Early keyboard specialist Kristian Bezuidenhout returned to Berkeley for a fortepiano recital on June 9 at St. Mark’s Episcopal Church as part of the biannual Berkeley Festival & Exhibition, a showcase for early music. Bezuidenhout’s most recent appearance in Berkeley was in February performing Mozart’s 23rd piano concerto on fortepiano with Philharmonia Baroque Orchestra. Then as in the present recital, Bezuidenhout’s playing displayed fantastic technique and a flair for subtle, refined interpretation. In his program for this recital, Bezuidenhout again featured the music of Wolfgang Amadeus Mozart. He began the recital with an early Mozart work, the Klavierstück in F Major, K. 33b. This was a bouncy, bumptious piece, brief in length but full of youthful high spirits. Next came Mozart’s Sonata in C Major, K. 309, a work the composer wrote out and completed while in Mannheim on the ill-fated trip to Paris with his mother. In three movements, this C Major Sonata has a middle movement that is reputed to be a pensive musical portrait of Mademoiselle Cannabich, the daughter of Mozart’s new friend, Mannheim’s Kappelmeister Cannabich. The two outer movements are marked by bright, long runs, here performed with great finesse by Kristian Bezuidenhout.
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