Planning More of Those Robot Apartments for Berkeley
Much to my surprise, last week’s New Yorker cover seemed to be devoted to Berkeley’s in-the-works new Downtown Area Plan.
Thanks to sometime Planet contributor Tom Lord, we’ve learned that cover artist Eric Drooker, who lives in downtown Berkeley, seems to have been riffing on an animation he did to go with a film version of Alan Ginzberg’s Howl—the sinister figure at the top of the skyscrapers is Ginzberg’s Moloch:
"Moloch whose Soul is electricity and banks!"
"Moloch whose Poverty is the specter of Genius"
"Moloch whose fate is a cloud of sexless hydrogen"
"Moloch whose name is the Mind. Robot apartments"
Drooker’s visual imagery reprises Fritz Lang's 1927 expressionist film, Metropolis.
Oh sure, you say. Well, I had the misfortune to watch as much as I could stand of yesterday’s city council workshop on “development fees”, and let me tell you, it was all about building robot apartments with souls of electricity and banks.
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