Arts And Entertainment

TUESDAY, OCT. 2 -more-

The Oakland Opera Theater will present Benjamin Britten’s The Turn of the Screw this weekend as the inaugural opera in their new theater space at 630 Third St. Because of the company’s commitment to producing opera that is meaningful to the community, director Tom Dean, in concert with production manager Mia Steadman, has reworked the setting of this ghost story set in Victorian England by placing the opera’s action on a remote plantation in Louisiana. -more-

The crown, as conceived of in Shakespeare,” Orson Welles said, “bears a very special kind of magic ... [Shakespeare] spent years getting himself a coat of arms. He wrote mostly about kings. We can’t have a great Shakespearean theatre in America anymore, because it’s impossible for today’s American actors to comprehend what Shakespeare meant by ‘king.’ They think a king is just a gentleman who finds himself wearing a crown and sitting on a throne.” -more-

FRIDAY, SEPT. 28 -more-

I think I can’t be Mabel, because I know so many things, and she so little. Besides, I’m I, and she’s she.” Whatever you know—or think you know—about Alice in Wonderland, the Rev. Dodgson’s voyage into the mind of a young girl dropped down a rabbit hole into a dream world of playing cards, mad tea parties and hookah-smoking caterpillars—you’ll be delightfully surprised and newly enlightened by Ragged Wing Ensemble’s completely kinetic staging of Andre Gregory’s (My Dinner with Andre) adaptation (with “the Manhattan Project”—a bid to add Einstein and Oppenheimer to Freud and the Surrealists as Lewis Carroll knock-offs?) at Envision Academy in the Julia Morgan-designed old YWCA building at 1515 Webster in downtown Oakland. It’s going into its last two weekends with a full head of steam, as if the revved-up cast had eaten of the caterpillar’s mushroom and obeyed the tag on the little bottle that reads “Drink Me.” -more-

Subterranean Shakespeare’s CD, Shakespeare’s Greatest Hits (“Two years in the making!”) is something of an instant Berkeley minor classic, what with Michael Rossman (he of the Free Speech Movement) belting out “The Ballad of Tom O’Bedlam” (which Robert Graves and Edith Sitwell both credited to the Bard) or tootling flute on other numbers with The Rude Mechanicals, or funnyman Ed Holmes and poet G. P. Skratz doing up the Scottish Weird Sisters’ “Double, double, toil and trouble” with Andy Dinsmore as World Music. This 17-track wonder features a plethora of local names that have—and haven’t—trod the boards Bardic, in every musical style and sundry. And this coming Monday, Oct. 1, there’ll be a CD release party, 8 p.m. at the Berkeley Unitarian Fellowship Hall, Cedar and Bonita streets. Rossman will croon, Bob Ernst will wail on mouth harp, Tom Waits’ sidekick Mark Growden and his band rave up Will, Michael Peppe do the 129th Sonnet as Wm. Shatner, Ed Holmes get witchy. -more-

Ten years ago Robert Colescott represented the United States at the Venice Biennale. Rarely was there a solo exhibition at the American pavilion and it was even more amazing that this honor was awarded to an African American painter. The show was very well received and after it closed at the Giardini Publici it travelled to museums in this country and was seen at the Berkeley Museum in 1999. -more-