Reviewed by James Roy MacBean
Friday March 10, 2017 - 01:27:00 PM
Dimitri Shostakovich wrote his Cello Concerto No. 1 for cellist Mstislav Rostropovich, to whom the score is dedicated. Upon receiving the finished score, Rostropovich reportedly learned the entire work by memory in only four days and then played the work brilliantly for an “astounded” Shostakovich at its premiere with the Leningrad Philharmonic Orchestra on October 4, 1959 with Eugene Mravinsky conducting. A few months later, Rostropovich recorded this work with the New York Philharmonic under Leonard Bernstein, and this recording has remained the authoritative version of the Shostakovich Cello Concerto No. 1. Now, however, along comes cellist Gautier Capuçon, whom I find a likely heir apparent to the late Rostropovich. Capuçon shares with Rostropovich the same vigorously physical playing style along with an intensely emotional commitment to the score. The results, as we heard Saturday evening, March 4, at Davies Hall with San Francisco Symphony led by Michael Tilson Thomas, were intensely gripping.
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