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Latin dance... not just another trend

Peter Crimmins
Monday July 22, 2002

A few years ago, at the height of the swing dance revival, Bay Area hipsters could find live music for lindy-hops and rock-steps seven nights a week. But as its popularity ebbed, many hung up their zoot suits and saddle shoes for a different kind of dance. 

Today, salsa and its Caribbean kindred samba have fast become a Bay Area favorite, and a Berkeley nightclub has been attracting young and old, novice and experienced, to step into its polyrhythms. 

Salsa and samba are not, or course, new to the area. The annual Brazilian Carnival celebration in San Francisco’s Mission District has been attracting large and spirited crowds for years. After the last Brazilian Carnival in May, the Down Low club on Shattuck Avenue hosted an evening of Afro-Carribean dancing to keep the energy of the carnival going, said organizer Theo Williams. 

Saturday Williams and his company Cuice Y Clave returned to the Down Low for the third time, presenting “Salsamba Carnival,” which, as the title suggests, is a mixture of Cuban Salsa and Brazilian Samba. 

And the crowd turned out. The club, formerly Mr. E’s, was filled with young and old dancers. Most of the tables were open because few people were sitting down. The dance floor was packed. 

Performing on stage was Oakland-based, Cuban band Orquesta Charanson, whose name comes from another mixture of musical styles – charanga and son. Charanga is a traditional Cuban music played with violin and flute. Son is the type of music made popular in the United States by the Buena Vista Social Club movie and soundtrack. 

With added saxophone, percussion and upright electric bass, the Orquesta Charanson never lost the crowd’s enthusiasm. Between sets the band broke for a DJ to spin music, but the dance floor did not clear. The salsa turned to Carribean-styled hip-hop and the crowd kept swiveling and spinning. 

One of the great appeals of salsa dancing – which it shares with swing– is that it is a partner dance. Rather than the frenetic freestyle bouncing and gyrating of techno or hip-hop dancing, the discipline of salsa steps require response and reaction from a partner – which is why it is also a sexy dance. 

 

A performance by a Carnival troupe showed another reason why salsa is sexy. In full costume of feathered headgear and sequined G-strings, Sambadat put on a show in space on the dance floor cleared by the crowd. Headed by Tedje Rose, a professional dancer and instructor, Sambadat performed showcase dancing in a chorus line and solo routines. 

The night also featured a freestyle solo performance by Silfredo la o Vigo, a dancer from a small village near Santiago de Cuba who mixed styles and movements in an Afro-Caribbean stream of physical consciousness. 

Williams said the Bay Area is a magnet for performers and enthusiasts, coming from Cuba and all over the Caribbean and Latin America, and even a Peruvian company nearby. And because Down Low used to be Mr. E’s where Caribbean music was a mainstay, people are accustomed to coming to the corner of Shattuck and Bancroft to hear salsa and samba. 

Williams said that there will be more nights like this. “We’re pumping (the Brazilian) Carnival all year long.”