Even today, 30 years after his death and nearly 100 years since he first stepped before a motion picture camera, Charlie Chaplin is still one of the most recognizable people in the world. The dandified Tramp, with his brush mustache, ill-fitting clothes, wicker cane and derby hat, is an iconic figure, but one whose familiarity has to some extent undermined his art. Chaplin today has become something of a two-dimensional figure, a static icon that means little to those born in the decades since his heyday; he exists as a fully formed entity, a known quantity, and is therefore just as easily ignored, an image from the past that no longer requires our attention.
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