up for the engine room and other docent-led tours. Children under age 12 are not allowed in the Engine Room or the Combat Information Center.  

ONGOING EVENTS --  

"Limited Access Day," Due to ship maintenance, tours of the navigation bridge and the engine room are not available. Tuesdays.  

"Flight Deck Fun," A former Landing Signal Officer will show children how to bring in a fighter plane for a landing on the deck then let them try the signals themselves. Times vary. Free with regular Museum admission.  

"Protestant Divine Services," Hornet chaplain John Berger conducts church services aboard The Hornet in the Wardroom Lounge. Everyone is welcome and refreshments are served immediately following the service. Sundays, 11 a.m. 

SPECIAL EVENTS -- Closed on New Year's Day. 

"Flashlight Tour," Receive a special tour of areas aboard the ship that have not yet been opened to the public or that have limited access during the day. 

"Living Ship Day," Experience an aircraft carrier in action, with simulated flight operations as aircraft are lifted to the flight deck and placed in launch position. Some former crewmembers will be on hand. 

"Family Day," Discounted admission for families of four with a further discount for additional family members. Access to some of the areas may be limited due to ship maintenance. Every Tuesday. $20 for family of four; $5 for each additional family member. 

"History Mystery Overnight," Aug. 27. Explore the USS Hornet during an evening of midnight investigations to see if "The Gray Ghost,'' is really haunted. Reservations required. (510) 521-8448 X224. 

$6-$14; free children age 4 and under with a paying adult. Daily, 10 a.m.-4 p.m. Pier 3 (enter on Atlantic Avenue), Alameda Point, Alameda. (510) 521-8448, www.uss-hornet.org.<

ARDENWOOD HISTORIC FARM Ardenwood farm is a working farm that dates back to the time of the Patterson Ranch, a 19th-century estate with a mansion and Victorian Gardens. Today, the farm still practices farming techniques from the 1870s. Unless otherwise noted, programs are free with regular admission.  

ONGOING PROGRAMS --  

"Blacksmithing," Thursday, Friday and Sunday, 10 a.m. to 4 p.m. Watch a blacksmith turn iron into useful tools.  

"Horse-Drawn Train," Thursday, Friday and Sunday. A 20-minute ride departs from Ardenwood Station and Deer Park.  

"Animal Feeding," Thursday-Sunday, 3-4 p.m. Help slop the hogs, check the henhouse for eggs and bring hay to the livestock.  

"Victorian Flower Arranging," Thursday, 10:15-11:30 a.m. Watch as Ardenwood docents create floral works of art for display in the Patterson House.  

SPECIAL EVENTS --  

"Toddler Time," Tuesdays, 11-11:30 a.m. Bring the tiny tots out for an exciting morning at the farm. Meet and learn all about a new animal friend through stories, chores and fun.  

"Horse-Drawn Train Rides," Thursday, Friday and Sunday, 10:15 a.m.-3:30 p.m. Meet Jigs or Tucker the Belgian Draft horses that pull Ardenwood's train. Check the daily schedule and meet the train at Ardenwood Station or Deer Park. 

"Country Kitchen Cookin'," Sundays, 10:30 a.m.-2 p.m. Enjoy the flavor of the past with treats cooked on Ardenwood's wood burning stove. Sample food grown on the farm and discover the history of your favorite oldtime snacks. 

"Animal Feeding," Thursday-Sunday, 3 p.m. Feed the pigs, check for eggs and bring hay to the livestock. 

"Potato Harvesting," Learn the spectacular history of this New World native as you dig with your spade and help find the spuds. 

"Afternoon Fun and Games," July 17 and Aug. 28, 2-3 p.m. Try old-fashioned games. 

"Saturday Rail Adventure," July 24 and Aug. 28, 10 a.m.-3:30 p.m. Explore the fields and eucalyptus groves. 

"Lovely Ladies Croquet," July 25 and Aug. 22, 1-3 p.m. Participate in a very Victorian game. 

$1-$5; free children under age 4. Tuesday-Sunday, 10 a.m.-4 p.m. 34600 Ardenwood Blvd., Fremont. (510) 796-0199, (510) 796-0663, www.ebparks.org.< 

BAY AREA RAIL TRAILS A network of trails converted from unused railway corridors and developed by the Rails to Trails Conservancy.  

BLACK DIAMOND MINES REGIONAL PRESERVE RAILROAD BED TRAIL -- This easy one mile long rail trail on Mount Diablo leads to many historic sites within the preserve. Suitable for walking, horseback riding, and mountain biking. Accessible year round but may be muddy during the rainy season. Enter from the Park Entrance Station parking lot on the East side of Somersville Road, Antioch.  

IRON HORSE REGIONAL TRAIL -- The paved trail has grown into a 23 mile path between Concord and San Ramon with a link into Dublin. The trail runs from the north end of Monument Boulevard at Mohr Lane, east to Interstate 680, in Concord through Walnut Creek to just south of Village Green Park in San Ramon. It will eventually extend from Suisun Bay to Pleasanton and has been nominated as a Community Millennium Trail under the U.S. Millennium Trails program. A smooth shaded trail suitable for walkers, cyclists, skaters and strollers. It is also wheelchair accessible. Difficulty: easy to moderate in small chunks; hard if taken as a whole.  

LAFAYETTE/MORAGA REGIONAL TRAIL -- A 7.65 mile paved trail converted from the Sacramento Northern Rail line. This 20-year old trail goes along Las Trampas Creek and parallels St. Mary's Road. Suitable for walkers, equestrians, and cyclists. Runs from Olympic Boulevard and Pleasant Hill Road in Lafayette to Moraga. The trail can be used year round.  

OHLONE GREENWAY -- A 3.75-mile paved trail converted from the Atchison, Topeka and Santa Fe railway. Suitable for walkers, strollers and skaters. It is also wheelchair accessible. The trail runs under elevated BART tracks from Conlon and Key Streets in El Cerrito to Virginia and Acton Streets in Berkeley.  

SHEPHERD CANYON TRAIL -- An easy 3-mile paved trail converted from the Sacramento Northern Rail Line. The tree-lined trail is gently sloping and generally follows Shepherd Canyon Road. Suitable for walkers and cyclists. It is also wheelchair accessible. Begins in Montclair Village behind McCaulou's Department Store on Medau Place and ends at Paso Robles Drive, Oakland. Useable year round. 

Free. (415) 397-2220, www.traillink.com.< 

BAY AREA RIDGE TRAIL The Bay Area Ridge Trail, when completed, will be a 400-mile regional trail system that will form a loop around the entire San Francisco Bay region, linking 75 public parks and open spaces to thousands of people and hundreds of communities. Hikes on portions of the trail are available through the Bay Area Ridge Trail Council. Call for meeting sites.  

ONGOING EVENTS --  

ALAMEDA COUNTY -- "Lake Chabot Bike Rides." These rides are for strong beginners and intermediates to build skill, strength and endurance at a non hammerhead pace. No one will be dropped. Reservations required. Distance: 14 miles. Elevation gain: 1,000 feet. Difficulty: beginner to intermediate. Pace: moderate. Meeting place: Lake Chabot Road at the main entrance to the park. Thursday, 6:15 a.m. (510) 468-3582.  

ALAMEDA-CONTRA COSTA COUNTY -- "Tilden and Wildcat Bike Rides." A vigorous ride through Tilden and Wildcat Canyon regional parks. Reservations required. Distance: 15 miles. Elevation gain: 2,000 feet. Difficulty: intermediate. Pace: fast. Meeting place: in front of the North Berkeley BART Station. Wednesday, 5:30 p.m. (510) 849-9650. 

Free. (415) 561-2595, www.ridgetrail.org.< 

BICYCLE TRAILS COUNCIL OF THE EAST BAY The Council sponsors trail work days, Youth Bike Adventure Rides, and Group Rides as well as Mountain Bike Basics classes which cover training and handling skills.  

ONGOING EVENTS --  

"Weekly Wednesday Ride at Lake Chabot," Wednesdays, 6:30 p.m. A 13- to 20-mile ride exploring the trails around Lake Chabot, with 1,500 to 2,000 feet of climbing. Meet at 6:15 p.m. in the parking lot across from the public safety offices at Lake Chabot in Castro Valley. Reservations requested. (510) 727-0613.  

"Weekly Wednesday 'Outer' East Bay Ride," Wednesdays, 5:30 p.m. Ride some of the outer East Bay parks each week, such as Wild Cat Canyon, Briones, Mount Diablo, Tilden and Joaquin Miller-Redwood. Meeting place and ride location vary. Reservations required. (510) 888-9757. 

Free. (510) 466-5123, www.btceb.org.< 

BOTANIC GARDEN  

EVENTS --  

Intersection of Wildcat Canyon Road and South Park Drive, Tilden Regional Park, Berkeley. www.ebparks.org.< 

CRAB COVE VISITOR CENTER At Crab Cove, you can see live underwater creatures and go into the San Francisco Bay from land. You can also travel back in time to Alameda's part. The goal is to increase understanding of the environmental importance of San Francisco Bay and the ocean ecosystem. Crab Cove's Indoor Aquarium and Exhibit Lab is one of the largest indoor aquariums in the East Bay. 

SPECIAL EVENTS --  

"Catch of the Day," Sundays, 2-3 p.m. Drop by to find out more about the Bay and its wildlife through guided exploration and hands-on fun. 

"Sea Siblings," Tuesdays, 9:30 a.m. and 11 a.m. Explore the natural world and take part in a theme related craft. Designed for the 3-5 year old learner. Registration is required. $4. (888) 327-2757. 

"Sea Squirts," 10-11:30 a.m. and 11 a.m.-12:30 p.m. Discover the wonders of nature with your little one. Registration is required. $6-$8. 

Free unless otherwise noted; parking fee may be charged. 1252 McKay Ave., Alameda. (510) 521-6887, www.ebparks.org.< 

DUNSMUIR HOUSE AND GARDENS HISTORIC ESTATE Nestled in the Oakland hills, the 50-acre Dunsmuir House and Gardens estate includes the 37-room Neoclassical Revival Dunsmuir Mansion, built by coal and lumber baron Alexander Dunsmuir for his bride. Restored outbuildings set amid landscaped gardens surround the mansion.  

ESTATE GROUNDS -- Self-Guided Grounds Tours are available yearround. The 50 acres of gardens and grounds at the mansion are open to the public for walking Tuesday-Friday, 9 a.m.-4 p.m. Booklets and maps of the grounds are available at the Dinkelspiel House. Free.  

GUIDED TOURS -- Docent-led tours are available on the first Sunday of each month at 1 p.m. and 2 p.m. (except for July) and Wednesdays at 11 a.m. $5 adults, $4 seniors and juniors (11-16), children 11 and under free. 

Dunsmuir House and Gardens, 2960 Peralta Oaks Court, Oakland. (510) 615-5555, www.dunsmuir.org.< 

FIFTY-PLUS ADVENTURE WALKS AND RUNS The walks and runs are 3-mile round-trips, lasting about one hour on the trail. All levels of ability are welcome. The walks are brisk, however, and may include some uphill terrain. Events are held rain or shine and on all holidays except Christmas and the Fifty-Plus Annual Fitness Weekend. Call for dates, times and details. 

Free. (650) 323-6160, www.50plus.org.< 

FOREST HOME FARMS The 16-acre former farm of the Boone family is now a municipal historic park in San Ramon. It is located at the base of the East Bay Hills and is divided into two parts by Oak Creek. The Boone House is a 22-room Dutch colonial that has been remodeled several times since it was built in 1900. Also on the property are a barn built in the period from 1850 to 1860; the Victorian-style David Glass House, dating from the late 1860s to early 1870s; a storage structure for farm equipment and automobiles; and a walnut processing plant. 

Free unless otherwise noted. Public tours available by appointment. 19953 San Ramon Valley Blvd., San Ramon. (925) 973-3281, www.ci.sanramon. ca.us/parks/boone.htm.< 

GARIN AND DRY CREEK PIONEER REGIONAL PARKS Independent nature study is encouraged here, and guided interpretive programs are available through the Coyote Hills Regional Park Visitor Center in Fremont. The Garin Barn Visitor Center is open Saturday and Sunday from 10 a.m. to 4:30 p.m. In late summer, the Garin Apple Festival celebrates Garin's apple orchards. The parks also allow picnicking, hiking, horseback riding and fishing. 

Free; $5 parking fee per vehicle; $2 per dog. Daily, 5 a.m. to 10 p.m. 1320 Garin Ave., Hayward. (510) 562-PARK, (510) 795-9385, www.ebparks.org/parks/garin.htm.< 

GREENBELT ALLIANCE OUTINGS A series of hikes, bike rides and events sponsored by Greenbelt Alliance, the Bay Area's non-profit land conservation and urban planning organization. Call for meeting places. Reservations required for all trips.  

ALAMEDA COUNTY --  

"Self-Guided Urban Outing: Berkeley," This interactive smart growth walking tour of central Berkeley examines some of the exciting projects that help alleviate the housing shortage in the city as well as amenities important to making a livable community. The walk, which includes the GAIA Cultural Center, Allston Oak Court, The Berkeley Bike Station, University Terrace and Strawberry Creek Park, takes between an hour-and-ahalf to two hours at a leisurely pace. Download the itinerary which gives specific directions by entering www.greeenbelt.org and clicking on "get involved'' and then "urban outings.'' Drop down and click on Berkeley. Free. 

Free unless otherwise noted. (415) 255-3233, www.greenbelt.org.< 

HAYWARD REGIONAL SHORELINE With 1,682 acres of salt, fresh and brackish water marshes, seasonal wetlands and the approximately three-mile San Lorenzo Trail, the Hayward Shoreline restoration project is one of the largest of its kind on the West Coast, comprising 400 acres of marshland. Part of the East Bay Regional Park District. 

EVENTS --  

Free. Daily, 5 a.m. to 10 p.m. 3010 W. Winton Ave., Hayward. (510) 562-PARK, www.ebparks.org/parks/hayward.htm.< 

HAYWARD SHORELINE INTERPRETIVE CENTER Perched on stilts above a salt marsh, the Center offers an introduction to the San Francisco Bay-Estuary. It features exhibits, programs and activities designed to inspire a sense of appreciation, respect and stewardship for the Bay, its inhabitants and the services they provide. The Habitat Room offers a preview of what may be seen outside. The 80-gallon Bay Tank contains some of the fish that live in the Bay's open waters, and the Channel Tank represents habitats formed by the maze of sloughs and creeks that snake through the marsh. The main room of the Center features rotating exhibits about area history, plants and wildlife. Part of the Hayward Area Recreation and Park District.  

ONGOING EXHIBIT --  

"Exploring Nature," An exhibit of Shawn Gould's illustrations featuring images of the natural world. 

SPECIAL EVENTS --  

"Nature Detectives," 11 a.m.-noon. An introduction and exploration of the world of Black-Crowned Night-Herons. Ages 3-5 and their caregivers. Registration required. 

"Weekend Weed Warriors," 1-4 p.m. Help the shoreline to eliminate the non-native plants that threaten its diversity. Ages 12 and older. Registration required. 

"Waterfowl of the Freshwater Marsh," 10 a.m.-1 p.m. Join an expert birder to go "behind the gates'' to areas of the marsh that are not open to the public. 

Free. Saturday and Sunday, 10 a.m. to 5 p.m. 4901 Breakwater Ave., Hayward. (510) 670-7270, www.hard.dst.ca.us/hayshore.html.< 

JOHN MUIR NATIONAL HISTORIC SITE The site preserves the 1882 Muir House, a 17-room Victorian mansion where naturalist John Muir lived from 1890 to his death in 1914. It was here that Muir wrote about preserving America's wilderness and helped create the national parks idea for the United States. The house is situated on a hill overlooking the City of Martinez and surrounded by nine acres of vineyards and orchards. Take a self-guided tour of this well-known Scottish naturalist's home. Also part of the site is the historic Martinez Adobe and Mount Wanda.  

ONGOING EVENT --  

Public Tours of the John Muir House, Begin with an eight-minute park film and then take the tour. The film runs every 15 minutes throughout the day. Wednesday through Friday, 2 p.m.; Saturday and Sunday, 1 p.m., 2 p.m. and 3 p.m.  

MOUNT WANDA -- The mountain consists of 325 acres of grass and oak woodland historically owned by the Muir family. It offers a nature trail and several fire trails for hiking. Open daily, sunrise to sunset. 

EVENTS --  

"FULL MOON WALK," Aug. 24. A two hour walk by the light of the full moon. Dress warmly and wear appropriate walking shoes. Reservations required and starting time will be given with reservation. Meet at the CalTrans Park and Ride lot at the corner of Alhambra Avenue and Franklin Canyon Road in Martinez. Reservations required. (925) 228-8860. 

JOHN MUIR HOUSE, Tours of this well-known Scottish naturalist's home are available. The house, built in 1882, is a 14-room Victorian home situated on a hill overlooking the city of Martinez and surrounded by nine acres of vineyards and orchards. It was here that Muir wrote about preserving America's wilderness and helped create the national parks idea for the United States. The park also includes the historic Vicente Martinez Adobe, built in 1849. An eight-minute film about Muir and the site is shown every 15 minutes throughout the day at the Visitor Center. Self guided tours of the Muir home, the surrounding orchards, and the Martinez Adobe: Wednesday-Sunday, 1 a.m.-5 p.m. Public tours or the first floor of the Muir home: Wednesday-Friday, 2 p.m.; Saturday-Sunday, 2 p.m. and 3 p.m. Reservations not required except for large groups.  

$3 general; free children ages 16 and under. Wednesday-Sunday, 10 a.m.-5 p.m. 4202 Alhambra Ave., Martinez. (925) 228-8860, www.nps.gov/jomu.< 

KENNEDY GROVE REGIONAL RECREATION AREA The 95-acre park contains picnic areas, horseshoe pits and volleyball courts among its grove of aromatic eucalyptus trees.  

$5 parking; $2 per dog except guide/service dogs Through September: daily, 8 a.m. to 8 p.m. San Pablo Dam Road, El Sobrante. (510) 223-7840, www.ebparks.org.< 

LAKE CHABOT REGIONAL PARK The 315-acre lake offers year-round recreation. Services include canoe and boat rental, horseshoe pits, hiking, bicycling, picnicking and seasonal tours aboard the Chabot Queen. For boat rentals, call (510) 247-2526. 

Free unless noted otherwise; $5 parking; $2 per dog except guide/service dogs. Daily, 6 a.m. to 9 p.m. 17930 Lake Chabot Road, Castro Valley. (510) 562-PARK, www.ebparks.org.< 

LINDSAY WILDLIFE MUSEUM This is the oldest and largest wildlife rehabilitation center in America, taking in 6,000 injured and orphaned animals yearly and returning 40 percent of them to the wild. The museum offers a wide range of educational programs using non-releasable wild animals to teach children and adults respect for the balance of nature. The museum includes a state-of-the art wildlife hospital which features a permanent exhibit, titled "Living with Nature,'' which houses 75 non-releasable wild animals in learning environments; a 5,000-square-foot Wildlife Hospital complete with treatment rooms, intensive care, quarantine and laboratory facilities; a 1-acre Nature Garden featuring the region's native landscaping and wildlife; and an "Especially For Children'' exhibit.  

WILDLIFE HOSPITAL -- September-March: 9 a.m. to 5 p.m. The hospital is open daily including holidays to receive injured and orphaned animals. There is no charge for treatment of native wild animals and there are no public viewing areas in the hospital. 

EXHIBITS --  

SPECIAL EVENTS --  

$5-$7; free children under age 2. Wednesdays-Sundays, 10 a.m.-5 p.m. 1931 First Ave., Walnut Creek. (925) 935-1978, www.wildlife-museum.org.< 

MARTIN LUTHER KING JR. SHORELINE This 1,200-acre park situated near Oakland International Airport offers picnic areas with barbecues and a boat launch ramp. Swimming is not allowed. The Martin Luther King Jr. Memorial Grove, a group of trees surrounding a grassy glade, is at the intersection of Doolittle Drive and Swan Way. The area also includes the 50-acre Arrowhead Marsh (part of the Western Hemisphere Shorebird Reserve Network) and a Roger Berry sculpture titled "Duplex Cone,'' which traces the summer and winter solstice paths of the sun through the sky. 

Free. Daily, 5 a.m. to 10 p.m., unless otherwise posted Doolittle Drive and Swan Way, Oakland. (510) 562-PARK, Picnic reservations: (510) 636-1684, www.ebayparks.org.< 

MILLER-KNOX REGIONAL SHORELINE A 295-acre shoreline picnic area with a secluded cove and swimming beach, and a hilltop offering panoramic views of the north Bay Area. 

Free. Daily, 5 a.m. to 10 p.m., unless otherwise posted. 900 Dornan Dr., Richmond. (510) 562-PARK, Picnic Reservations: (510) 636-1684, www.ebparks.org.< 

MOUNT DIABLO STATE PARK The 3,849-foot summit of Mount Diablo offers great views of the Bay Area and an extensive trail system. Visitors to the park can hike, bike, ride on horseback and camp. Notable park attractions include: The Fire Interpretive Trail, Rock City, Boy Scout Rocks and Sentinel Rock, Fossil Ridge, Deer Flat, Mitchell Canyon Staging Area, Diablo Valley Overlook, the Summit Visitor Center (open Wednesday through Sunday, 10 a.m. to 4 p.m.), the Art Gallery, the Observation Deck and the Mitchell Canyon Interpretive Center. 

Free. $6 per vehicle park-entrance fee; $5 for seniors. Daily, 8 a.m. to sunset. Mount Diablo Scenic Boulevard, from the Diablo Road exit off Interstate Highway 680, Danville. (925) 837-2525, www.mdia.org or www.parks.ca.gov.< 

PLEASANTON RIDGE REGIONAL PARK This 3,163-acre parkland is on the oak-covered ridge overlooking Pleasanton and the Livermore Valley from the west. A multi-purpose trail system accommodates hikers, equestrians and bicyclists. 

Free. Daily, 5 a.m. to 10 p.m. Foothill Road, Pleasanton. (510) 562-PARK, www.ebparks.org.< 

POINT PINOLE REGIONAL SHORELINE The 2,315-acre parkland bordering Pinole, Richmond and San Pablo offers views of Mount Tamalpais, the Marin shoreline and San Pablo Bay. There are trails through meadows and woods, and along the bluffs and beaches of San Pablo Bay. Visitors can hike, ride bikes or take the park's shuttle bus to reach the 1,250-foot fishing pier at Point Pinole. 

$5 per vehicle; $4 per trailered vehicle; $2 per dog (guide/service dogs free). Daily, 5 a.m. to 10 p.m., unless otherwise posted. Giant Highway, Richmond. (510) 562-PARK, www.ebparks.org.< 

QUARRY LAKES REGIONAL RECREATION AREA The park includes three lakes sculpted from former quarry ponds. The largest, Horseshoe Lake, offers boating and fishing, with a swim beach that will open in the spring. Rainbow Lake is for fishing only, and the third lake, Lago Los Osos, is set aside for wildlife habitat. In addition, there are hiking and bicycling trails that connect to the Alameda Creek Regional Trail. The park includes three lakes sculpted from former quarry ponds. The largest, Horseshoe Lake, offers boating and fishing, with a swim beach that will open in the spring. Rainbow Lake is for fishing only, and the third lake, Lago Los Osos, is set aside for wildlife habitat. In addition there are hiking and bicycling trails that connect to the Alameda Creek Regional Trail. 

$5 parking; $2 per dog except guide/service dogs; boat launch fees; Park District fishing access permit fee of $3. Through Labor Day: daily, 6 a.m. to 9 p.m.; Sept. 6 through Sept. 30, 6 a.m. to 8 p.m. 2100 Isherwood Way,, between Paseo Padre Parkway and Osprey Drive,, Fremont. (510) 795-4883, Picnic reservations:: (510) 562-2267, www.ebparks.org.< 

ROBERT SIBLEY VOLCANIC REGIONAL PRESERVE East Bay residents have several volcanoes in their backyard. This park contains Round Top, one of the highest peaks in the Oakland Hills. 

Free. Daily, 5 a.m. to 10 p.m. 6800 Skyline Blvd., Oakland. (510) 562-PARK, www.ebparks.org.< 

RUTH BANCROFT GARDEN One of America's finest private gardens, the Ruth Bancroft Garden displays 2,000 specimens from around the world that thrive in an arid climate. Included are African and Mexican succulents, New World cacti, Australian and Chilean trees, and shrubs from California. 

DOCENT TOUR SCHEDULE -- 10 a.m. Saturdays. Docent-led tours last approximately an hour and a half. Plant sales follow the tour. By reservation only. $7; free children under age 12.  

SELF-GUIDED TOURS -- 9:30 a.m.-noon Mon. - Thurs.; 9:30 a.m. Fri.; 9:30 a.m. and 5 p.m. Sat.; 5 p.m. Sunday. Self-guided tours last two hours. No reservations required for weekday tours; reservations required for Friday and Saturday tours. Plant sales follow the tours. $7; free children under age 12.  

Gardens open only for tours and special events listed on the garden's telephone information line. 1500 Bancroft Road, Walnut Creek. (925) 210-9663, www.ruthbancroftgarden.org.< 

SHADOW CLIFFS REGIONAL RECREATION AREA The 296-acre park includes an 80-acre lake and a four-flume waterslide, with picnic grounds and a swimming beach. Water slide fees and hours: (925) 829-6230. 

$6 per vehicle; $2 per dog except guide and service dogs. May 1 through Labor Day: daily, 6 a.m. to 9 p.m.; shortened hours for fall and winter. Stanley Boulevard, one mile from downtown, Pleasanton. (510) 562-PARK, www.ebparks.org.< 

SULPHUR CREEK NATURE CENTER A wildlife rehabilitation and education facility where injured and orphaned local wild creatures are rehabilitated and released when possible. There is also a lending library of animals such as guinea pigs, rats, mice and more. The lending fee is $8 per week.  

ONGOING EVENTS --  

"Toddler Time," Learn about animals by listening to stories and exploring. Themes vary by month. Call for schedule. $7 per family.  

"Day on the Green Animal Presentations," Meet an assortment of wild and domestic animals. Wildlife volunteers will present a different animal each day from possums to snakes, tortoises to hawks. Saturday and Sunday, 2:30 p.m. 

CHILDREN'S EVENTS --  

Free. Park: Tuesday-Sunday, 10 a.m.-5 p.m.; Discovery Center: Tuesday-Saturday, 10 a.m.-4:30 p.m.; Animal Lending Library: Saturday-Sunday, 10 a.m.-3 p.m.; Wildlife Rehabilitation Center: daily, 10 a.m.-4:30 p.m. 1801 D St., Hayward. (510) 881-6747, www.haywardrec.org/sulphur_creek.html.< 

SUNOL REGIONAL WILDERNESS This park is full of scenic and natural wonders. You can hike the Ohlone Wilderness trail or Little Yosemite. There are bedrock mortars that were used by Native Americans, who were Sunol's first inhabitants. 

SPECIAL EVENTS --  

"Sunol Sunday Hike," Sundays, 1:30-3 p.m. A natural history walk in Sunol Regional Wilderness. 

"Sunol Sunday Hike," Sundays, 1:30-3 p.m. A natural history walk in the wilderness. 

Free unless otherwise noted; $5 parking; $2 dog fee. Geary Road off Calaveras Road, six miles south of Interstate Highway 680, Sunol. (510) 652-PARK, www.ebparks.org.<