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Representative Dan Kildee (D-Flint) meets with supporters after House Democrats sit in.
Mike O'Malley
Representative Dan Kildee (D-Flint) meets with supporters after House Democrats sit in.
 

News

New: Local Fire Agencies Combat Vegetation Fire in the Berkeley Hills

Berkeley Police Department
Thursday June 30, 2016 - 09:58:00 PM

The Berkeley, Oakland, Cal Fire, East Bay Parks and Moraga/Orinda Fire Departments are working a one acre vegetation fire on Grizzly Peak north of the Claremont intersection. The fire's progress has been halted. This is an advisory message only at this point. No action is required on the part of the community. There have been no injuries or property loss. This message was sent on behalf of the Berkeley Fire Department.


Flash: IRS Catches Suspect in Planet Swindle!

Wednesday June 29, 2016 - 12:11:00 PM

We just got a call from Internal Revenue Service Agent Andres Gonzales reporting that after six years the Service has captured William Norgren,the man who is strongly suspected of embezzling half of the payroll amount owed to the U.S. government on behalf of Planet employees. He is also suspected of doing the same trick on a dozen or more clients, many of which are non-profits. 

"We always get our man," said Agent Gonzales, or words that effect. Good job, IRS!


New: Who Ya Gonna Call? The Berkeley Ambassadors' Internal Complain System

Carol Denney
Wednesday June 29, 2016 - 10:50:00 AM

" ...Can you let me know if you're aware of the problem with the ambassadors not reporting these crimes, and if so, what can be done about it?" - (excerpt of a downtown Berkeley worker's complaint to the Downtown Berkeley Association's (DBA) about its cleaning and hospitality crew's lack of reporting on crimes)

More than two-thirds of the complaints about the bright green-shirted DBA employees come from people who complain that nobody's doing much to address downtown Berkeley's problems. People who work or visit downtown are commonly treated to the sight of the green shirts, as they are commonly called, walking right by criminal violations without lifting a finger, and they can't figure out why.

The origin of Berkeley's "ambassadors" years ago was to create a team assigned to call the police on behalf of business owners or others who didn't want to have to make calls themselves as well as address issues that weren't criminal in the first place, such as panhandling. Try as Berkeley's political majority has tried year after year to criminalize poverty in various ways, panhandling or simply being poor is still not a crime. The original "Berkeley Guides", like the contemporary "ambassadors", can't harass panhandlers without committing a crime themselves.

But the majority of people making complaints about the DBA employees' inaction aren't talking about homelessness or homeless people, although the Downtown Berkeley Association surveys are designed to mischaracterize them that way. They are talking about criminal behavior, such as drug dealing, and can't figure out why the DBA employees don't bother reporting it. 

A public records request revealed that even the DBA avoids having the "ambassadors" make calls to the police: 

"The situation in the plaza is truly distressing and definitely one we see as a problem. We do call the Berkeley Police Department daily about this situation. We call on behalf of Seagate Properties 2172-2176 Shattuck Avenue, not as ambassadors. We make double digit calls to Berkeley Police on a daily basis, if we call as ambassadors our multiple calls make US look like the problem. By using the addresses and business locations where violations or assistance is needed, the violation or assistance carries the importance." - Lance Goree, DBA Operations Manager, July 9, 2015 

This response certainly confused the downtown employee who complained about the "ambassador" crew's unwillingness to report criminal behavior, who then asked: 

" I'm confused as to why an ambassador making a call would be a problem. They're representatives for downtown and should be reporting the crimes. Don't they work in concert with the police to help clean up the city?" 

 

This question got an odd response from DBA Operations Manager Mr. Goree: 

"Problem may have been a strong word. But when a dispatcher, not an officer, hears the same name, Ambassador, come up too often sometimes the tendency is to focus on the caller. Our relationship with BPD is outstanding and they are very supportive. 

"We will continue our diligence in regards to the plaza issue. Hopefully the light at the end of the tunnel is very bright." 

The person who lodged the complaint then makes the usual suggestion; that more police be dispatched to the downtown area since he still sees "nothing being done." There is no record of any further reply from DBA Operations Manager Lance Goree. 

The DBA can certainly demand more police downtown. But the police know that the other parts of town that suffer through gunfire, gang-related violence, and serious property crime are not at all enthusiastic about having even more police resources re-directed to an already saturated downtown area to deal with relatively low priority "quality of life" issues. 

The Public Records Request of DBA's internal complaints revealed some other interesting facts: there is no confidentiality for a complainant. All the complaints go directly to DBA's Operations Manager Lance Goree who oversees the "ambassador" employees himself and as a DBA employee has arguably the most conflict of interest regarding representing the public's interests in fair conduct. 

But the real story is that almost nobody uses this internal complain process, which was created at the public's insistence after the well-publicized video footage of an "ambassador" beating a homeless man in an alley went viral. The DBA agreed to create a complaint system, but in fact created an internal "Compliments/Complaints" program instead. 

Only two people have used the system to compliment an ambassador, and both were logged at around the same time on behalf of the same DBA employee, an employee who was the subject of a complaint for rude and inappropriate behavior toward a homeless person filed with the Peace and Justice Commission months before the DBA's internal complaint/compliment system was created. That complaint was not included or noted in the Public Records Request documents. 

One of the people complimenting the employee who belittled a homeless person was Genevieve Wilson, co-chair of the Homeless Task Force, who ironically had tried to stop the word "independent" from being included in the recommendation for a complaint process, arguing both in the Homeless Task Force meeting and later on the internet that speaking on behalf of an independent complaint system was in and of itself a "disruption" of the task force meeting. 

The entire Homeless Task Force (including Genevieve Wilson) ended up voting nonetheless for an independent complaint system to help address accountability issues of DBA employees, but this, like many of the Homeless Task Force's recommendations, has not yet come to be. This leaves the more serious complaints, which include vicious remarks and violence against vulnerable poor people, constitutional violations such as tearing down public posters, power-washing directed at people instead of sidewalks, etc., without any avenue for independent, consistent, systemic evaluation. 

It remains as true today as it was when two bright green-shirted DBA employees worked in concert to beat a homeless man in a back alley when they thought nobody was watching-- there is no independent accountability for this private, property-based security force funded largely with public money. But an examination of the DBA's complaint documents proves something equally powerful; that the rationale for the private security force's creation in the first place-- that the ambassadors would relieve merchants and citizens from having to call the police-- does not exist. The "ambassadors" are not calling police or anybody else about problems in Berkeley's streets according to their Operations Manager, even after the public's $1,518,122 investment this year: 

Total district PBID assessment budget for its first year of operations is $1,518,122, as follows*:  

 

Budget Assumptions 

Environmental Enhancements  

 

PBID 

Budget 

Less: 

General  

Benefit 

Assessment 

TOTAL 

Cleaning & Hospitality Program 

930,437 

14,106 

916,331  

Beautification & Placemaking 

150,475 

150,475 

Administration: Environment 

162,137 

2,116 

160,021 

Total Environment 

1,243,049 

16,221 

1,226,827 

Economic Enhancements  

Marketing, Business Support, Etc. 

253,300 

253,300  

Administration: Economy 

37,995 

37,995 

Total Economy 

291,295 

291,295 

TOTAL 

1,534,343 

16,221 

1,518,122 

 

* - Downtown Berkeley Association FINAL PLAN February 24, 2016 

The DBA's contract comes up for renewal soon according to their oddly named Final Plan: "The PBID was formed with a five year term and is set to expire, unless renewed by Downtown property owners and the City of Berkeley, at the end of 2016." The citizens of Berkeley deserve at least to know that the peculiar game of telephone they were promised to address downtown issues has a severed line. And perhaps the enormity of the budget for "hospitality", and its obvious ineffectiveness, will finally convince sensible people that a bright green costume is a ridiculous way to spend scarce public funds.  

# # # 

 

 


Statement from Rep. Barbara Lee on the DNC Platform Drafting Committee Meeting

Rep. Barbara Lee
Tuesday June 28, 2016 - 09:00:00 AM

As a former co-chair of the Progressive Caucus and as someone who has spent a lifetime fighting for progressive causes, I was proud to participate in the Democratic Platform Drafting Committee process that has just concluded, resulting in a truly progressive platform draft.

Reflecting the values of our party, the drafting process was open and inclusive, with a series of public hearings where diverse voices and constituencies had an opportunity to provide input and make their points of view known. When there were disagreements—as any democratic process is bound to have—they were respectful, honest and sincere. And the final draft represented a collaborative effort, across both campaigns and committee members.

We were able to unite around many progressive issues including the need to make sure all Americans earn at least $15 an hour and can join a union; asking the wealthy pay their fair share through a multi-millionaire surtax; breaking up too big to fail financial institutions that pose a systemic risk to the stability of our economy; expanding social security; helping those in poverty, in part through an expansion of the earned income tax credit for childless workers and expanding the child tax credit to lift more children out of poverty; increasing resources for community health centers; declaring our opposition to the Hyde and Helms amendments which restrict women’s access to safe abortions at home and abroad; and abolishing the death penalty.

I recognize there are bound to be some who are disappointed with the outcome. But our Party’s platform has always been both aspirational and imperfect. In fact, on issues like climate change, I voted with Senator Sanders, and didn't get everything I was hoping for. This is how our democracy functions. Additionally, in my capacity as a member of Congress, I will continue oppose TPP.

In a few weeks, we will go into our National Convention in Philadelphia with the most progressive Democratic Party platform in history. That is a testament to the progressive ideas both campaigns brought to the primary election, as well as years of hard work by progressive leaders and movements to champion these causes.


Press Release: “Your adjournment will not silence our voices”: Congresswoman Lee continues fight for common sense gun reform

Tuesday June 28, 2016 - 02:16:00 PM

Congresswoman Barbara Lee will join Democratic Leader Nancy Pelosi and House Gun Violence Prevention Task Force Chairman, Congressman Mike Thompson, for the National Day of Action on Gun Violence Prevention. 

The event builds on the momentum from the historic “No Bill, No Break” sit-in mounted by House Democrats under the leadership of Congressman John Lewis. The sit-in sought to demand common sense reforms to reduce gun violence including ensuring background checks for all gun buyers and closing a loophole that allows suspected terrorists to buy weapons of war. These common sense measures are broadly supported by more than 80 percent of Americans. 

 

Who: Congresswoman Barbara Lee 

Democratic Leader Nancy Pelosi 

Congressman Mike Thompson, chairman of the House Gun Violence Prevention Task Force 

Congressman Mike Honda 

Congressman Eric Swalwell 

Chief of Police Andrew Bidou, Vallejo, CA 

 

Where: Zuckerberg San Francisco General Hospital and Trauma Center 

1001 Potrero Avenue 

San Francisco, CA 94110 

 

When: Wednesday, June 29th at 1pm 

Congresswoman Lee has introduced the Tiahrt Restrictions Repeal Act (H.R. 1449). This legislation would remove restrictions that prevent vital information sharing amongst law enforcement to address gun theft and bad-actor gun dealers. This legislation would also remove the restriction on the CDC from studying gun violence like other public health threats. Congresswoman Lee is also a proud co-sponsor of the Safer Communities Act (H.R. 2994). 


Congresswoman Lee is a member of the Appropriations and Budget Committees, the Steering and Policy Committee, is a Senior Democratic Whip, former chair of the Congressional Black Caucus and co-chair of the Progressive Caucus. She serves as chair of the Democrat Whip Task Force on Poverty, Income Inequality and Opportunity.


San Francisco Mime Troupe Opens in Berkeley This Year

Sunday June 26, 2016 - 05:08:00 AM

In a departure from tradition, the San Francisco Mime Troupe will open its season this year on Saturday, July 2, in Berkeley's Cedar Rose Park. Music will start at 1:30 and the play begins at 2. The chosen topic is the tension between traditional public schools and charter schools, with a script by longtime Mime Troupe actor Michael Gene Sullivan. On the 4th of July, which is a Monday this year, the action will move to San Fancisco's Dolores Park, where shows have previously opened on the Fourth.


Berkeley Mourns Death of Recent High School Graduate

Keith Burbank (BCN)
Friday June 24, 2016 - 11:50:00 AM

Berkeley community members are mourning the drowning of a young man who graduated last Friday from Berkeley High School and died Wednesday while swimming in Long Lake in Placer County, school officials and the Placer County Sheriff's Office said.

Efejon Ustenci, 17, known affectionately by some as "Efe," was a star player on the Berkeley Rhinos Youth Rugby Club and was planning to attend California Polytechnic State University in San Luis Obispo.  

"My heart is so sad and heavy," Carolyn Gramstorff wrote on Facebook Thursday. "We learned today that our former young neighbor (when we lived on Ashby) died in a drowning accident yesterday."  

Berkeley Rhinos Youth Rugby Club Assistant Varsity Coach Nate Muhler said, "We're really going to miss him."  

Muhler worked directly with Ustenci, who played wing with the backs on the Rhinos.  

"It's a big blow to our community," Berkeley Unified School District spokesman Mark Copeland said. "It really hits close to home."  

Counseling services are available from noon to 2 p.m. today at Berkeley High School for anyone that feels they need help, Copeland said. People can go to the front desk and they'll be directed to a counselor.  

Ustenci played for the Rhinos this year as part of an undefeated team that went to two playoff games. He was rookie of the year and one of the highest scorers on the team, according to Muhler. 

"He was a great athlete," Muhler said. "He was a joy to coach." 

Ustenci inspired his teammates to play better, according to Muhler. "He was a sweet boy and was on his way to becoming a good solid loving man, beginning his journey at Cal Poly San Luis Obispo," Berkeley resident Ana Maria Carbonell said on Facebook. "He left too soon." 

Placer County sheriff's spokesperson Dena Erwin could not provide any more information this morning. Long Lake is south of Interstate Highway 80 near Soda Springs and Truckee.


Opinion

Editorials

Homeless in Berkeley: What Does That Mean?

Becky O'Malley
Wednesday June 29, 2016 - 10:47:00 AM

Today’s the day the editor of the San Francisco Chronicle has designated for us all to pay attention to the homeless. When this was first announced, I was skeptical, viewing it as mainly a publicity stunt. After all, Kevin Fagan, whose tenure at the Chron long precedes the current management, has been providing compassionate and articulate coverage of homelessness for lo these many years, so what was there to add?

It turns out I was wrong. Today’s Chonicle has been pretty much turned over to Kevin, and he’s done a bang-up job, as he usually does. I urge everyone to read it, online or in print, to get a capsule history of attempts to deal with homelessness in San Francisco accompanied by concrete ideas about better ways to do it. It’s unashamed advocacy, which I applaud.

Here in Berkeley, the predominant way that the Hancock/Bates era councils have tried to address homelessness has mostly been to make it illegal. Oh no, not homelessness itself, but “problematic street behaviors” which are the visible manifestation of being out of sync with society and too poor to do much about it. These include begging, sitting on the sidewalk, defecating wherever, and other actions which more affluent and therefore housed disturbed people don’t need to perform. 

On the Berkeleyside.com website today there’s a valiant attempt to catalogue all attempts in Berkeley since 1982 to, yes, I’d say, to criminalize vagrancy, accompanied by a few pitifully inadequate moves toward providing supportive services. It all adds up in the end to the same thing: the property owners in downtown Berkeley just don’t want to see these people, whatever they’re up to. Often their tenants agree. 

There’s one inaccuracy in an otherwise excellent presentation that I noticed: “1994 – Berkeley residents pass Measure O to ban lying on sidewalks. The ACLU filed suit, but the measure was repealed when a new City Council was elected.” 

The reason the ACLU was involved was part of their traditional First Amendment mandate to defend free speech. Measures N&O attempted to ban street beggars from asking for money in designated areas. However the First Amendment allows regulation of time, place and manner, but not content of speech. Federal Judge Claudia Wilken explained that to the attorneys for the city of Berkeley in her court, and the measures were sent back to the council for a re-do, which the next council decided to forego. 

Last week I was in New York City for the first time in many years, mostly in Manhattan with a brief trip to Brooklyn. I can report that indeed something has moved the homeless part of the population out of the public eye in those places. I was approached for money only twice, both times by fairly well-dressed skillful pitchers of pathetic catastrophe stories—more con artists than beggars, really. I saw just one person with the typical shopping cart festooned by overstuffed plastic bags from the window of my bus on Madison Avenue, passing public housing on the way to Harlem. I have no doubt that there are many homeless people in New York, but they’ve been shuffled out of the “nice” areas to somewhere else. I also have no doubt that Berkeley’s Downtown Business Association would like to do the same thing if they could figure it out. 

I can actually remember way back to the time in the 1970s when the first homeless person appeared in the Elmwood, a decade before the Berkeleyside timeline begins, probably before the site’s proprietors moved here. He was a nice looking tall bearded white man of middle age. Many people in the neighborhood knew his name, John, and gave him food and clothing from time. In retrospect, I think he was mentally ill, most likely schizophrenic, but he was a pleasant fellow and got along with everyone until he eventually disappeared. 

Since then, I’ve had a personal acquaintance with a few Berkeleyans who would qualify as homeless, and they have been a mixed bag. Betty Bunton was a clever, wisecracking street-smart African-American woman who was caught up in the first big crack epidemic. One day she showed up after a few months’ absence in a wheelchair: She’d jumped off a roof while high and lost a foot. We managed to find her an apartment in a subsidized project, but she was evicted after she got high on crack one more time, broke through a skylight and ended up on another roof. Eventually she died of an asthma attack, but not before Wells Fargo cheated her out of most of her disability check

Terry used to ring doorbells in Berkeley asking for a little food or money. In those days his hair was tangled down his back in dreadlocks not for style but of necessity. He looked scary but was always polite and pleasant. He said he didn’t know how to read, which is why he couldn’t get a job. He also seemed sometimes to be using some controlled substance, probably not crack. 

One day he showed up in new clothes with a stylish haircut and told us he was moving to Fremont. He said the Berkeley police had told him to stay out of Berkeley, and he was on his way. Somehow he’d connected with some form of social services which recognized that he’s learning-disabled, and he’s now been successfully living in a supported group home with others in the same category for many years. We get a phone call from him from time to time, and occasionally mail him a little spending money, a privilege he never abuses. A success story…a friend who works with addicts claims that the best way to keep people off drugs is to pay them to stay clean, and this seems to be true for Terry. 

One of the very best aids for people on the street is Street Spirit, a newspaper published under the auspices of the American Friends Service Committee which is sold for a dollar by homeless people and others who need the money. Mayor Bates once confessed that he found their solicitations unnerving or even frightening, but I like reading the paper and like the vendors I know. My favorites are Van, a tall, powerful Black woman with classy grey dreads and a baseball cap, already ready with a cheery greeting, and another woman who uses a melodious singing call to advertise her wares, both to be found at the Saturday Farmers’ Market.  

Anecdotes all, and data is never the plural of anecdotes, but it’s a good idea to remember that “the homeless” are people, not just statistics. That’s why the “housing first” approach, as documented by Kevin Fagan, seems to me to be a good idea. Those who end up on the street are individuals with individual problems, not all easy to solve, but when the lack of housing is subtracted from their catalogue of woes, other needs are more easily addressed. 

 

 

 

I


The Editor's Back Fence

Report from the Scene of the Action, or At Least the Trailing Edge of It

Becky O'Malley
Friday June 24, 2016 - 10:10:00 AM

SOMEWHERE IN MARYLAND--The news about the sit-ins at the House came as a text from a friend just as we were getting ready to rent a car in Manhattan in order to drive from one family gathering to another one with another branch of the family in the D.C. Area. Like an old fire horse hearing the sound of the fire bell, I itched to get on the road in time to see the action, but these days things just don't move very fast. In due time, with massive assistance from GPS, I got to the Capitol early yesterday afternoon, just in time to learn that I was too late.

The valiant Congresspersons had departed about 12:30 after the electricity, including the air conditioning, had been turned off in the chamber. With temperatures in the high eighties and humidity to match, no surprise that they'd had to vacate--you can't survive in D.C. in the summer without power cooling.

The nice man in the Congressional Periodical Press Gallery gave me a temporary Press sticker and suggested that there might still be some action out in front of the building on the east side. After running up and down several flights of stairs, I got there, only to learn that the representatives had come and gone already.

A rump faction of the sizable group which had gathered outside the Capitol overnight was still there, a nice assortment which included elderly white women, young black men and everything in between, several sporting rowdy homemade signs supporting the sitters. One woman told me she'd been there in a tour group when the sit-in started, and she just stayed to cheer them on. She said that the House participants had frequently come out to talk to their fans during the night, and there had been a cordial exchange of complementary pizza orders from time to time.

As I was about to retreat to the comfort of the air-conditioned suburban hotel which had been chosen for the out-of-town family members, a couple of straggling congressmen showed up for one last briefing. It turned out that they were from Michigan, a state that I used to know well politically. One was from East Lansing, home of Michigan State, and the other, Dan Kildee, comes from Flint, a city much in the news lately.

He turns out to be the nephew of Dale Kildee, whom I'd known when he was one of the more liberal members of the Michigan legislature in the 60s, who later went on to be elected to the U.S. Congress from Flint. All politics these days is quasi-dynastic, not necessarily a bad thing.  

Dan Kildee seems to be upholding the family tradition in fine style, and even moving it a notch leftward. One of the crowd asked if he knew Flint's currently most famous son, Michael Moore--it turned out Mike had managed Dan's first campaign. 

The urban legend now in circulation is that everybody's favorite folk hero, civil rights veteran John Lewis, just spontaneously sat down on the floor of the house and others impulsively joined him. Based on what Kildee said, and what our local heroine Barbara Lee told me later on the phone, discussion of some way for House members to challenge the gun lobby which would rival Senator Chris Murphy's Senate filibuster had been bruited about for a couple weeks. One speaker I'd seen on my motel TV, possibly Massachusetts Congressmember Katharine Clark, said something about Lewis responding quickly when asked to speak for the group, whoever the organizers might have been. 

It worked. Brilliantly. 

It was the lead story in U.S.A. Today, a publication I never see except when it's free in hotels, and it was also a big story on the best online news source, The Guardian.  

Responding intelligently to questions from the group outside the Capitol, Kildee opined that the long term goal should be to break the death grip the NRA has on certain congressional seats. He said that polls show that the great majority of voters support stronger restrictions on gun ownership, but the NRA's ability to dump megabucks into races where their pets are threatened intimidates the opposition. 

He told me his job in the Congress's Democratic caucus is to identify and organize the small number of swingable districts. This includes races where a Democrat could win over a seat now held by a Republican, and those where a current Democrat might be at risk. He thought the gun issue would be an ideal distinguisher in both kinds of areas, which is why threatened Dems were enthusiastic participants in Wednesday's action. 

As we drove here by way of central Pennsylvania, we could only get A.M. Stations on the car radio, in fact only slavering right-wing talk shows, so we heard the sit-in as reported by Glen Beck, a novel experience to say the least.  

He and his colleague, whose name I didn't catch, were once again exploiting the view of the Second Amendment to the Constitution through the eyes of a poor reader. Yes, yes, the Founding Fathers, a parochial bunch of old white guys (some of course young fools) did say "right to bear arms", and also that women and slaves couldn't vote. But what about that "well-regulated militia" phrase? 

A) The main goal of militias as recently explained by historians was not only to fight the British but also to deal with pesky Indians and runaway slaves. Not a problem any more, right? 

B) "Well-regulated": Here's where I think the congressional campaigns Dan Kildee is working on would benefit from a little rebranding. Why are we always talking about "gun control"? Americans just hate to be controlled, by the government or anyone else. 

How about instead "regulating" guns? With all the talk about the sins of the big bad banks, regulation is starting to come back in style. Dan Kildee, being from Flint, is in an excellent position to talk about the necessity of regulating water quality. Why not regulate weapons too?  

These days with campaigns underway my mind inevitably turns to bumper stickers. How about one that says, in these potential swing districts, "Don't ban guns, regulate them"?  

I have hunters in the family, but while I'd never let a gun in my house, the major problem with guns is the acquisition by sketchy individuals of heavy-duty military weaponry designed for nothing but killing large numbers of people. Drugs have a range of regulatory safeguards ranging from over-the-counter to specially approved prescription drugs. Why not treat guns the same way? 

As I write this I'm looking out my hotel window at a Sam's Club, which is part of the Walmart empire. Last year Walmart dropped assault-capable repeating guns from its store, putatively because of falling sales, but also in response to public pressure. 

If the sale of such weapons were as heavily regulated as the sale of Schedule 1 drugs like heroin, more profit-conscious retailers might be motivated to follow Walmart's example. If a purchaser of an assault rifle had to prove that he really needed it for a lawful purpose, sales might show a dramatic decline. 

It's all about the numbers. When Australia banned almost all private gun ownership and bought back existing inventory, they effectively stopped mass shootings. Even a partial ban would stop a significant percentage of American mass murders. It wouldn't end the problem, but it would be a start and would save many lives. 

In the end, regulation by the federal government, exactly as contemplated in the Second Amendment to the Constitution, is the right answer. Dan Kildee pointed out that without a change in the Congressional majorities that ain't gonna happen. That's why we agreed to talk specifics in the next week or so, to see if there's a road map to guide activists from safe districts like mine to help out in areas where change is possible. 

Greasy and smarmy Speaker Paul Ryan took umbrage at the Democrats' use of the House sit-in to ask for money online, but why not? If you can't make it to a swing district to help get out the vote in person, it never hurts to send funds to be used in key races.  

And by the way, Congresswoman Barbara Lee confirmed for me that all of our Northern California delegation, including those from shaky districts like Ami Bera from Sacramento and Jerry McNerney from Livermore, were on the floor during the action. Good guys both, who could use your help. 

 

 

 


Public Comment

New: Britain's Donald Trump

Jagjit Singh
Wednesday June 29, 2016 - 01:34:00 PM

Borrowing a storyline from his American cousin, Donald Trump, (seems like they share the same hairdresser) Britain’s very own Boris Johnson, the former mayor of London, promised to make Britain great again by diverting membership Euro dues to critical domestic needs. To bolster his “Leave” crusade, the effervescent, Johnson played fast and loose with the truth. 

One of his biggest whoppers was to feed predominantly less educated white males, suffering from economic insecurity, the notion that exiting the EU would be a big money saver and limit immigration. The leader of the ‘keep Britain white’ brigade, Nigel Farage, made the false claim that the savings accrued would be used to bolster social services. According to the Institute of Fiscal Studies, the actual weekly cost of EU membership is close to 150 million pounds not 350 million banded about by Johnson and Farage. To placate non-British skilled workers from exiting, Johnson assured them their rights would be fully protected.  

He also assured Britons they would be able to live, work and travel freely to other European countries. This seems unlikely unless some measure of reciprocity is mutually agreed upon. Sadly, the dark clouds of contagion seem to be gathering speed and might eventually lead to the collapse of the once proud United Kingdom. As one Britain ruefully observed, “revenge is sweet but sugar can kill you.”


Small-Ball Shifty Thief

Bruce Joffe
Friday June 24, 2016 - 10:53:00 AM

A loudmouthed bully hangs nasty monikers on his adversaries. He calls Cruz "Lying Ted," and Rubio "Little Marco." Now he's calling Senator Clinton "Crooked Hillary." "Liar," "Little," and "Crooked" seem like powerful insults to the man who hurls them because they actually describe his own shifty character. The more people see through this small-time grifter's con, the more insecure he becomes, and the louder he yells. 

Most Republican men are not so insecure about their manhood that they need to plaster their name atop every tall building, yet here they are, endorsing a man who Elizabeth Warren correctly identified as a "small, insecure money-grubber." 

Empty barrels make the most noise.


New: Working on a Theory about Orlando

J. Douglas Allen-Taylor
Wednesday June 29, 2016 - 01:37:00 PM

Among so many other lessons to be learned from the mid-June mass-murder shooting at Pulse, the Orlando LGBT club, is a caution against locking ourselves into assumptions and conclusions before enough information is gathered and known. Now that a few weeks have passed since the horrific event, and the initial furor has cooled off a bit, we can more easily see where some of those early assumptions and conclusions wrong.

Many—including Republican presidential candidate Donald Trump—shut off all further analysis once they learned that the lone American-born shooter was a practicing Muslim, had an Arabic name—Omar Mir Seddique Mateen—and that he had both identified himself as an "Islamic soldier" and pledged his allegiance to the Islamic State of Iraq and the Levant (commonly known as either ISIS or ISIL) in 911 calls he made in the midst of the shootings. From that moment on, many declared the Orlando massacre to be an act of "radical Islamic international terrorism."

In addition, many of our more conservative friends concluded that the tragedy might have been averted had there been either "some" or "more" armed security inside the club itself.

Of course, there was always an alternate theory that the American-born Mateen was less motivated by radical Muslim theory than he was by traditional American-bred homophobia. And within a day or so of the shooting, evidence emerged—though it has still been not been fully substantiated—that he may have been a self-hating gay, and that the public allegiance to ISIL might have merely been a way to paste on a higher motivation to the shooting and cover up conflicted feelings about his own sexuality.

In addition, timelines released by several news outlets showed that an armed off-duty Orlando police officer was working at the club, and engaged in a shootout with Mr. Mateen before Mateen entered the nightclub, and that two on-duty officers entered the club within minutes and exchanged gunfire with the shooter, forcing him to retreat to a bathroom.

But even though some of this information was available within hours of the first reports of the Orlando gay nightclub shooting, it was ignored in many minds because it included facts that conflicted with convenient conclusions already drawn.  

 

Jumping to conclusions has probably been one of humanity's favorite pastimes since we first came upon this earth. But that human tendency has escalated in American life especially—on both the left and the right—since the rise of social media as our primary news-gathering medium and national discussion forum. This is in part because if one doesn't enter into the conversation early, and with a strong opinion one way or another, the conversation rapidly passes you by. Two weeks, a provocative tweet Facebook post about the Pulse shootings would have gotten you scores, and perhaps hundreds, of replies. Post something about the shootings now and you may get a small discussion, but more likely you'll generate no more than a reply or two and then silence, as most people have moved on to new things. 

Another incentive for drawing an early conclusion is that it relieves one of the responsibility of thinking through what to do about something that has disturbed you. Pick a pre-determined cause, and along with it comes a pre-determined set of actions or attitudes to take in response. In the first few hours following the 1995 bombing of the Oklahoma City Federal Building, for example, popular opinion in America had labeled it an act of foreign-inspired Arab/Islamic terrorism. I recall that after Timothy McVeigh, a young white American Army veteran, was captured and identified as the bomber, one of the national news outlets interviewed a somewhat befuddled older white woman, asking her about her reaction to the McVeigh arrest. " I don't know what to think, I'm all confused," she replied. "Now I don't know who I'm supposed to hate." 

But such confusionment—if that be a proper word—does not have to be. Some years ago, while I was a reporter for Metro weekly newspaper in San Jose, I was assigned to a story that demonstrated to me both the value of waiting before concluding and both a way to bring it about. 

Late one weekend night in the winter of 1998, the African-American head of the San Jose State University Black Student Union was discovered lying unconscious in a deserted open-air hallway in an off-campus housing complex, having suffered a severe head injury from a possible assault while talking on a pay telephone. Lakim Washington was a militant and highly vocal leader for Black student rights on the SJSU campus, and had clashed with university administration officials and with a number of white students, including his two white roommates, in the months prior to the assault. 

Within hours, leaders of the San Jose State BSU charged that Washington had been the victim of a racially-motivated attack. Although there were no known witnesses to the attack, and Washington himself could give no information because he fell immediately into a coma, my editors at Metro believed the charge. I believed the charge, and was assigned the story, essentially, to provide evidence that it was true. 

The problem was, as hard as I tried, I could find no such evidence. No witnesses came forward. Washington came out of the coma, but reportedly could not remember anything about the attack, and his family would not allow reporters to interview him in the hospital where he was recovering. In addition, representatives of the university police began spreading the story that there had been no attack at all, but that Washington had hit his head on the concrete walkway after suffering an epileptic fit, even though he'd had no prior history of epilepsy. 

Eventually I turned in a story that presented the Washington assault as an unsolved mystery where a racial attack had been charged but not proved, and which the university police seemed reluctant to investigate. A few days after the article was published ("Violent Night" Metro newspaper, January 22, 1998), a young woman read it, called the police, and reported she had information that Washington had actually been assaulted by her boyfriend, an African-American, after the two men had argued over the use of the telephone. In other words, despite the early and "obvious" conclusion of a racial component by so many people, including myself, race had absolutely nothing to do with the assault. 

In other words, despite all the first assumptions by so many people—myself, my editors, and members of the SJSU BSU—after first hearing about the Lakim Washington assault, there had been no racial component to that incident. 

It was during the Lakim Washington investigation and story that I began to formulate guidelines for guarding against such premature conclusions. 

First, work from a "working theory" rather than a conclusion when you don't have enough facts in hand about a particular situation. This is more than just semantics. A conclusion demands defending and is difficult to change because you have committed yourself to it, even when the actual facts eventually prove otherwise. A working theory is just that, a theory. It is presented as a possibility, not as an established truth, is not necessary to defend, and is more easily modified if need be. 

Second, continue to collect facts and modify your theory as necessary as new facts are presented. 

Finally, use any newly-discovered facts to try to disprove your working theory, rather than trying to prove it. When you try to prove a theory—or a conclusion—you tend to ignore everything that disproves it. But if you work to disprove your original theory, it is easier to see the flaws in it and modify that theory or abandon it altogether, if necessary. On the other hand, if you honestly try to disprove your working theory and find you cannot, it makes it more likely that your original theory was correct. 

Using this formula, one could generally start off with the theory that given America's history, any situation involving more than one race in this country is likely to have race as one of its factors, to a greater or lesser extent. But after that, all other possible factors should be taken into account to see if their presence might, in fact, disprove the theory of a racial cause. 

Using this method of theorize-and-attempt-to-disprove, its' entirely possible to conclude that there are not enough proven facts available about the Orlando gay nightclub shooting to draw a definite conclusion. It's still possible that Mr. Mateen's actions were inspired by his fundamentalist Islamic religious beliefs and the actions of such terrorist organizations as ISIL. It is also possible that either American-born homophobia or shame-of-being-closeted-gay were the determining factors. And it is possible that the ultimate cause was some combination of these factors or others yet unknown. But it's important to realize that such uncertainty is okay. One ought to be careful not to jump unless one knows where the danger is coming from and which location it is traveling to, lest one ends up jumping directly in its path. 

Meanwhile, there's no magic to this method of working through our original theories. Much work has to be done to make it work, in almost every instance. Additional facts have to be ferreted out, sorted and resorted, and retheorized. We often have to throw out our most treasured prejudices. Sticking with pre-conceived notions is far, far easier on the mind, in the short run. In the long run, however, disaster can easily follow if the myths we have manufactured in our heads do not agree with the reality we face in the actual world. 

That's my working theory, anyways.


How many deaths are more needed to have stricter gun control law?

By Romila Khanna
Friday June 24, 2016 - 11:11:00 AM

When will Congress stop obliging the NRA? Can Congress talking endlessly about the Second Amendment save the public from gun violence? It seems that NRA and its money has persuaded Congress to make laws which hurt communities but help the NRA. Members of Congress have verbal sympathy for families targeted by gunners but they do not seem to hear the crying of those who have directly experienced the loss of loved ones. 

Each time gun-related deaths happen, our legislative branch rushes to save the second amendment right to bear arms. Why do they show special favor to the National Rifle Association? 

Is there a way to bring a life back once it has been taken? 

We are losing our humanity as we accept fear as more important than fellow feeling. If we want to live in a safe and healthy environment we should extend the practice of kindness to our neighbors instead of buying more guns. We need to think of other ways to feel protected rather than through gun mania.


Visas Denied

Tejinder Uberoi
Friday June 24, 2016 - 12:10:00 PM

Foreigners who put their lives on the line to support American military, and support personnel are being horribly treated. For the past five years, thousands of Afghans who worked as interpreters were promised visas have been left in the lurch through Congressional ineptness. A 2017 defense bill that would have provided 4,000 additional visas has been blocked. American’s image as a safe haven and whose promises are sacrosanct has been badly shattered. With the world facing the worst refugee crisis since World War II, America has taken miniscule 2,174 Syrian refugees. It seems we have shut the door tightly for refugees yearning to be free. The Lady of Liberty must be weeping.


Columns

DISPATCHES FROM THE EDGE: Brexit Vote: A Very British Affair

Conn Hallinan
Thursday June 23, 2016 - 07:46:00 PM

In the end, the Brexit—the vote on whether the United Kingdom should remain in the European Union (EU) or be the first in the 29-member trade group to bail out—was a close fought matter, but for all the sturm und drang about a pivotal moment for the EU, the June 23 referendum that saw the Brexit pass was a very British affair. 

While the European Union is clearly in a crisis—countries weighed down with unpayable debt, economies virtually dead in the water, double digit unemployment, and a rising chorus of opposition to the austerity policies of the EU authorities in Brussels—those were not the issues that brought the British people to the polls. 

Indeed, the whole affair started as an entirely homegrown matter, an internal split in the ruling Conservative Party. Back in 2013, Conservative Prime Minister David Cameron cut a deal with the euro skeptic part of his party that if they would close ranks until after the 2015 general election, he would hold a referendum on the EU. 

At the time, Cameron was also looking over his shoulder at the rise of the extreme right wing, racist United Kingdom Independence Party (UKIP), which had begun using anti-immigrant issues to poach Conservatives. It is likely that Cameron never really intended to follow through on the 2013 pledge, but once he let slip the dogs of war he had little control over the havoc that followed. 

When the Conservatives defeated the Labour Party last year, the “out” faction demanded their due, and what emerged was a deeply disturbing campaign that focused on race, religion and “sovereignty,” the latter a code-word for a particularly nasty brand of nationalism that is on the rise all over Europe. 

Brexiters conjured up hordes of Turks pouring into Britain, even though Turkey is not a EU member—or likely to become one. In any case, the UK is not part of the Schengen countries, those members of the EU that allow visa less travel. 

“Vote Leave” ran posters depicting crowds of Syrians and endless ads on Turkish birthrates. “None of this needs decoding,” wrote Philip Stephens of the Financial Times, “The dog whistle has made way for the Klaxon. EU membership talks with Turkey, we are to understand, will soon see Britain overrun by millions of (Muslim) Turks—most of them thugs or welfare scroungers.” 

Last year Britain did process some 330,000 immigrants, but the overwhelming majority of them hailed from Spain, Poland, the Baltic countries, and Greece. The UK has accepted very few Syrian refugees and Turks, certainly not enough to “overrun” the place. 

The openly racist and xenophobic character of the “Leave” campaign put the UK left in a difficult spot. While the left, including the Labour Party, has profound differences with current policies and structures of the EU, these are not over immigration and religion. How to express those critiques without bedding down with the likes of UKIP or the euro skeptic Conservatives was a tricky business. 

Labour Party head Jeremy Corbyn chose to endorse the “remain” campaign, but also to point out that the EU is an undemocratic organization whose financial policies have spread poverty and unemployment throughout the continent. However, because the trade groups have a progressive stance on climate change, equal pay, work hours, vacations, and maternity leave, Corbyn argued—if somewhat tepidly—that all in all, it was best to stay in and try to reform the organization. 

Part of the “leave” vote sprang from one of Britain’s most pernicious ideologies—nostalgia. Run through a few verses of “Rule Britannia” and a considerable portion of older Britains go misty eyed with the mythology of Trafalgar, Waterloo, and Omdurman. Polls indicate that support for the EU among people over 60 was just 33 percent. It was only 10 percent more among Conservative Party members of all ages. 

In contrast, young Britains, Labour Party members, the Scots and Northern Irish supported remaining, though in the end they were not enough. The fallout? There will almost certainly be another referendum for Scottish independence. Will Northern Ireland do the same? 

Is this the beginning of end for the EU? It is hard to imagine how the organization can continue as it is since the second largest economy in the trade group has debarked. But the European Union’s troubles have only just begun, and a far more important measure of the future of the organization will come when Spanish voters go to the polls June 26. 

In that election the austerity policies of the “troika”—the European Central Bank, the International Monetary Fund, and the European Commission—will be directly confronted by a spanking new left formation, Unidos Podemos (United We Can). UP comes out of an alliance of Izquierda Unida (United Left) and Podemos. It is currently running number #2 in the polls and nipping at the heels of the ruling rightwing Popular Party. 

The UP calls for rolling back the austerity policies of the troika, a public works program to create 300,000 jobs, and economic stimulation to tackle Spain’s horrendous unemployment problem. Joblessness is over 22 percent nationwide and 48.5 percent among young Spaniards. 

A recent manifesto by more than 200 leading Spanish economists charges that the austerity policies of the EU have created an “economic crisis” that “has had devastating consequences for our country, as well as the euro zone as a whole” and “unnecessarily prolonged the recession across the continent and generated deep social fractures by increasing economic and social inequalities.” 

The euro zone is the 19 members of the EU that use the common currency, the euro. 

UP plans to link up with similar minded forces in Greece, Portugal, Italy and Ireland to demand that Brussels adopt fiscal stimulation as a strategy against the economic malaise plaguing most of the EU. 

United Left leader and Communist Alberto Garzon, probably the most popular politician in the country, says “Brussels has to understand that if they continue to apply austerity politics in Spain our social emergency will get worse, which only helps the rise of fascism—as we have already seen in Austria and other EU countries.” 

The Brexit vote was a British affair (and promises to be a messy one). The Spanish election is a continental affair that will have reverberations worldwide. 

---30--- 

Conn Hallinan can be read at dispatchesfromtheedgeblog.wordpress.com and middleempireseries.wordpress.com


THE PUBLIC EYE: How Donald Lost His Mojo

Bob Burnett
Friday June 24, 2016 - 10:57:00 AM

When political historians look back on the 2016 presidential contest, they’ll likely consider May 4th to the present as the decisive period. On May 4th, Donald Trump won the Indiana Republican primary; his last competitor, Ted Cruz, dropped out; and the press labeled Trump the presumptive GOP candidate. A week later, Trump got a polls “bump” and was effectively tied with Hillary Clinton. Then Donald lost his mojo. 

At the moment, Hillary Clinton leads Donald Trump by 7.5 percent in the Huffington Post Poll of Polls and the spread increases daily. Clinton also leads in fundraising and is generally credited with having a more effective campaign. Clinton was the first to run TV ads in critical swing states. 

What happened to Trump? How did he squander his advantage? 

Donald didn’t adjust. It’s a political axiom that it takes different tactics to win a general election for president than it does to win a primary election – it’s one thing to win over Party partisans and quite another to win over the general population. Trump didn’t recognize this and, therefore, kept running the same style of campaign and employing the same tactics.  

Trump doesn’t have a campaign infrastructure because he hasn’t raised the money necessary. A recent Huffington Post article said that Trump only has 70 paid staff members compared to Clinton’s 732. The New York Times reported that, in this 45 day period, Trump has yet to run a TV ad; Clinton and surrogates have spent $25.5 M on ads. 

A Time Magazine article observed:

[Trump] has planned no big fundraising blitz or major TV ad campaign for the fall. He has little interest in the latest advances in data analysis or digital strategy. And despite a personal fortune that runs into the billions, Trump does not want to hire a big staff in the states to get out the vote and to court local leaders. He prefers to talk to reporters and surrogates himself, betting on his own gut and guile. “Trump’s campaign is entirely ad hoc. It’s a guerilla operation built on the concept of mass communication.”
 

On June 20th, Trump fired his campaign manager, Corey Lewandowski. 

Donald lost focus. For the first three weeks after he won the GOP nomination, Trump kept doing what he had been doing – emphasizing key Trump issues such as immigration and attacking Hillary Clinton. Then he lost focus. On May 27th, a Federal judge in a civil case involving Trump “University” ordered the depositions made public. The next day, Trump used a California campaign speech to attack the judge, accusing him of bias because the judge’s parents emigrated from Mexico. 

When asked about his comments, Trump doubled down. In a May 31st press conference Trump repeated his charges against the judge and attacked the press, in general. 

On June 2nd, Hillary Clinton gave what she had labeled a foreign policy speech. It was a prolonged attack on Trump. Clinton declared Trump temperamentally unfit to be President. She declared his ideas as “dangerously incoherent,” adding that they consisted of “a series of bizarre rants, personal feuds, and outright lies.” Trump was so obsessed with the “Trump University” case that he didn’t respond to Clinton. 

Donald blew his opportunity to get back on course. Presidential campaigns take a long time and external events usually present an opportunity for course correction. On June 12th there was a horrendous shooting spree in an Orlando gay nightclub. Because the killer was an American Muslim, the event was an opportunity for Trump to trumpet his signature issues: domestic security, immigration reform, and Muslim ban.  

On June 12th Trump tweeted: “Appreciate the congrats for being right on radical Islamic terrorism.” On June 13th, Trump responded with a speech so over-the-top that it was universally panned. Politico reported a spot poll: 51 percent of respondents did not like the way Trump responded to the Orlando massacre, while only 25 percent approved. 

Donald failed to united Republicans. After he secured the nomination, Trump had a chance to unite Republicans. He didn’t do this. He got a lukewarm endorsement from Mitch McConnell and Paul Ryan and did not garner the support of Republican elders such as George W. Bush and Mitt Romney. 

On May 7th Trump boasted he could win the presidency without unifying the Republican Party: “'I'm very different than everybody else, perhaps, that's ever run for office.” 

Donald Trump has made mistakes and they’ve cost him. A recent Washington Post/ABC News poll found that 70 percent of respondents had an unfavorable view of Donald Trump versus 29 percent favorable, a historic low. 

The results are worse by demographic sector. For example, in a CNN poll 73 percent of female voters said they had a negative view of Trump. A recent Gallup Poll provided additional information on the gender gap. Non-White women favor Clinton by 56 points; White women favor Clinton by 2 points.  

Donald has lost his mojo and, quite possibly, the election. 

----------------------------------------------------------------------------------------------------------------------------------------------- Bob Burnett is a Berkeley writer. He can be reached at bburnett@sonic.net


ON MENTAL ILLNESS: Addressing the Orlando Shooting

By Jack Bragen
Friday June 24, 2016 - 11:01:00 AM

To begin with, this is a horrible tragedy, something worse than I could ever imagine dealing with, nor could I ever fathom the grief of the friends and families of those killed. Those affected by this awful act have my deepest condolences.  

President Obama has done an excellent job of offering comfort to the victims through this tragedy.  

I am writing this week's column mainly to point out that a mental health diagnosis does not explain the motives of the perpetrator. The wife of the perpetrator has given a number of conflicting stories to the authorities, and police are trying to figure out if she was in collusion. She said that the perpetrator was "bipolar and abusive."  

I must point out that being bipolar does not automatically mean that someone is abusive, nor especially does it mean that a person is going to go out and commit horrible crimes. The vast majority of persons with mental illness are harmless, often more so compared to those who are not afflicted.  

It is unknown if the perpetrator was actually bipolar in addition to his other problems, or if that was just a story given by the wife. I did not hear anything about the shooter having contact with any mental health practitioners. Therefore, this appears to be yet another case of the public scapegoating persons with mental illnesses.  

Certainly, persons with psychiatric problems should not have access to guns. Unless you are living in some place like Alaska, where you may have to shoot a bear that is charging at you, there is no valid reason why a person with a mental illness should have a gun.  

I am in favor of more background checks prior to the sale of firearms, and I am in favor of any other restrictions that could be made law, if Congress would just do what they are supposed to do--protect the American people.  

But let's not use this tragedy as a justification for scapegoating mentally ill people some more. Just as Muslim people should not be denigrated, neither should people who have psych disabilities--most of us are good people with bad illnesses.


Arts & Events

New: Ferruccio Furlanetto Stars as King Philip II in DON CARLO

Reviewed by James Roy MacBean
Thursday June 30, 2016 - 10:39:00 AM

For San Francisco Opera’s performance on June 29 of Verdi’s Don Carlo, veteran bass Ferruccio Furlanetto replaced René Pape as King Philip II of Spain. Furlanetto first sang this role in 1986 at Salzburg, and I have a VHS video of that performance, which launched Furlanetto as a major interpreter of that role. Now, at age 67, Furlanetto sings just as magnificently as he did thirty years earlier. Indeed, he is generally acclaimed as the greatest Philip II of the current generation. 

In San Francisco Furlanetto lived up to his reputation, singing a powerful Philip II and endowing this character with finely nuanced complexity. Furlanetto’s voice is rich and fluid in all registers. When Philip II first appears onstage in Act II, Furlanetto stalks to center-stage using a cane, then angrily upbraids his young wife, Queen Elisabetta, for appearing unescorted. Invoking the rules of life at court, Philip then peremptorily dismisses the Queen’s Lady in Waiting, her friend from childhood, the Countess of Aremberg. Thus, it is clear from the outset that Philip is not happy in his marriage to the daughter of the King of France. Later, in Act IV, Furlanetto performed Philip’s famous aria, “ella giamai m’amo” (“She has never loved me”), in a manner that was quite different from the way René Pape performed it. Unlike Pape, who gazed forlornly at a painted portrait of his wife while singing this aria, Furlanetto never once even glanced at the portrait. Instead, he began the aria draped disconsolately over his canopied bed, which suggested that the bed itself was a fulcrum of his discontent with his wife. Moreover, by not even glancing at her portrait, Furlanetto made it clear that Philip’s image of his wife is internalized and highly subjective. This becomes clear moments later when Elisabetta rushes in and angrily reports that her jewel box has been stolen. Philip produces the jewel box and demands that Elisabetta open it. When she demurs, Philip opens it and takes out of the box a cameo portrait of his son Don Carlo. He then accuses his wife of adultery, calling her a whore. When she collapses in a faint, Philip rushes to her side and laments his rash jumping to conclusions. He realizes that his wife is blameless. 

While all the other roles aside from Philip were sung by the same cast as at the opening performance, which I reviewed in the June 17 issue, it was evident that the singers had in the interim become thoroughly relaxed and confident in their roles. Thus the quality of singing, which was already quite high in the opener, now reached an even higher and more consistent level of excellence. Soprano Ana María Martínez, who sang Elisabetta, did not hold back at the outset as on opening night in order to save her voice for the long haul and her difficult arias in Acts IV and V. Tenor Michael Fabiano as Don Carlo and baritone Marius Kwiechen as Rodrigo were again at the top of their game throughout this long opera. Bulgarian mezzo-soprano Nadia Krasteva as Eboli was even more impressive than on opening night, singing and acting a flamenco-inspired Veil song in Act II and offering a fiery “O Don fatale” in Act IV. As always in Don Carlo, the friendship between Carlo and Rodrigo carries a powerful charge of energy, perhaps even of homoerotic energy. Indeed, it is significant that in Act Iv when Rodrigo visits Carlo in prison and exults in their lifelong friendship, which inspires Rodrigo to save Carlo and die for him, the music Rodrigo sings is a variant of the very same love theme that Carlo sang at the outset of the opera when recalling his first glimpse of his betrothed Elisabetta. Erotic love, which for Carlo is directed towards Elisabetta, is directed by Rodrigo towards Carlo; and, indeed, this (homo)erotic charge seems reciprocated by Carlo. Thus, in opera already bearing a powerful charge of Oedipal conflict between father and son, as well as between step-mother and step-son, Verdi’s music and dramaturgy add a strong undercurrent of homoerotic energy. Don Carlo is truly a masterpiece of intense musical and dramatic power. 


EDITOR'S NOTE: We were there last night, and Mr. MacBean is absolutely right. It was an exquisite performance.


New: Around & About--Theater: Last performances of a Fine 'King Lear'

Ken Bullock
Wednesday June 29, 2016 - 04:04:00 PM

Last weekend I went to a show more or less off-the-cuff, at the behest of a friend who wanted me to see a production of 'King Lear' by a small company I'd never heard of with a funny name--Ninjaz of Drama.

'Lear' is, of course, a tough classic to pull off, to communicate whole, as a living, breathing work of art. I can count on one hand the productions I've seen where the whole play came through, not just great scenes or performances, and all of them were by professional companies, or companies dominated by professional actors.

(One of the most promising versions I've ever gone to, at the Old Vic with a famous director and first-rate cast, bogged down by the storm scene and proceeded to break apart into just that--scenes and individual performances of greater and lesser worth.)

So it was one of those delightful surprises that make everything else worthwhile to watch the Ninjaz bring off one of the clearest, most articulate performances of 'Lear' in terms of story and detail I've seen. With the fine direction of San Francisco native Rey Carolino (who also played several minor roles) and excellent script editing of David Abad, the actors of various degrees of stage experience became an ensemble dedicated to the exposition of this thematically complex, emotionally difficult masterpiece.  

 

Geoffrey Colton's splndid portrayal Lear deserves mention, but there were several performances of merit--and the cast worked well together, each pulling through at the most difficult moments.It confirms my longtime belief that small, semi-professional troupes are the real backbone of Bay Area theater and often do the most exciting work.The performers all deserve to be named: besides Colton and Carolino, Terry Kolkey, ShawnJ West, Lynn Sotos, Vicki Zabarte, Miranda Hanrahan, Federico Edwards, Lijesh Krishnan, Greg Gutting, Alan Quismorio, Richard Friedlander. 

There're only two performances remaining, happening right away--Thursday and Friday, June 30 and July 1, 8 p. m. at the Phoenix Theater (one of my favorite studio theaters around), 414 Mason, suite 604 (sixth floor of the Native Sons Building, between Post and Sutter, near Union Square, San Francisco. Tickets: $15-$20. ninjazofdrama.com


New: A Moving Farewell Concert by Cypress String Quartet

Reviewed by James Roy MacBean
Wednesday June 29, 2016 - 01:35:00 PM

On Sunday, June 26, at 3:00 in the afternoon, with all the pandemonium of Gay Pride celebrations going on outside in the Civic Center, the Cypress String Quartet performed their Farewell Concert in the newly opened Taube Atrium Theatre of San Francisco’s War Memorial Building. After twenty years of playing together (fifteen years with Ethan Filner as violist), the Cypress String Quartet, composed of Cecily Ward and Tom Stone on violin, Jennifer Kloetzel on cello, and Ethan Filner on viola), is now disbanding to allow each member to pursue other musical endeavors. During their twenty-year run, the San Francisco-based Cypress Quartet has made many recordings, including the complete Beethoven String Quartets, and has been internationally recognized as one of the very best string quartets in the world. They have also carried out an extensive outreach program to bring classical music into classrooms at all levels, from inner city elementary schools in San Jose to high schools and universities throughout the Bay Area. The Cypress Quartet also spent two full weeks in May of this year performing the complete Beethoven String Quartets in a free series of public concerts at outdoor venues throughout all neighborhoods of San Francisco. If they are now disbanding, we can only be grateful, not only for twenty years of wonderful music-making, but also for the way the Cypress Quartet has gone out with a bang, sharing with us all their joy in music-making. 

At their Farewell Concert, the Cypress Quartet opened the program with Beethoven’s String Quartet in F minor, Op. 95, which Beethoven called “Quartetto Serioso”. As Cecily Ward said in announcing this work, the Op. 95 occupies a unique place among Beethoven’s string quartets, because it is the last of the so-called Middle period and foreshadows the work to come in the Late period. Ward added that because the Op. 95 is the shortest of Beethoven’s string quartets, this gave the Cypress Quartet the opportunity to add more contemporary works, including some they commissioned, to the Farewell Concert’s program.  

Beethoven’s Op. 95 opens with all four instruments issuing bold phrases, almost like emotional outbursts. The key of f minor, for Beethoven, is associated with drama and defiance, and indeed this quartet is full of both, as the composer broke new ground with sudden meter changes, harmonic complications, unexpected moments of silence, and a fugue (one of many to come in Beethoven’s Late works). After a turbulent first movement, the second, marked Allegretto ma non troppo, opens with a tender phrase from the cello and continues in a tender mood throughout. The third movement, marked Allegro assai vivace ma serioso, is this work’s best-known movement, and it is full of vigor and rhythmic chances. The final movement contains three sub-sections: the first a slow Larghetto; the second an Allegretto agitato, and the third, surprisingly in such a ‘serious’ work, is a brief Allegro that has the flavor of a comic-opera ending. As always, the Cypress String Quartet dispatched this Beethoven quartet with great cohesion and truly expressive playing. 

Next on the program were excerpts from contemporary works: the “Clay Flute” movement from Elena Ruehr’s Third String Quartet (2001), the “Quiet Art” movement from Jennifer Higdon’s Impressions Quartet (2003), the Fantaisie from Philippe Hersant’s Quatuor à Cordes No. 3 (2011), and the “Unhurried” movement from Benjamin Lees’ String Quartet No. 6 (2005). All but the first of these works were commissioned by the Cypress Quartet, which during their 20 years together commissioned at least two-dozen works (not, I apologize, the 640 I erroneously cited in my article of May 15, 2016). Incidentally, in her opening remarks, Cecily Ward noted that composer Dan Coleman was in the audience, asked him to stand and take a bow, and called him “our Beethoven.” All three of Coleman’s String Quartets were commissioned by Cypress Quartet. (See my review of the Cypress Quartet performing Coleman’s Third String Quartet in my article of May 15, 2016.) Of the brief excerpts performed in this Farewell Concert, the “Clay Flute” movement from Ruehr’s Third Quartet stood out for its ability to fashion interesting music from only five notes. Hersant’s “Fantaisie” opened with a repeated chimes motive that reminded me of Marin Marais’s 17th century Les Sonneries de Ste. Geneviève; and the “Unhurried” movement from Benjamin Lees featured a scherzo with agitated ensemble spasms and pizzicato from the violins. Higdon’s “Quiet Art” from her Impressions Quartet offered warmed-over tributes to Debussy and Ravel without establishing much in the way of original music. 

After intermission the Cypress Quartet performed Claude Debussy’s String Quartet in G minor, Op. 10. This work, as Jennifer Kloetzel mentioned in her Program Notes, is amazingly rich in rhythm, harmony, and color. As performed by the Cypress Quartet, this work received a tightly cohesive interpretation. The first movement, marked Animé et très décidé, was especially precise, while the second movement offered a shimmering gossamer texture. The third movement was sweet and soft, while the finale was increasingly animated, ending in a passionate closing statement.  

As encores, Cypress Quartet turned to Czech composers, playing the finale from Antonin Dvořák’s “American” Quartet, Joseph Suk’s “Barcarolle,” and Erwin Schulhoff’s “Tango.” It was an emotional farewell, for audience and performers alike, as the Cypress String Quartet brought to a close their illustrious twenty-year tenure among the world’s finest string quartets. 


Rachel Podger & Kristian Bezuidenhout in an All-Bach Program

By James Roy MacBean
Friday June 24, 2016 - 11:09:00 AM

After performing separately on Thursday, June 9, as part of the Berkeley Festival & Exhibition, produced by the San Francisco Early Music Society, violinist Rachel Podger and keyboard artist Kristian Bezuidenhout teamed up on Saturday, June 11, for an all-Bach program. This time Bezuidenhout played harpsichord, and, as always, Podger played her 1739 Pezzolini baroque violin. Together, these two artists performed works by Johann Sebastian Bach, especially his Sonatas for Violin and Harpsichord. 

The program began with Bach’s Sonata for Violin and Continuo No. 1, in B minor, BWV 1014. This work opens with a slow movement, and Rachel Podger provided a dreamy account of this movement’s violin melodies. The second movement was fast, and the third was again a slow movement, this time with yearning, sighing passages from Podger’s violin. The final movement was very fast, brought off with great technical brilliance by both soloists.  

Next came Rachel Podger performing the second of Bach’s set of six Sonatas and Partitas for Solo Violin, this one in the key of A minor, BWV 1003. After a first slow movement, Podger launched into a fast movement requiring nimble passagework. Amid the dissonances of this music, a sudden, loud yowling was heard from the balcony, where a gentleman experienced an epileptic seizure. This was so unnerving that Rachel Podger stopped playing, obviously concerned about the individual’s health. However, according to the concert’s organizers, the gentleman quickly recovered and was completely lucid, reassuring doctors he was okay. (Strangely enough, this was the second time in two months such a seizure occurred, also in one of Bach’s Solo Violin pieces. In April, while Gil Shaham was playing in Zellerbach Hall, someone began yowling. However, that episode was very brief and not very loud, and in the vast recesses of Zellerbach Hall, it’s quite possible Gil Shaham never heard the yowling. In any case, Shaham, unlike Rachel Podger, did not stop playing.)  

Once Rachel Podger was reassured by concert organizers that the individual in question was okay, she re-started the second movement from the top. Throughout this demanding work, Podger’s low and mid-range were plangent, and her top range was bright and clear-toned. Playing on a period violin with gut strings may not offer as loud a sound as a modern instrument, but for richness of tones throughout the different registers period instruments are superb. In any case, Podger’s playing was technically brilliant as always. Following this work came Bach’s Sonata for Violin and Harpsichord No. 3 in E Major, BWV 1016. This piece is in four movements – slow, fast, slow, fast – and featured a very mellow third movement and a fourth that offered great repartee between Podger on violin and Bezuidenhout on harpsichord.  

The second half of the program began with Bach’s Sonata for Violin and Harpsichord No. 2 in A Major, BWV 1015. This work was dispatched with aplomb. Next Kristian Bezuidenhout took the stage to perform Bach’s Toccata for Solo Harpsichord in D minor, BWV 913. Here Bezuidenhout had ample scope to demonstrate his technical virtuosity and interpretive skill. Likewise, in this concert’s final work, Bach’s Sonata for Violin and Harpsichord No. 6 in G Major, BWV 1019, Bezuidenhout had a long solo in the second movement that also allowed him to show off his chops. Throughout this final work, Rachel Podger and Kristian Bezuidenhout teamed up beautifully to complement one another in an outstanding display of Baroque concertizing.


A Stunning JENUFA at SF Opera

By James Roy MacBean
Friday June 24, 2016 - 11:04:00 AM

Czech composer Leoš Janáček’s opera Jenufa tells a simple story, one set in a Moravian farming village similar to the one where Janáček himself grew up; but it tells this tale in music of searing intensity. As a young composer Janáček traveled throughoutšŠMoravia, studying the folk songs and rhythms of speech among the villagers. From these early years of research, Janáček created a unique musical idiom that is quite different from the musical styles of his fellow Czech composers Antonin Dvořák and Bedřich Smetana. For the opera Jenufa, Janáček wrote the libretto himself based on a play, Jeji pastorkyna – literally, Her Stepdaughter, by Gabriela Preissová. The unnamed Her of the title refers to Kostelnička Buryjovka, sung here by the great Finnish soprano Karita Mattila; and her stepdaughter is Jenufa, sung here by up-and-coming Swedish soprano Malin Byström. Individually and together, Mattila and Bystrom sang resplendently. The third cast member noteworthy of our appreciation was tenor William Burden as Laca, the villager who competes for Jenufa’s love with his stepbrother, the handsome village rake, Števa, sung here by Scott Quinn. 

The plot of Jenufa is a grim, harrowing tale of Jenufa’s unwedded pregnancy by Števa, who abandons her, and the killing of Jenufa’s baby by her stepmother, Kostelnička in an effort to hide the secret of her stepdaughter’s unwedded pregnancy. It is also the tale of Laca’s abiding love for Jenufa even when he learns of the birth of her son by Števa. In the role of Laca, tenor William Burden adroitly handled the vocal changes demanded by the libretto and score, as he used a sarcastic tone for his Act I jibing at Jenufa, then sang with rapturous commitment in Acts II and III. Malin Byström, too, handled adroitly the changes in Jenufa’s character, from bright and cheery in Act I to gloom and doom in Act II, then on to a final mature reconciliation in Act III. Throughout these changes, Byström’s soprano featured lustrously silver high notes and richly burnished low notes.  

As for Karita Mattila, this veteran singer offered a Kostelnička that was larger-than-life. Vocally and dramatically, Mattila was utterly convincing as the steely, proud stepmother respected and feared by all the other villagers. Mattila conveyed all the pride and fear of humiliation Kostelnička felt in dealing with the unwedded pregnancy of her beloved stepdaughter Jenufa. Indeed, Kostelnička’s Act III confession to Jenufa that, “I loved myself more than you,” was very movingly sung by Karita Mattila. The only major character is this opera who does not grow and mature is Števa, who remains vain and superficial from beginning to end, although tenor Scott Quinn did his best to instill some life in this rather wooden character. 

In smaller roles, mezzo-soprano Jill Grove was excellent as Grandmother Buryjovka, bass-baritone Matthew Stump turned in a fine performance as the mill foreman, soprano Sarah Tucker ably sang the role of Jano, and soprano Toni Marie Palmertree was a fine Barena. Act III introduced several new characters: the village mayor and his wife, sung here by Anthony Reed and Zanda Švede; Karolka, the new fiancée of Steva, sung here by Adler fellow Julie Adams; and Kostelnička’s aunt, sung here by Buffy Baggott.  

The staging by Olivier Tambosi was not altogether satisfying, in my opinion. Tambosi made all-too-frequent use of rocks, one a huge boulder, which intruded on the mill in Act I, intruded quite ludicrously on Kostelnička’s house in Act II, and were used as threatening projectiles when the villagers almost began stoning Jenufa in Act III when her dead baby was recovered from the thawing ice in the river. The rocks themselves were designed by Frank Philipp Schlössmann. Finally, Czech conductor Jiři Bělohlávek led the orchestra in a taut, robust performance of Janáček’s score. All in all, this was a Jenufa for the ages, a stunning performance of an opera all too rarely encountered.


New: SF Opera Celebrates David Gockley

Reviewed by James Roy MacBean
Thursday June 30, 2016 - 10:45:00 AM

On Thursday evening, June 16, the San Francisco Opera held a gala concert celebrating the ten-year reign of David Gockley as General Director of the company. Gockley, who is retiring at the end of the current summer season, came to SF Opera in 2006 from Houston Grand Opera, where he spent 33 seasons as General Director.

During his long career, Gockley has commissioned no less than 45 new operas.  

 

At the Gala, Introductory words of welcome were spoken by Gala Chairs John A. and Cynthia Fry Gunn, as well as by Honorary Co-Chairs Diane B. Wilsey and Lynn Wyatt. Then conductor John DeMain took the podium to lead the Opera Orchestra in the overture to George Gershwin’s Porgy and Bess. Once under way, the Gala Concert featured many of the stars who got their start under David Gockley’s tutelege. Soprano Renée Fleming was featured prominently in the concert, singing the solemn “Song to the Moon” from Dvořák’s Rusalka, the trio “Hab mir’s gelobt” from Richard Strauss’s Der Rosenkavalier with Nadine Sierra and Sasha Cooke, “Sull aria… che soave zeffiretto” from Mozart’s Le nozze di Figaro with mezzo-soprano Heidi Stober, and “I can smell the sea” from André Previn’s A Streetcar Named Desire. Miss Fleming was also awarded by David Gockley the San Francisco Opera Medal of Honor for lifetime service.  

However, the real highlights of the concert were provided by several young singers. Soprano Ana Maria Martínez sang a ravishing aria, “Ain’t it a pretty night,” from Carlisle Floyd’s Susannah, and, in the second half of the concert, soprano Nadine Sierra sang an absolutely incendiary duet with tenor Michael Fabiano, “Toi! Vous! N’est-ce plus ma main? “ from Jules Massenet’s Manon. Nadine Sierra’s portrayal of the repentant Manon declaring her love for Des Grieux and seeking to win him back was riveting in vocal and dramatic intensity. Tenor Michael Fabiano also brought down the house with his aria, “Quando le sere al placido,” from Verdi’s Luisa Miller. 

Not to be left in the lurch by all the young talent, veteran stars held their own. Soprano Karita Mattila was outstanding as Sieglinde in the finale of Act I from Richard Wagner’s Die Walküre. Bass René Pape added a jocular touch to his aria “Son lo spirito” from Arrigo Boito’s Mefistofele. Mezzo-soprano Dolora Zajick sang a robust “Voi lo sapete” from Pietro Mascagni’s Cavalleria rusticana. And soprano Patricia Racette sang an over-the-top melodramatic rendition of “Bill” from Jerome Kern’s Showboat.  

Interspersed among the musical performances were words from Frederica von Stade and Thomas Hampson plus recorded video messages of congratulations from Joyce DiDonato, Placido Domingo, and Cecilia Bartolli. (Though Bartolli has never sung with SF Opera, she did sing with Houston Grand Opera during Gockley’s tenure at that company.) 

Also noteworthy were performances by mezzo-soprano Sasha Cooke, who filled in admirably for an ill Susan Graham, in the aria “Ah! Je vais mourir … Adieu, fière cite” from Hector Berlioz’s Les Troyens, and tenor Brian Jagde, who sang a robust “Nessun dorma” from Puccini’s Turandot. Bass-baritone Eric Owens sang “I got plenty of nothing” from George Gershwin’s Porgy and Bess. Soprano Heidi Stober sang “Da tempeste” from Handel’s Giulio Cesare. And mezzo-soprano Daniela Mack sang “Tanti affeti” from Gioachino Rossini’s La donna del lago.” Baritone Edward Nelson sang the minimalist aria “News” from John Adams’ Nixon in China, and SF Opera’s Music Director Nicola Luisotti led the orchestra in the Intermezzo from Marco Tutino’s Two Women. As a final touch, David Gockley took the stage and humorously asked, “Are there any questions?” Then he thanked the audience and exhorted us to continue supporting opera so that, in the words of Voltaire’s Candide, set to music by Leonard Bernstein, “we may make our garden grow.” This aria was sung by a great number of singers and chorus members, with all of the evening’s participants eventually joining in, thereby bringing the Gala Concert to a fitting close.